Oxford University Press's
Academic Insights for the Thinking World
By Stephen Bury
At rare moments in time a library can have a singular impact on history. The recent release of George Clooney’s film Monuments Men (2014) has triggered an interest in the role that the Frick Art Reference Library played in the preparation of maps identifying works of art at risk in Nazi-occupied Europe. For the first time in history a belligerent was taking care of cultural treasures in a war zone.
By Matthew Flinders
Why does art and culture matter in the twenty-first century? What does it actually deliver in terms of social benefits? An innovative new participatory arts project in South Yorkshire is examining the ‘politics of art’ and the ‘art of politics’ from a number of new angles.
By Sheila D. Collins
Writing in the New York Times recently, art critic Holland Cotter lamented the fact that the current billionaire-dominated market system, “is shaping every aspect of art in the city; not just how artists live, but also what kind of art is made, and how art is presented in the media and in museums.”
Have insights from the humanities ever led to breakthroughs, or is any interpretation of a text, painting, musical piece, or historical event as good as any other? I have long been fascinated with this question. To be sure, insights from the humanities have had an impact on society.
By Nicholas Wade
Perceptual portraits represent people in an unconventional style. The portraits themselves are not always easy to discern – the viewer needs to apply the power of perception in order to extract the facial features from the design which carries them. The aim is both artistic and historical.
Fashion weeks became the standard trade fair for the industry in the late 20th century, and the tradition continues biannually. New York Fashion Week has waltzed its way down the runway, and the fashion world is packing up their garment bags to head to Paris to fête the Fall/Winter 2014-2015 Ready to Wear collections.
By Kandice Rawlings
The Frick Collection in New York recently closed its Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis exhibition of fifteen seventeenth-century Dutch paintings on loan from the Hague museum, which is currently closed for remodeling. The show (which has already been to San Francisco, Atlanta, and Tokyo, and opens next in Bologna) was a blockbuster.
The poet Ovid plays a central role in Roman literary history and culture. Best known for his Metamorphoses, a 15-book mythological epic, and his collections of love poetry, particularly Amores and Ars Amatoria, Ovid’s poetry has greatly influenced Western art, and his works remain some of the most important sources of classical mythology.
By Phillip John Usher
British comedian Eddie Izzard — known for his Francophilia and for performing standup in French and in France — once made a quip during a show in New York that at first seemed rather Franco-sceptic: why, he asked, do we talk about the “Renaissance” using a word of French origin when France itself had no such moment of Re-birth?
By Tom Fisher and Nicolas P. Maffei
What attracts us to objects? Why does ‘bling’ catch our eye, albeit superficially? Why do we value the glow of patina? While all of our senses aid our first contact with material and form, arguably, it is the visual qualities of an object’s surface that first draws us in.
Given its central role in Ancient Greek culture, various poignant moments in Homer’s The Iliad can be found on the drinking cups, water jars, mixing bowls, vases, plates, jugs, friezes, mosaics, and frescoes of ancient art. Each depiction dramatizes an event in the epic poem in a different way (sometimes inaccurately).
Homer’s The Iliad is filled with references to the gods and other creatures in Greek mythology. The gods regularly interfere with the Trojan War and the fate of various Achaean and Trojan warriors. In the following slideshow, images from Barry B. Powell’s new free verse translation of The Iliad by Homer illustrate the gods’ various appearances and roles throughout the epic poem.
By Zaira Cattaneo and Marcos Nadal
Humans are apparently the only species to aesthetically enjoy the world around them. What is it that allows us to admire the elegance of a ballet dancer, or to enjoy the beauty of the sun’s reflection on the sea as it sets under the horizon?
The Iliad was largely believed to belong to myth and legend until Heinrich Schliemann set out to prove the true history behind Homer’s epic poem and find the remnants of the Trojan War. The businessman turned archaeologist excavated a number of sites in Greece and Turkey, and caused an international sensation.
Selfie – the Oxford Word of the Year for 2013 – is a neologism defined as “a photograph that one has taken of oneself, typically one taken with a smartphone or webcam and uploaded to a social media website”.
By Ashley Jackson
All around the world the British built urban infrastructures that still dominate towns and cities, as well as developing complex transport networks and the ports and railway stations that gave access to them. The Empire’s creation of cityscapes and lines of communication is easy to overlook, so much has it become part of the fabric of the world in which we live that it has been rendered unremarkable.