TV & Film

An Oxford Companion to James Bond

By Daniel ‘Pussy Galore’ Parker and Gabby ‘Odd Job’ Fletcher

By Daniel ‘Pussy Galore’ Parker and Gabby ‘Odd Job’ Fletcher
‘Ah’, he says stroking a white fluffy cat, ‘we’ve been expecting you’. Leave Ms Moneypenny with a peck on the cheek, stash your Walther PPK in your back pocket and jump into our Aston Martin so you can join us as we speed through an A to Z of Bond fun, fact, and fiction. We have stories about Roger Moore’s penchant for love-making, tales of fictional islands, and even anecdotes about crocodile jumping. We’ve devoured OUP’s online reference works to bring you a delicious helping of double 0 heaven. Welcome to the world of Bond, James Bond

James Bond: the spy we love

By Cornelia Haase
Premiering today, 23 October 2012, Skyfall is the 23rd film in the highly successful James Bond film series. It has been 50 years since the release of the first Bond film, Dr. No, in 1962. Over the decades, there have been many Bond adventures and we have seen six different actors portraying the MI6 agent, as well as many Bond villains, and the famous Bond girls who don’t seem to be able to resist Bond’s charms.

The top ten dramatizations of Moby-Dick

By George Cotkin

By George Cotkin
Moby-Dick draws readers into it. And many of its more creative readers have sought to capture its grandeur on film and stage. From the first film in 1926 to the present, these attempts have taken liberties with the novel, sometimes for good, sometimes for ill. But that is the challenge that Moby-Dick offers its readers, a text that is deep and wide, an ocean of issues and concerns that we must all, in some fashion, navigate

American football on TV and the music of the night

By Ron Rodman

Monday Night Football has been a staple of American television for over forty years. The first Monday night broadcast aired on the ABC network on 21 September 1970, with a game between the New York Jets and the Cleveland Browns. Ever since, Monday Night Football (MNF) broadcasts have rarely been topped in the Nielsen ratings. After a storied run on ABC, MNF moved to the popular sports cable network, ESPN, in 2006.

The point of no return

By Alyssa Bender

If a theater noob polled a group of theater fans on what classic musicals she must see to jumpstart her theater education, you would be hard pressed to find a fan without The Phantom of the Opera on their list. The show, which opened at Her Majesty’s Theatre in London on 9 October 1986, has left an undeniable impact on London’s West End, Broadway, and theater in general.

50 years of James Bond in music

Few characters in the history of cinema, if any, are more iconic than Ian Fleming’s debonair super-spy, James Bond; few, too, can boast of any comparison to the equally iconic music which accompanies the intrepid agent 007’s exploits. Since the series’ beginning, the Bond films have been marked by exceptional music, including contributions from Paul McCartney, Shirley Bassey, Louis Armstrong and Madonna, and, of course, John Barry’s instantly recognizable “James Bond Theme.”

West Side Story, 55 years later

By Meghann Wilhoite

Today marks the 55th anniversary of the Broadway premiere of Leonard Bernstein’s West Side Story. A racially charged retelling of Romeo and Juliet, West Side Story is set in the “blighted” West Side of 1950s Manhattan, the potent themes of star-crossed love and gang rivalry successfully translated from 16th century Italy to 20th century New York by book-writer Arthur Laurents and lyricist Steven Sondheim.

New BBC drama ‘The Paradise’ & Oxford World’s Classics

Tonight sees the start of a major new drama series on BBC 1, The Paradise. Adapted from Zola’s novel The Ladies’ Paradise (Au Bonheur des Dames) and set against the backdrop of the spectacular rise of the department store in the 1860s and 70s, the story follows the fortunes of a young girl from the provinces who starts work as a salesgirl in the shop, and her entanglement with the charismatic owner. Oxford World’s Classics is delighted to publish the tie-in edition of Zola’s novel, in a compelling translation by Brian Nelson.

Keeping movies alive

Film is considered by some to be the most dominant art form of the twentieth century. It is many things, but it has become above all a means of telling stories through images and sounds.

How do you remember 9/11?

By Patricia Aufderheide
Documentary film both creates and depends on memory, and our memories are often composed of other people’s. How do we remember public events? How do you remember 9/11? On this anniversary of 9/11, along with your own memories, you can delve into a treasure trove of international television covering the event.

The greatest film ever made!

By Guy Westwell

What is the greatest film ever made? In an attempt to answer this question the editors of the British Film Institute’s journal Sight and Sound conducts a poll of leading film critics, scholars and directors. The first poll took place in 1952, when Vittorio De Sica’s Italian Neorealist classic Bicycle Thieves (1948) was declared the winner. Sixty years later, and with nearly 850 critics, scholars and programmers contributing, the results of the 2012 poll have just been published.

Behind the scenes at ‘OUP Studios’

By Georgia Mierswa

The New York office’s 13th floor conference room — a quiet, large space with no outside light — functions surprisingly well as miniature studio. Within a few hours of the film crew arriving, the office chairs and table have been removed, a green screen unfurled, camera, lights, and mic all assembled, and the Publisher of Scholarly and Online Reference is sitting in the spotlight, prepped for his interview.

Pablum for profit’s sake?

By William D. Romanowski
When Protestant evangelicals opened a Hollywood front in the late twentieth-century “culture wars,” the result was an odd mixture of moral reproach and commercialization of religion. To no avail, they famously protested MCA/Universal over The Last Temptation of Christ (1988), and then joined conservative Catholics — outraged over the movie Priest (1995) — in a boycott of the Walt Disney Company, the world’s largest provider of family entertainment.

The LPO, Minis, and an Olympic afterglow

By Ron Rodman

This is my last blog on the music and TV broadcasts for the 2012 Olympic games — I promise. But I just saw a new video ad that I must share. In my last blog post, I noted the remarkable feat of the London Philharmonic Orchestra (LPO), who, under the baton of Philip Sheppard, recorded the national anthems of all 205 participating nations in the Olympic games in a little under 52 hours of studio time.

A Spice Girl Symphony: The Olympic Closing Ceremony

By Ron Rodman

The 2012 Olympic games concluded on Sunday with choreographer Kim Gavin’s musical extravaganza. As with Danny Boyle’s opening ceremony, Gavin was intent on impressing his vision of British music to the world. To underscore its significance, he titled the closing “A Symphony of British Music.” This title was a peculiar choice considering that classical historical musicology considers the “symphony” as a specific genre of classical music: a serious multi-movement work composed by a renowned composer, and performed by an orchestra.

The Oxford Companion to the London 2012 Opening Ceremony

By Alice Northover

Many questioned how the London 2012 Summer Olympic Games Opening Ceremony was going to make a mark after the spectacular Beijing Olympics only four years earlier. While Beijing presented the Chinese people moving as one body — dancing, marching, and presenting a united front to the world — the British answer was a chaotic and spirited ceremony, shifting from cricket matches to coordinated dance routines, Mr Bean’s comedic dream to a 100-foot Lord Voldemort.