TV & Film

Where are the ‘Isles of Wonder?’

By Anthony Bale
Danny Boyle’s spectacular opening ceremony at the London Olympics on 27 July 2012 was entitled Isles of Wonder. As many will have noticed, it was shot through with references to the medieval and early-modern past. Mike Oldfield’s performance of In Dulce Jubilo, a 1970s reworking of a late-medieval German-Latin carol, provided one of the most exuberant moments. In Stratford, dancing nurses accompanied it. There were many references to and quotations from Shakespeare as well.

Music and the Olympics: A Tale of Two Networks

By Ron Rodman

Television networks use music to connect audience and program through theme music and short video spots called “promos. Themes and promos carry what media musicologist Philip Tagg calls “appellative functions”, which summon viewers to the television screen. With an event as big as the Olympics, television networks need to attract as large an audience as possible to maximize commercial ad revenue.

James Bond at the London 2012 Opening Ceremony

By Jon Burlingame
When James Bond and Queen Elizabeth parachuted out of the helicopter (or appeared to) during Friday night’s opening ceremonies of the London Olympics, director Danny Boyle could think of only one piece of music to play: the “James Bond Theme.” And of all the dozens of recordings of 007′s signature music that have been made over the years, he chose the unmistakable original: John Barry’s recording of Monty Norman’s “James Bond Theme,” from the very first Bond adventure, Dr. No, which opened in British cinemas 50 years ago, in October 1962.

The continuing life of science fiction

By David Seed
In 1998 Thomas M. Disch boldly declared in The Dreams Our Stuff Is Made Of: How Science Fiction Conquered the World that science fiction had become the main kind of fiction which was commenting on contemporary social reality. As a professional writer, we could object that Disch had a vested interest in making this assertion, but virtually every day news items confirm his argument that SF connects with an amazingly broad range of public issues.

Protestantism in Hollywood

Hollywood and Christianity often seem to be at war. There is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious “damn,” to The Life of Brian and The Last Temptation of Christ. In his latest book, historian and award-winning commentator William Romanowski explores the complicated and remarkable relationship between Protestants and the American film industry. In it he reveals the surprising story of how mainline church leaders opposed government censorship, preferring instead self-regulation by both the industry and individual conscience.

A New ‘Modern Prometheus’?

By Brett Rogers and Benjamin Stevens
Early in Ridley Scott’s science fiction (SF) film Prometheus, archaeologists discover a cave-painting of what seems to be a human figure pointing at a group of stars. Having gathered strikingly similar images from ancient and prehistoric cultures around the globe, the archaeologists take this most recent discovery as confirming their theory about the origin of humankind: we were placed here, created, by extraterrestrials. The archaeologists refer to those extraterrestrials as ‘Engineers’ (“What did they engineer?” asks another character. “They engineered us.”).

Downton Abbey and the Curse of King Tut

By Roger Luckhurst
You must surely have been tempted on occasion to curse Julian Fellowes, if not for the script of Young Victoria, then for the creation of Downton Abbey, that death star of good old-fashioned aristocratic virtue and due deference. For a little while, all public debate seemed to be sucked through the funnel of Downton discourse, coinciding as it did with the election of all those shiny Eton boys to government in 2010. But don’t worry: he may already be cursed.

Oxford Bibliographies in Cinema and Media Studies

Developed cooperatively with scholars and librarians worldwide, Oxford Bibliographies offers students and researchers authoritative guides to the key literature in a wide variety of fields. Watch as Editor in Chief of Oxford Bibliographies in Cinema and Media Studies, Krin Gabbard, a professor at Stony Brook University, discusses his role in the project and how Oxford Bibliographies is revolutionizing the way students do research online.

How to make a transmedia documentary: three takeaways

By Patricia Aufderheide
What happens to documentary when media goes interactive? It’s not always a welcome question. Documentarians aren’t necessarily thrilled at the idea of someone poking at their precious work on a smartphone, rather than settling into a seat at a theater or on a couch. But they’re going to have to get used to it. Media users want to do more than just watch these days.

Girls and the Jump to Judge

By Jason Mittell
I’d decided not to write about the pilot of Girls, the new HBO show that has either been hailed as the channel’s great comedy hope, or a crime against humanity (or maybe some middleground somewhere too). But after reading a lot of the criticism and commentary, and getting into at least four lengthy conversations on Twitter about it, I figured I’d assemble some thoughts to join in the fray beyond 140 characters.

Images from American Bandstand

As we look back at the life and work of Dick Clark, we put together a slideshow of images from American Bandstand: Dick Clark and the Making of a Rock ‘n’ Roll Empire by John Jackson. We’ll miss you Dick Clark!

Remembering Dick Clark

We were saddened to hear that Dick Clark died yesterday at the age of 82. A television presenter and American icon, Dick Clark is fondly remembered for his years hosting American Bandstand and the New Years Eve Ball Drop in Times Square. We’ve excerpted the preface of American Bandstand: Dick Clark and the Making of a Rock ‘n’ Roll Empire by John Jackson to showcase some of the impact he had on American music.

Words are wind

By Adam Pulford
Somehow A Song of Ice and Fire, the colossal fantasy series by George R. R. Martin, had escaped my notice until the critically acclaimed TV series hit our screens last year, prompting me to buy the first book in the series. Little did I know that a few weeks later I would spend Christmas continually ushering away family members clutching Monopoly and Cluedo boxes so that I could devour all five volumes in unhealthily close succession. The five books have now been translated into more than 20 languages and have sold over 15 million copies worldwide. As Game of Thrones returns to our screens for a second season, there’s no better time to explore the interesting language used by its creator.

Mad Men and the dangerous fruit of persuasion

With the season premiere of AMC’s Mad Men coming this weekend, we thought we’d use this opportunity to introduce you to one of the most highly respected scientists in the field of Persuasion. As a matter of fact, many people consider Dr. Robert Cialdini as the “Godfather of influence”. What better way to do that then provide you with the foreword he wrote to a just-released book, Six Degrees of Social Influence. Enjoy his words below and enjoy the premiere.

Robert Sherman, songwriter and storyteller

By Philip Furia
Next to George and Ira Gershwin, the only major fraternal songwriting team in the history of American popular music has been Robert and Richard Sherman. Together, the Sherman brothers wrote songs for such film musicals as Mary Poppins, Chitty Chitty Bang Bang, Tom Sawyer, The Jungle Book, and The Aristocats. Richard Sherman composed the music for their songs, and both he and Robert wrote the lyrics.

“Davy” Jones, actor and musician

By Gordon Thompson
As the Beatles made their historic debut on American television in February 1964, the cast of Oliver!, the actor playing the role of the Artful Dodger, and other acts on the show watched from the wings as the hysteria unfolded. Davy Jones had started his acting career on British television, making his debut appearance in the venerable Coronation Street followed by the gritty Liverpool police drama, Z-Cars.