Oxford University Press's
Academic Insights for the Thinking World
By Miles Hollingworth
We have a new Pope: Francis — a name honouring St. Francis of Assisi, who venerated poverty and recommended it to his followers. In the build up to his election, a good deal of attention was naturally directed to the challenges facing the Catholic Church. Not least of these is the question of social justice and the plight of the global poor.
To celebrate the imminent release of Oral History Review (OHR)’s latest issue, 40.1, on oral history in the digital age, we’re delighted to share a chat between managing editor Troy Reeves and contributor Lindsey Barnes. Barnes and her colleague Kim Guise are co-authors of “World War Words: The Creation of a World War II–Specific Vocabulary for the Oral History Collection at The National WWII Museum,” a case study of developing controlled vocabulary for the oral history collections at the National WWII Museum.
By Greg Woolf
Romans measured time in months but not in weeks. The Ides simply meant the middle day of a month and it functioned simply as a temporal navigation aid — one that looks clumsy to us. So one might make an appointment for two days before the Ides or for three days after the Kalends (the first day of the month) and so on.
In many textbook titles and university courses, ‘medical law’ and ‘ethics’ are spoken of in the same breath, as one might speak of Darby and Joan. It’s often assumed that there’s a solid, uncomplicated marriage, in which each partner knows his or her function; or at least an efficiently commercial partnership governed by a clearly drafted document. But, like most real relationships, it’s not so simple.
He goes by many names: Ziggy Stardust, the Thin White Duke, David Robert Jones… yes, it’s David Bowie. This British musician, actor, and artist is known for his many metamorphoses and accomplishments, from his surprise hit single “Space Oddity” in 1969 to a Lifetime Achievement Award at the 11th Annual Webby Awards in 2011. In celebration of the new Victoria and Albert Museum exhibition, we’ve pulled together a brief quiz from information in the Oxford Index on this eclectic artist who has also just released his first album in over a decade.
By Ian Goldin
The growing disconnect between the problems that bind us and the countries that divide is the greatest threat to humanity. Each day we are confronted by mounting evidence of the yawning governance gap. Recently, British people have been surprised to find their meat has been through the mincer of multiple legal jurisdictions through which beef has been blended with horse.
By Simon Macdonald
During the French Revolution many of the losers in the process of regime change found their property, including their private papers, snapped up by the new authorities. For historians, some of the richest pickings among this material relate to people whose lives, had they not collided with the revolutionary state, might otherwise have gone unrecorded. While exploring these archives a few years ago, I came across a remarkable cache confiscated from an Englishman who had been living in revolutionary Paris.
By Dick Hobbs
The news that sections of the UK public may have been munching on horse, rather than beef, has prompted renditions of an all too familiar refrain from British politicians and their cohorts in the media. “Mafia gangs” and “mobsters” have apparently combined in an “international conspiracy” to doctor the rump of the British menu in the form of cheap frozen meals.
By Anatoly Liberman
I decided to throw a look at a few tw-words while writing my previous post on the origin of dance. In descriptions of grinding and the Harlem Shake, twerk occurs with great regularity. The verb means “to move one’s buttocks in a suggestive way.” It has not yet made its way into OED and perhaps never will (let us hope so), but its origin hardly poses a problem: twerk must be a blend of twist (or twitch) and work (or jerk).
By Yair Amichai-Hamburger
Conflicts across the world between communities cause high levels of social and physical devastation as well as a large drain in resources, but how can relations be improved? Psychologist Gordon Allport realized that a casual contact between rival group members will not change the stereotype that each holds on the other, particularly if there are status differences between the groups.
By Fiona Cox and Elena Theodorakopoulos
When George Steiner was musing in 2002 (in his review of Logue’s War Music) on the shapes and forms that responses to Homer seemed likely to take in the new millennium, he welcomed the work of Louise Glück and Jorie Graham as the first shoots of a female reworking of Homer. In Glück’s Meadowlands (1998) we find a lyric Odyssey in the depiction of a modern marriage disintegrating, while in The End of Beauty (1987) Graham’s Penelope delights in unravelling and thereby deconstructing earlier poetic forms. The fact that both writers draw on the Odyssey rather than the Iliad appears to lend substance to Samuel Butler’s conviction, remembered by Steiner, that the Odyssey is ‘woman’s work.’
By Kirsty Doole
March is International Women’s History Month, so what better time to suggest some feminist-friendly classics from our Oxford World’s Classics series? Below you’ll find a mixture of fiction, politics, and religion, and while some will probably be familiar, I’ve thrown in a couple of less conventional choices for a feminist list. Agree with these choices? Disagree? What have I missed out? Let us know in the comments.
By Lucy Fischer
During my childhood, there were only two “award” shows that I watched religiously. One was the Miss America Pageant (I am, after all, “of a certain age”) and the other was the Oscars. I abandoned the former long before its demise (as a card-carrying feminist) but the latter has remained on my viewing schedule. In fact, it is often one of the few programs I still watch “live” given that my TV viewing is entirely DVR-dependent.
The songwriting business offered few opportunities to women in the early 20th century. And jazz bandleaders, despite their own experiences with discrimination, were hardly more tolerant of female talent. Although audiences expected the leading orchestras to showcase a ‘girl singer’, women were rarely allowed to serve in other capacities, either on the bandstand or writing arrangements and compositions.
On 19 March 2013, 64 college basketball teams will meet on the court for the battle of the year. In the United States, college basketball season ends when elite teams compete in March Madness over the course of four weeks. Teams compete based on their placement in a regional bracket, and either go home or move forward after a single game. Four teams will make the “Final Four” on 6 April, and on 8 April, the NCAA will have its college basketball champion.
Art forgeries are often decried for crime, but could they be considered art? Many young artists learn to copy old master before refining their own work, and contemporary artists often play with ideas of authorship. So can an art forger be considered a legitimate artist? Do they want to make a statement? What motivates art forgers to commit forgery? We spoke with Jonathon Keats, author of Forged: Why Fakes are the Great Art of Our Age. – See more at: https://blog.oup.com/2013/03/art-forgers-artists/?preview=true&preview_id=36324&preview_nonce=600140b224#sthash.OZRHQ9Ow.dpuf