Oxford University Press's
Academic Insights for the Thinking World
Alexander the Great (356-323 BCE), King of Macedonia, ruled an empire that stretched from Greece in the west to India in the east and as far south as Egypt. The Macedonian Empire he forged was the largest in antiquity until the Roman, but unlike the Romans, Alexander established his vast empire in a mere decade.
Ricky Swallow from Grove Art Online. Australian conceptual artist, active also in the USA. Swallow came to prominence only a few years after completing his Bachelor of Fine Arts at the Victorian College of the Arts, Melbourne, by winning the prestigious Contempora 5 art prize in 1999
By Erina Duganne
Many hope, even count on, photography to function as an agent of social change. In his 1998 book, Photojournalism and Foreign Policy: Icons of Outrage in International Crises, communications scholar David Perlmutter argues, however, that while photographs “may stir controversy, accolades, and emotion,” they “achieve absolutely nothing.”
By Victoria Davis
This year, in honor of World Art Day, Oxford invited photographers of all levels to submit their best street photography. Thank you to all of you who submitted! We received many thought-provoking, original entries, and are now happy to announce the winners.
New York City, five boroughs boasting nine million people occupying an ever-expanding concrete jungle. The industrial hand has touched almost every inch of the city, leaving even the parks over manicured and uncomfortably structured.
By Liz Clarke
The illustration of a graphic history begins with the author’s script. There are two aspects to turning that script into artwork. It’s both a story, calling for decisions to be made about the best way to present the narrative visually, and a history, rooted in fact and raising questions about what the places and people (and their furniture and transportation and utensils) would actually have looked like.
We are delighted to present a Q&A with the Editor of Grove Art Online, Alodie Larson. In the below interview, you’ll get to know Alodie as Editor, and also learn her thoughts on art history research and publishing. You can also find her Letter from the Editor on Oxford Art Online.
By Kandice Rawlings
Leonardo da Vinci was born 562 years ago today, and we’re still fascinated with his life and work. It’s no real mystery why – he was an extraordinary person, a genius and a celebrity in his own lifetime. He left behind some remarkable artifacts in the form of paintings and writings and drawings on all manner of subjects.
In celebration of World Art Day, we invite you to read the biography of Ludovico Sforza, patron of Leonardo Da Vinci among other artists, as it is presented in Grove Art Online.
Leonardo da Vinci was the illegitimate son of the Florentine notary Ser Piero da Vinci, who married Albiera di Giovanni Amadori, the daughter of a patrician family, in the year Leonardo was born. Little is known about the artist’s natural mother, Caterina, other than that five years after Leonardo’s birth she married an artisan from Vinci named Chartabriga di Piero del Veccha.
In honor of World Art Day on 15 April 2014, Oxford is hosting a street photography competition. But what exactly is street photography? The below article from Grove Art Online by Lisa Hostetler explores the history of street photography, as well as its relationship to contemporary art. As Dr. Hostetler explains, this type of art includes “photographs exposed in and of an urban environment and made with artistic intent.”
By Victoria Davis
World Art Day is coming up on 15 April. We’re celebrating with some forthcoming blog posts, select free journal and online product articles, and a photography competition. We also invite you to celebrate with us by submitting your own art to our Street Photography Contest.
By Stephen Bury
At rare moments in time a library can have a singular impact on history. The recent release of George Clooney’s film Monuments Men (2014) has triggered an interest in the role that the Frick Art Reference Library played in the preparation of maps identifying works of art at risk in Nazi-occupied Europe. For the first time in history a belligerent was taking care of cultural treasures in a war zone.
By Matthew Flinders
Why does art and culture matter in the twenty-first century? What does it actually deliver in terms of social benefits? An innovative new participatory arts project in South Yorkshire is examining the ‘politics of art’ and the ‘art of politics’ from a number of new angles.
By Sheila D. Collins
Writing in the New York Times recently, art critic Holland Cotter lamented the fact that the current billionaire-dominated market system, “is shaping every aspect of art in the city; not just how artists live, but also what kind of art is made, and how art is presented in the media and in museums.”
Have insights from the humanities ever led to breakthroughs, or is any interpretation of a text, painting, musical piece, or historical event as good as any other? I have long been fascinated with this question. To be sure, insights from the humanities have had an impact on society.