We’re getting ready for Halloween this month by reading the classic horror stories that set the stage for the creepy movies and books we love today. Check in every Friday this October as we tell Fitz-James O’Brien’s tale of an unusual entity in What Was It?, a story from the spine-tingling collection of works in Horror Stories: Classic Tales from Hoffmann to Hodgson, edited by Darryl Jones.
This year is the 250th anniversary of Horace Walpole’s The Castle of Otranto, first published on Christmas Eve 1764 as a seasonal ghost story. The Castle of Otranto is often dubbed the “first Gothic novel” due to Walpole describing it as a “Gothic story,” but for him the Gothic meant very different things from what it might do today.
Fall is upon us. The temperature is falling, the leaves are turning, and students are making their way back at school. To get a glimpse into the new school year, we asked some key music educators share their thoughts on the most important issues in music education today.
Austin City Limits is the longest running musical showcase in the history of television, spanning over four decades and showcasing the talents of musicians from Willie Nelson and Ray Charles to Arcade Fire and Eminem. The show is a testament to the evolution of media and popular music and the audience’s relationship to that music, and to the city of Austin, Texas.
Of all the beverages favored by Oxford University Press staff, coffee may be the life blood of our organization. From the coffee bar in the Fairway of our Oxford office to the coffee pots on every floor of the New York office, we’re wired for work.
Tragedies certainly aren’t the most popular types of performances these days. When you hear a film is a tragedy, you might think “outdated Ancient Greek genre, no thanks!”
Thou shall not plagiarize. Warnings of this sort are delivered to students each fall, and by spring at least a few have violated this academic commandment. The recent scandal involving Senator John Walsh of Montana shows how plagiarism can come back to haunt.
The ukulele, a small four-stringed instrument of Portuguese origin, was patented in Hawaii in 1917, deriving its name from the Hawaiian word for “leaping flea”. Immigrants from the island of Madeira first brought to Hawaii a pair of Portuguese instruments in the late 1870s from which the ukuleles eventually developed.
At first glance atheism and feminism are two sides of the same coin. After all, the most passionate criticism of patriarchy has come from religious (or formerly religious) female scholars. First-hand experience of male domination in such contexts has led many to translate their views into direct political activism. As a result, the fight for women’s rights has often been inseparable from the critique of organised religion.
When the first production of On the Town in 1944 featured the Japanese American ballerina Sono Osato as its star, as part of a cast that also included whites and blacks, it aimed for a realistic depiction of the diversity among US citizens during World War II.
Traveling through Scotland, one is struck by the number of memorials devoted to those who lost their lives in World War I. Nearly every town seems to have at least one memorial listing the names of local boys and men killed in the Great War (St. Andrews, where I am spending the year, has more than one).
It is a well known fact that the Christian church has, in the course of its 2,000-year long history, often been torn with controversy over how to understand those four simple words, ‘This is my body.’ The Orthodox have never been entirely comfortable with the label ‘transubstantiation.
If your morning commute involves crowded public transportation, you definitely want to find yourself standing next to someone who is saying something like, “I know he’s stabbed people, but has he ever killed one?” . It’s of course best to enjoy moments like this in the wild, but I am not above patrolling Overheard in London for its little gems (“Shall I give you a ring when my penguins are available?”), or, on an especially desperate day, going all the way back to the London-Lund Corpus of Spoken English, a treasury of oddly informative conversations.
The publication of the Oxford Dictionary of National Biography in September 2004 was a milestone in the history of scholarship, not least for crossing from print to digital publication. Prior to this moment a small army of biographers, myself among them, had worked almost entirely from paper sources, including the stately volumes of the first, Victorian ‘DNB’ and its 20th-century print supplement volumes. But the Oxford DNB of 2004 was conceived from the outset as a database and published online as web pages, not paper pages reproduced in facsimile.
THE DATE: 18 September 2014, Fateful Day of Scotland’s Independence Referendum
THE PLACE: A Sceptred Isle
DRAMATIS PERSONAE: Alexander the Great, First Minister of Scotland; Daveheart, Prime Minister of the Britons [...]
Hadrian’s Wall has been in the news again recently for all the wrong reasons. Occasional wits have pondered on its significance in the Scottish Referendum, neglecting the fact that it has never marked the Anglo-Scottish border, and was certainly not constructed to keep the Scots out. Others have mistakenly insinuated that it is closed for business, following the widely reported demise of the Hadrian’s Wall Trust.