Oxford University Press's
Academic Insights for the Thinking World

Portraying scientists: Galileo and perceptual portraiture

By Nicholas Wade
Perceptual portraits represent people in an unconventional style. The portraits themselves are not always easy to discern – the viewer needs to apply the power of perception in order to extract the facial features from the design which carries them. The aim is both artistic and historical.

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Historical fashions we’d love to see make a comeback

Fashion weeks became the standard trade fair for the industry in the late 20th century, and the tradition continues biannually. New York Fashion Week has waltzed its way down the runway, and the fashion world is packing up their garment bags to head to Paris to fête the Fall/Winter 2014-2015 Ready to Wear collections.

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Treasures from Old Holland in New Amsterdam

By Kandice Rawlings
The Frick Collection in New York recently closed its Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis exhibition of fifteen seventeenth-century Dutch paintings on loan from the Hague museum, which is currently closed for remodeling. The show (which has already been to San Francisco, Atlanta, and Tokyo, and opens next in Bologna) was a blockbuster.

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Scenes of Ovid’s love stories in art

The poet Ovid plays a central role in Roman literary history and culture. Best known for his Metamorphoses, a 15-book mythological epic, and his collections of love poetry, particularly Amores and Ars Amatoria, Ovid’s poetry has greatly influenced Western art, and his works remain some of the most important sources of classical mythology.

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How to stop looking for a French Michelangelo

By Phillip John Usher
British comedian Eddie Izzard — known for his Francophilia and for performing standup in French and in France — once made a quip during a show in New York that at first seemed rather Franco-sceptic: why, he asked, do we talk about the “Renaissance” using a word of French origin when France itself had no such moment of Re-birth?

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What is important about shininess in design?

By Tom Fisher and Nicolas P. Maffei
What attracts us to objects? Why does ‘bling’ catch our eye, albeit superficially? Why do we value the glow of patina? While all of our senses aid our first contact with material and form, arguably, it is the visual qualities of an object’s surface that first draws us in.

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Scenes from The Iliad in ancient art

Given its central role in Ancient Greek culture, various poignant moments in Homer’s The Iliad can be found on the drinking cups, water jars, mixing bowls, vases, plates, jugs, friezes, mosaics, and frescoes of ancient art. Each depiction dramatizes an event in the epic poem in a different way (sometimes inaccurately).

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Gods and mythological creatures in The Iliad in ancient art

Homer’s The Iliad is filled with references to the gods and other creatures in Greek mythology. The gods regularly interfere with the Trojan War and the fate of various Achaean and Trojan warriors. In the following slideshow, images from Barry B. Powell’s new free verse translation of The Iliad by Homer illustrate the gods’ various appearances and roles throughout the epic poem.

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The neural mechanisms underlying aesthetic appreciation

By Zaira Cattaneo and Marcos Nadal
Humans are apparently the only species to aesthetically enjoy the world around them. What is it that allows us to admire the elegance of a ballet dancer, or to enjoy the beauty of the sun’s reflection on the sea as it sets under the horizon?

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Echoes of The Iliad through history

The Iliad was largely believed to belong to myth and legend until Heinrich Schliemann set out to prove the true history behind Homer’s epic poem and find the remnants of the Trojan War. The businessman turned archaeologist excavated a number of sites in Greece and Turkey, and caused an international sensation.

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Top five buildings of Empire

By Ashley Jackson
All around the world the British built urban infrastructures that still dominate towns and cities, as well as developing complex transport networks and the ports and railway stations that gave access to them. The Empire’s creation of cityscapes and lines of communication is easy to overlook, so much has it become part of the fabric of the world in which we live that it has been rendered unremarkable.

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Characters from The Iliad in ancient art

The ancient Greeks were enormously innovative in many respects, including art and architecture. They produced elaborate illustrations on everything from the glory of the Parthenon to a simple wine cup. Given its epic nature and crucial role in Greek education, many of the characters in the Iliad can be found in ancient art. From the hero Achilles to Hector’s charioteer, these depictions provide great insight into Greek culture and art.

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Shanghai rising

By Kandice Rawlings
The port city of Shanghai is poised to become another major center of the global art world, possibly even displacing Beijing as China’s artistic capital. Since founding a biennial and art fair in 1996 and 1997, respectively, major institutions supporting the visual arts have sprung up or expanded.

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Léger’s The City and neuroaesthetics

By Anjan Chatterjee
Facing The City painted by Léger in 1919 can be an overwhelming experience. Geometry of bright colors, bits of human figures, mechanical structures, columns, stairs, lettering all crowd the painting and beyond into an immersive experience.

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Phantoms and frauds: the history of spirit photography

By Kate Scott
The last time President Abraham Lincoln and First Lady Mary Todd Lincoln sat for a portrait photograph together was in the early 1870s, five years or more after the president’s death and burial. The president, filmy and translucent, tenderly placed his see-through hands on his wife’s shoulders as she looked into the camera.

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