Oxford University Press's
Academic Insights for the Thinking World
For Black History Month, I wrote about an American Television pioneer: Nat “King” Cole, who was the first African American to host a television show. Since many have dubbed March as “National Women’s Month,” I focus on another pioneer of early television, Dinah Shore.
By Arthur Shimamura
Like the great and powerful Oz, filmmakers conceal themselves behind a screen and offer a mesmerizing experience that engages our sights, thoughts, and emotions. They have developed an assortment of magical “tricks” of acting, staging, sound, camera movement, and editing that create a sort of sleight of mind. These techniques have been discovered largely through trial and error, and thus we have very little understanding of how they actually work on our psyche.
By Steve Pratt and Emma Croager
Most adults won’t be familiar with the music video You Make Me Feel by Cobra Starship, as it has much greater appeal to young people. There is little doubt however that the overwhelming majority of adults would quickly identify the product placement in the video. The commercial intent of the product placement in this example is self-evident.
We’re very pleased to annouce the winner of the Very Short Film competition 2013. The Very Short Film competition was launched in partnership with The Guardian in October 2012.
By Lucy Fischer
During my childhood, there were only two “award” shows that I watched religiously. One was the Miss America Pageant (I am, after all, “of a certain age”) and the other was the Oscars. I abandoned the former long before its demise (as a card-carrying feminist) but the latter has remained on my viewing schedule. In fact, it is often one of the few programs I still watch “live” given that my TV viewing is entirely DVR-dependent.
One definition of a classic book is a work which inspires repeated metamorphoses. Romeo and Juliet, Gulliver’s Travels, Frankenstein, Dracula, The Great Gatsby don’t just wait in their original forms to be watched or read, but continually migrate from one medium to another: painting, opera, melodrama, dramatization, film, comic-strip. New technologies inspire further reincarnations
By Elijah Siegler
Last night at the Oscars, the Academy awarded a golden statuette to a film about a flawed hero who we the audience empathize with, who departs their normal life, enters a strange world, but returns triumphantly. Did I just describe Best Picture Winner Argo?
True love in opposition. Levin and Kitty’s match set against the triangle of Anna, her husband Karenin, and her lover Vronsky. How can Tolstoy’s crushing rejection scene (drawn from his own life) be portrayed on screen? A new film adaptation of Anna Karenina, starring Keira Knightly and directed by Joe Wright, has opened worldwide, and we’ve paired a scene from the film with an excerpt of the work below.
In his acceptance speech at the 1981 Oscars (best original screenplay, Chariots of Fire), Colin Welland offered the now famous prediction that ‘The British are coming!’ There have since been some notable British Oscar successes: Jessica Tandy for Driving Miss Daisy (1989); director Anthony Minghella for The English Patient (1996); Helen Mirren (in The Queen, 2006).
It’s Valentine’s Day on Thursday, so let us celebrate the happiness of brief, all-encompassing love. We’ve paired a scene from the recent film adaptation of Anna Karenina, currently nominated for fours Oscars, with an excerpt of the novel below. In it, Anna and Vronsky discuss the happiness of their newfound love.
Today represents a red letter day — and a black mark – for US cultural history. Exactly 98 years ago, D.W. Griffith’s Birth of a Nation premiered in Los Angeles. American cinema has been decisively shaped, and shadowed, by the massive legacy of this film.
By Arthur P. Shimamura
This year’s academy award nominations of Argo, Lincoln, and Zero Dark Thirty, attest to our fascination of watching “true stories” depicted on the screen. We adopt a special set of expectations when we believe a movie is based on actual events, a sentiment the Coen Brothers parodied when they stated at the beginning of Fargo that “this is a true story,” even though it wasn’t.
By Krin Gabbard
If you remember a time when there was no Tonight Show, then you probably remember a time when there was no American television industry. In 1954, NBC took Steve Allen’s local New York TV show, broadcast it nationally five days a week, and called it Tonight. The show did not become an institution until Johnny Carson became its host exactly fifty years ago in October 2012.
By Chloe Foster
After more than three months of students carefully planning and creating their entries, the Very Short Film competition has closed and the longlisted submissions have been announced.
On 28 January 1813, Pride and Prejudice by Jane Austen was published. Originally titled ‘First Impressions’, Austen was forced to re-title it with a phrase from Frances Burney’s Cecilia after the publication of Margaret Holford’s First Impressions. We’ve paired an extract from the book with a scene from the most recent dramatization to see how Austen’s words have survived the centuries.
The New Year is a time of looking forward to the future and back to the past. Looking back, last year witnessed the death of Dave Brubeck, one of the all time great jazz musicians. Brubeck became famous through his live performances and his recordings, especially the seminal Time Out album released in 1958. But he also became famous through his many appearances on American and international television.