Oxford University Press's
Academic Insights for the Thinking World
Last Friday the Harry Potter: A History of Magic exhibition opened at the British Library. It is a much anticipated showcase of Harry Potter artefacts, including many from the vaults of Bloomsbury and J.K. Rowling herself.
The zombie apocalypse presents many challenges – for both the prepared and unprepared. As if dodging an aggressive and cannibalistic undead horde constantly in pursuit of brains isn’t enough, you must also forage for food, find shelter, and brave the elements in a world growing more inhospitable by the minute. Technology is no longer reliable, the creature comforts that we take for granted are no longer guaranteed, and our sense of safety is completely compromised.
The Renaissance is remembered as a time of renewed interest in scientific investigation, yet it also brought a huge increase in sightings of fantastic creatures such as mermaids and sea serpents. One explanation for this apparent paradox is that the revival of classical art and literature inspired explorers to look for the creatures of Greco-Roman mythology. Another reason was the expansion of trade. Cryptids, fantastic creatures that elude established terms of description, tend to arise on the boundary of two or more cultures.
Before the serial publication of Crime and Punishment in the prominent literary journal The Russian Messenger in 1866, the reception of Fyodor Dostoevsky’s works, and his reputation as a writer, had been somewhat mixed. The story of his career marks one of the most dramatic falls from grace and rise again stories in literary history.
I have always read “classics,” alongside contemporary titles, as an editor who desires to be informed by the past in shaping new publications; and a human who loves to read. We bring our personal and political lens to any work, and what makes reading and re-reading classics such an intellectually pleasurable occasion is to engage […]
The idea that life imitates art is one of Oscar’s best yet most often misunderstood. It is central to his philosophy and to his own life. Take The Decay of Lying, for example, an essay in the form of a dialogue that he wrote in the late 1880s. What did he call the interlocutors? Why Cyril and Vyvyan, the names of his two young sons, of course. But the piece’s intellectual party really gets started when Wilde has his learned young gentlemen interview each other. Naturally, what is uppermost in their minds is the relationship between life and art.
What is world literature, and why are (some) people saying such bad things about it? You might think world literature would be easy to define. You might think it should refer to all the literature in the world, past and present. And you might think that the study of world literature — which goes back […]
On 29 September 2017, we celebrate the 207th birthday of Elizabeth Gaskell, a nineteenth century English novelist whose works reflect the harsh conditions of England’s industrial North. Unlike some of her contemporaries, whose works are told from the perspectives of middle class characters, Gaskell did not restrict herself, and her novels Mary Barton and Ruth feature working class heroines.
Last week, we shared an interview with Ernest Suarez, president of the Association of Literary Scholars, Critics, and Writers (ALSCW), the society who publishes Literary Imagination. Today, we continue the conversation, and with it, we are able to get an even closer and more personal look into the life of a literary academic.
Comics is both a medium—although some would say it’s an art form—as well as the texts produced in that medium. Publication formats and production modes differ: for instance, comics can be short-form or long-form, serialized or stand-alone, single panel or sequential panels, and released as hardcovers, trade paperbacks, floppies, ‘zines, or in various digital formats. […]
Anna Karenina is a beautiful and intelligent woman, whose passionate love for a handsome officer sweeps aside all other ties—to her marriage and to the network of relationships and moral values that bind the society around her. Her love affair with Vronsky is played out alongside the developing romance between Kitty and Levin, and in […]
We seldom have opportunity to get the inside-scoop on a journal from those who work so hard to make it possible. We caught up with Ernest Suarez, president of the Association of Literary Scholars, Critics, and Writers (ALSCW), the society who publishes Literary Imagination.
In our household, reading came as easily as breathing. It was a part of our identity, ingrained and passed down through generations of scholars, writers, and thinkers in our family tree. It was a joy and it felt necessary to life. Bedtime stories, visits to the bookstore, talks about books, and buying books on trips abroad with our parents were second nature to my sister and me.
“In a hole in the ground there lived a hobbit” – the opening line of J.R.R. Tolkien’s The Hobbit is among the most famous first lines in literature, and introduces readers to the most homely fantasy creatures ever invented: the Hobbits. Hobbits are a race of half-sized people, very similar to humans except for their […]
White nationalism is on the rise in the US and nativism is in the ascendant across the globe. What role can literature for children play in teaching the next generation to be more empathetic, to respect difference, and to reject hatred?
At an early age, Américo Paredes was preoccupied with the inexorable passing of time, which would leave an imprint in his academic career. Devoting his academic career to preserving and displaying Mexican-American traditions through thorough analysis and recording of folk-songs, it is clear that Paredes kept his focus on beating back the forces of time and amnesia. Indeed, Paredes’ lessons are still very much relevant today.