Many playwrights have explored race relations, particularly in America. The growth of the Civil Rights Movement gave rise to a range of plays protesting racism and exploring the African-American experience. Lorraine Hansberry made history as the first black woman to have a play on Broadway: A Raisin in the Sun, also the first play on Broadway to be directed by a black director.
William Henry Harrison was 68 years old when he became the ninth president of the United States and the oldest US president until Ronald Reagan was elected nearly a century and a half later. He was sworn into office on 4 March 1841. Exactly one month later, he was dead.
Americans, black and white, love to commemorate the civil rights struggle. School programs, public events, popular culture, and historic markers all recount the heroic battle black Americans waged for their full humanity. Yet, racial inequality continues to plague the United States, and most popular civil rights history mythologizes it in ways that hinder the full realization of the movement’s goals.
Religious Nones are a name for people who answer “none” when asked with what religious group they most identify or to which they belong. Nones are a growing segment of the U.S. religious landscape but there are some misconceptions about how they practice what might count as “spirituality” or “religion.” Here are three challenges to typical misconceptions about Nones.
By late March 1968, President Lyndon Johnson’s presidency lay in tatters. Anger over the war in Vietnam and Johnson’s growing credibility gap had created a full-scale insurgency at home, within the Democratic Party. Things soon went from bad to worse.
I was introduced to oral history while completing my Master’s in Library Science at the University of North Texas. I needed to fulfill my practicum requirement, and I took a chance on an advertisement to intern at NASA-Johnson Space Center. (I grew up wanting to be an astronaut, but in high school I met AP Calculus and that dream was indefinitely deferred.)
At the 2015 Organization of American Historians conference in St. Louis, we interviewed OUP authors and journal editors to understand their views on the history discipline. Gathering at the OUP booth, scholars – working in fields ranging from women’s history to racial history, cultural history to immigration history – discussed topics both professional and personal.
It was only after I finished writing The Founding Fathers: A Very Short Introduction that I got to see the off-Broadway version of Lin-Manuel Miranda’s “Hamilton: An American Musical” at New York City’s Public Theater. I was lucky enough to see the Broadway version (revised and expanded) last month.
“The answers are in Washington’s Bible!” Katrina shouts as Moloch stirs the dark, swirling clouds that will seal her once again in Purgatory. Her husband, Ichabod Crane, stands watching, unable to help as his wife is swallowed up in a world that he can only reach in dreams and visions. Ichabod has been resurrected from the dead in the twenty-first century and faces Death himself in the form of the headless horseman of Sleepy Hollow.
Nineteenth and twentieth Century opera houses are finding new lives today. Opera houses were once the center of art, culture, and entertainment for rural American towns–when there was much less competition for our collective attention.
Brown v. Board of Education is one of the most identifiable civil rights cases in our nation’s history. While most scholarship begins with this case, Just Another Southern Town by Joan Quigley recounts the battle for civil rights beginning with the case of District of Columbia v. John R. Thompson Co. In this slideshow, Joan Quigley weaves together the success of this case with other landmark civil rights moments in Washington, DC, creating a timeline of the struggle for racial justice in our nation’s capital.
We live in an age when Americans are both captivated and disturbed by murder trials. The Netflix smash hit Making a Murderer went viral in late December as it chronicled the seemingly wrongful convictions of a Wisconsin man and his teenage nephew for the gruesome killing of a young photographer. The success of this documentary was hardly surprising in the wake of 2014’s Serial, the most popular podcast in history and winner of a Peabody Award.
Eugene McCarthy made first stop in New Hampshire on January 25, 1968, only six weeks before the state’s March 12 primary. When he did arrive, his presence sparked little excitement. He cancelled dawn appearances at factory gates to meet voters because, as he told staffers, he wasn’t really a “morning person.” A photographer hired to take pictures of the candidate quit after five days because the only people in the shots were out-of-state volunteers.
Nowadays letter-writing appeals to our more romantic sensibilities. It is quaint, old-fashioned, and decidedly slower than sending off a winking emoji with barely half a thought. But it wasn’t even that long ago that letter-writing dominated and served as a practical means of communication.
Ninety-nine years ago this week, Puerto Ricans became citizens of the United States. What does this anniversary signify? That depends a lot on who you ask (and be careful who you ask, since most Americans have no idea how or why Puerto Ricans became US citizens, or if they’re even citizens at all).
There is a moment in the George Miller film Mad Max: Beyond Thunderdome (1985) that has stuck with me over the two decades since I first saw it. A bedraggled Max (Mel Gibson) is escorted through the crumbling desert outpost of Bartertown.