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New York’s “Dress Wars”

By Kal Raustiala
In the depths of the Great Depression, TIME magazine offered readers a glimpse at New York’s “Dress Wars.” Knockoffs, TIME wrote, were everywhere in the garment industry, and “dirty tricks” increasingly ubiquitous: “Among such tricks was the universal and highly developed practice of copying original styles. By the early Depression years it had gone so far that no exclusive model was sure to remain exclusive 24 hours; a dress exhibited in the morning at $60 would be duplicated at $25 before sunset and at lower prices later in the week.”

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Monthly etymology gleanings, part 1, September

By Anatoly Liberman
First and foremost, many thanks to those who have sent questions and comments and corrected my mistakes. A good deal has been written about the nature of mistakes, and wise dicta along the errare humanum est lines have been formulated. Yes, to err is human, but it is the stupidity and “injustice” of some mistakes that are particularly vexing.

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(Bi)Monthly Etymology Gleanings for July-August 2012

By Anatoly Liberman
Farting and participles (not to be confused with cabbages and kings). Summer is supposed to be a dead season, but I cannot complain: many people have kindly offered their comments and sent questions. Of the topics discussed in July and August, flatulence turned out to be the greatest hit. I have nothing to add to the comments on fart. Apparently, next to the election campaign, the problem of comparable interest was breaking wind in Indo-European.

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The jarring word ‘ajar’

By Anatoly Liberman
All modern dictionaries state that the adverb ajar goes back to the phrase on char, literally “on the turn” (= “in the act of turning”). This is, most probably, a correct derivation. However, such unanimity among even the most authoritative recent sources should be taken with caution because reference books tend to copy from one another. Recycling a plausible opinion again and again produces an illusion of solidity in an area notorious for debatable results. That is why it is so interesting to read books published before Skeat’s dictionary (1882) and the OED came out.

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The Oxford Companion to the London 2012 Opening Ceremony

Many questioned how the London 2012 Summer Olympic Games Opening Ceremony was going to make a mark after the spectacular Beijing Olympics only four years earlier. While Beijing presented the Chinese people moving as one body — dancing, marching, and presenting a united front to the world — the British answer was a chaotic and spirited ceremony, shifting from cricket matches to coordinated dance routines, Mr Bean’s comedic dream to a 100-foot Lord Voldemort.

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Can ignorance ever be an excuse?

By Katherine Hawley
We have developed quite a taste for chastising the mighty in public. In place of rotten fruit and stocks, we now have Leveson, Chilcot, and the parliamentary select committees which have cross-examined Bob Diamond of Barclays and Nick Buckles of G4S.

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Real ‘spunk’

By Anatoly Liberman
There was no word spunk in Swedish until Pippi coined it (an event recently celebrated in this blog), but in English it has existed since at least the sixteenth century. It is surrounded by a host of equally obscure look-alikes (that is, obscure from the etymological perspective). To deal with them, I should remind our readers that English, like all the other Indo-European languages, is full of words in which initial s– looks like a gratuitous addition. It pretends to be a prefix but carries no meaning; it does not even make words more expressive.

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Props to the cats – the lifespan of slang

By Julie Coleman
My students are mostly white, middle-class, and female, but their slang is heavily influenced by rap culture. They chillax with their bloods and homies, dissing the skanky hos, expressing props to the players and pimping up their whips. Comparison with hippy slang suggests that it’s only a matter of time before they’re not the only ones using these terms.

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Monthly etymology gleanings for May 2012, part 1

By Anatoly Liberman
Shrew again. Soon after I posted an essay on shrew, in which I dissociated that word from a verb meaning “cut,” a correspondent asked me how my etymology (from “devil”) could be reconciled with the obvious connection between Old Engl. scirfemus (related to sceorfan “cut”) and German Schermaus (related to scheren, the same meaning), the latter from Middle High German scheremus. (The relevant forms can be found in the OED.) The connection referred to in the letter cannot be denied, but I think that both the Old English and the Middle High German word owe their existence to folk etymology: the shrew was associated with venom and its name underwent change.

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Learning not to curse in Arizona

By Dennis Baron
The Arizona State Senate is considering a proposal to fire teachers who swear. SB 1467 bans their use of any words that would violate FCC regulations against obscenity, indecency, and profanity on broadcast radio and television. A teacher would be suspended without pay after the first offence, fired after the third. Employers would also have the option of dismissing an instructor at the first curse.

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Bigger in size but equally ignorant: ‘shark’

By Anatoly Liberman
The fishy series in this blog began with shrimp, reached the heights of prawn, and now, bypassing countless intermediate steps, will offer a discussion of shark. I am sorry to admit that despite the monster’s size and voracity I can say deplorably little about the chosen subject, but, since I always deal with obscure vocabulary, I suffer from self-inflicted wounds and have no reason to complain. Before I come to the point, an apology is in order. While compiling my voluminous bibliography of English etymology, I didn’t encounter references to Tom Jones’s publication on shark.

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The Dark Lady in ink and paper

On 20 May 1609, Shakespeare’s sonnets were first published in London by Thomas Thorpe (work now found in the Folger Library). The Bard was nearing the end of his play-writing career and soon to retire. A lifetime of poetry was gathered together and printed — possibly without the permission of the author. To celebrate, we’ve excerpted Sonnet 127 and additional commentary from our Oxford World Classics edition edited by Colin Burrow — The Oxford Shakespeare: The Complete Sonnets and Poems. Enjoy the Dark Lady of Shakespeare’s poetry.

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After ‘shrimp’ comes ‘prawn’

By Anatoly Liberman
Several people pointed out to me that I cannot distinguish a shrimp from a prawn, and I am afraid they are right. The picture copied for the shrimp post had the title “Shrimp cocktail,” but the shrimp there are too big and are really prawns. In any case, I decided to atone for my mistake and write a post on the etymology of prawn. This plan was hard to realize, because the origin of prawn is really, that is, hopelessly unknown: the word exists, but no one can say where it has come from. It is strange that more or less the same holds for shrimp and shark, though both are less opaque. There must have been some system behind calling those sea creatures. The fishermen who coined such names had a reason to call a shrimp a shrimp and a prawn a prawn.

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Five pivotal moments from incumbent campaigns

By Sam Popkin
While a challenger’s presidential campaign can quickly adjust and adapt to shifting winds like a speedboat, an incumbent’s campaign behaves more like a battleship, maneuvering slowly and making very large waves. Instead of a core inner circle calling the shots from a “war room,” a president’s re-election team must coordinate with White House staffers and the President’s cabinet — all of whom have agendas difficult to change, control or coordinate.

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Martha Graham Redivivus

By Mark Franko
Martha Graham’s work was prominent in the New York dance world of the 1930s in the wake of her innovative Primitive Mysteries (1931). Yet, her reputation grew exponentially beyond the confines of dance and the New York art world after the premiere of American Document (1938) followed by its national tour in 1939. This is, paradoxically, a work that the Martha Graham Dance Company may be reluctant to perform today in a version close to the original. It was related to the political issues of the day, highly anti-fascist and popular front, and critical of the history of the United States. Graham’s national reputation took hold at this time, and she was noted not only for her choreography and dancing but also for her political stance in the pre-war moment.

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