By John S. Bak
When Tennessee Williams swapped his pen for a paintbrush, his tendency to use his lived experiences as source material did not alter much. He often painted places he’d seen, people he knew, or compositions he conjured up in the limekiln of his imagination. Although Williams painted more frequently later in life, precisely as a creative outlet when his brand of theatre was no longer in vogue, he had started sketching and painting from a very early age. To follow his career as a painter is, to a large extent, to trace his life’s alterations, physically, of course, but also emotionally.