Prometheus, a Titan god, was exiled from Mount Olympus by Zeus because he stole fire from the gods and gave it to mankind. He was condemned, punished and chained to a rock while eagles ate at his liver. His name, in ancient Greek, means “forethinker “and literary history lauds him as a prophetic hero who rebels against his society to help man progress.
The riveting film, The Artist and the Model (L’Artiste et son Modèle) from Spain’s leading director, Fernando Trueba, focuses on a series of “one seconds” in the life of French sculptor Marc Cross.
What is jihad? What do fundamentalists want? How will moderate Islamists react? These are questions that should be discussed. We may not have easy answers, but if we do not start a dialogue, we may miss an opportunity to curtail horror.
One can say that Dr. Josef Mengele was the first survivor of Auschwitz, for he slipped away undetected in the middle of the night on 17 January 1945, several days before the concentration camp was liberated. Weeks later, he continued his escape despite being detained in two different Prisoner of War detention camps.
When Luc Besson finished filming The Lady in 2010, Aung San Suu Kyi had just been released from being under house arrest since 1989. He visited her at her home in Yagoon with a dvd of his film as a gift. She smiled and thanked him, responding, “I have shown courage in my life, but I do not have enough courage to watch a film about myself.”
The powerful biographical film, Hannah Arendt, focuses on Arendt’s historical coverage of Adolf Eichmann’s trial in 1961 and the genocide of six million Jews. But sharing center stage is Arendt’s philosophical concept: what is thinking?
American director, Joshua Oppenheimer, has merged theatre, psychology and film in his innovative documentary, The Act of Killing, Jagal in Indonesian, meaning Butcher. (BAFTA Award for Best Documentary of 2013.)