Art & Architecture

Discovering the hermit in the garden

By Gordon Campbell
For many years, answering polite enquiries about my current book project was relatively easy: I could explain that it was about Milton, or the Bible, or Renaissance art and architecture, or the decorative arts, or whatever might be the topic, and the conversation could happily proceed to more interesting subjects. For the past few years, however, I have had to say that I was writing a book about ornamental hermits in eighteenth-century gardens.

Reflections on Ebbets Field

By Daniel Campo
At the turn of the 20^th century, the baseball team in Brooklyn was known as the Superbas and they played ball at Washington Park, between First and Third streets along Third Avenue near the Gowanus Canal. While the park was convenient for its patrons, located in a densely developed part of the borough and connected to trolley lines on 3^rd and 5^th avenues, fans and players frequently complained about the awful odors emanating from the canal and nearby industrial works.

Can art forgers be artists too?

Art forgeries are often decried for crime, but could they be considered art? Many young artists learn to copy old master before refining their own work, and contemporary artists often play with ideas of authorship. So can an art forger be considered a legitimate artist? Do they want to make a statement? What motivates art forgers to commit forgery? We spoke with Jonathon Keats, author of Forged: Why Fakes are the Great Art of Our Age. – See more at: https://blog.oup.com/2013/03/art-forgers-artists/?preview=true&preview_id=36324&preview_nonce=600140b224#sthash.OZRHQ9Ow.dpuf

A history of Fashion Week

By Anna Wright and Emily Ardizzone
Fashion weeks showcase the latest trends, which often blend dazzling technical innovation with traditional craftsmanship, and from a design point of view present a heady mix of the classic and surprising, of newness and renewal. The first Fashion Week of 2013 has been no exception, with surprises including John Galliano’s controversial return to the fashion world.

The legacy of the Napoleonic Wars

Mike Rapport
The Duke of Wellington always has a traffic cone on his head. At least, he does when he is in Glasgow. Let me explain: outside the city’s Gallery of Modern Art on Queen Street, there is an equestrian statue of the celebrated general of the Napoleonic Wars. It was sculpted in 1840-4 by the Franco-Italian artist, Carlo Marochetti (1805-1867), who in his day was a dominant figure in the world of commemorative sculpture. Amongst his works is the statue of Richard the Lionheart, who has sat on his mount and held aloft his sword outside the Houses of Parliament since 1860.

Otto Dix and The War

By Reinhold Heller
The German artist Otto Dix — born this day in 1881 — drew a remarkable image of himself in 1924 (the tenth anniversary of the beginning of World War I), simply rendered in bold lines of India ink, caricature-like in its exaggerated simplicity. In the drawing we see Dix as he gazes directly out at us through squinting eyes, sporting a small curving mustache, a cigarette dangling from his lips, wearing a battered steel helmet and tattered uniform while carrying a heavy machine gun.

Art and human evolution

By Stephen Davies
Young children take to painting, singing, dancing, storytelling, and role-playing with scarcely any explicit training. They delight in these proto-art behaviors. Grown-ups are no less avid in extending such behaviors, either as spectators or participants. Provided we have a generous view of art, we all engage routinely and often passionately with it.

Is Renaissance art ‘history’?

By Geraldine Johnson
When the latest news in the art world is all about record-breaking prices for contemporary works and the celebrity buzz of London’s Frieze Art Fair, thinking about Renaissance art might seem, well, a little old-fashioned, if not downright eccentric. But if the two experiences I had recently are anything to go by, maybe we need to think again.

500th anniversary of the dedication of Michelangelo’s Sistine Ceiling

By Anne Leader

Today marks the 500th anniversary of the dedication of Michelangelo’s magnificent Sistine Ceiling on the vigil of All Saints’ Day (otherwise known as Halloween) in 1512. The anniversary comes at a time of growing debate about whether the Vatican should impose limits on who can enter the chapel and how.

Is the George Washington Bridge a work of art?

By David Blockley
Happy 81st Birthday, George Washington Bridge! The French architect Le Corbusier reportedly said you are “the most beautiful bridge in the world” – you “gleam in the sky like a reversed arch.” But are you really a work of art? The designer Othmar H. Ammann certainly was conscious of the need to make beautiful bridges.

The Day Parliament Burned Down in real-time on Twitter

To mark the anniversary of a now little-remembered national catastrophe – the nineteenth-century fire which obliterated the UK Houses of Parliament – Oxford University Press and author Caroline Shenton will reconstruct the events of that fateful day and night in a real-time Twitter campaign on 16 October 2012.

On taste and morality: from William Hogarth to Grayson Perry

By Helen Berry
The artist Grayson Perry recently completed a cycle of six giant tapestries, The Vanity of Small Differences, inspired by William Hogarth’s The Rake’s Progress. In the Turner Prizewinner’s modern rendition, Tim Rakewell (like his Georgian counterpart Tom Rakewell) undergoes a social transformation from humble origins to landed gentry. In Perry’s version, Tim’s life course is transformed by university education and a self-made fortune in computers – which catapults him socially from his humble origins in a Northern council house, via the bourgeois confines of middle-class dinner tables, to owning his own country estate.

Karl Lagerfeld

By Emily Ardizzone
Karl Lagerfeld: a name synonymous with high fashion and discerning taste, a name that also sends shivers down the spines of those that fall victim to his quick wit and cutting criticism. In the midst of Fashion Week chaos, Lagerfeld celebrated his 79th birthday on September 10th. As he nears the end of his seventieth decade, 2013 will be a year to remember for one of the most iconic and important men in contemporary fashion.

The woes of Lascaux

By Paul G. Bahn
Of all decorated Ice Age caves, by far the most famous is that of Lascaux, which was discovered 72 years ago today by four boys (the hole was found by a dog on 8 September 1940, but the boys entered the cave on 12 September). It houses the most spectacular collection of Paleolithic wall-art yet found. It is best known for its 600 magnificent paintings of aurochs (wild cattle), horses, deer, and “signs,” but it also contains almost 1,500 engravings dominated by horses.

Understanding Olympic design

By Jilly Traganou
After attending the “Because” event at the Wolff Olins office on July 4, I was once again reminded of the big disconnect that lies between designers and their public. Wolff Olins is the firm that designed the London 2012 brand, a multifaceted design campaign that included much more than the London 2012 logo. Readers may remember the numerous complaints that the logo generated. As my research revealed, this was caused partly due to IOC’s restrictions and the corporate unwillingness to allow for the full application of what might be seen as a “no logo” campaign.

Martin Kemp vs John Gittings: Icons of Peace

Today, John Gittings and Martin Kemp will be discussing icons of peace. Human history is dominated by war, but can we forge a different narrative? In The Glorious Art of Peace, former Guardian journalist John Gittings argues that progress depends on a peaceful environment, identifying iconic proponents of peace such as Confucius and Gandhi. Art historian Martin Kemp’s Christ to Coke looks at the creation of some of our peacetime icons and traces the things they have in common.