Oxford University Press's
Academic Insights for the Thinking World
What do you get when you combine Hollywood, African American actors, gritty urban settings, sex, and a whole lot of action? Some would simply call it a recipe for box office success, but since the early 1970s, most people have known this filmmaking formula by the name “Blaxploitation.” Blaxploitation cinema occupies a fascinating place in the landscape of American pop culture.
By Leonard J. Greenspoon
For many people, religion is serious business which rules out any positive connection between belief and humor. For them, humor connected to religion is humor directed, in a negative and derisive manner, against religion. If this is true for religion in general, then the disconnect between the Bible and humor in particular would be especially well defined.
By Paul Cockshott
The philosopher Althusser said that philosophy represents ideology, in particular religious ideology to science, and science to ideology. As science extended its field of explanation, a series of ‘reprise’ operations were carried out by philosophers to either make the findings of science acceptable to religion or to cast doubt on the relative trustworthiness of science compared to the teachings of the church.
By Arthur P. Shimamura
Our memories, in many ways, define who we are as an individual or at least who we think we are. In the recent documentary, Stories We Tell, filmmaker Sarah Polley presents her own tale of the search for her biological father. Through interviews with relative and friends, snapshots, and re-enactments of pertinent events that look like old home movies, the documentary moves like a real-life Rashomon, wherein bits of the “truth” are revealed from various points of views.
By Kirsty Doole
The great works of the Eastern world have provided inspiration for this month’s Oxford World’s Classics reading list. From those you have probably heard of (like the Kamasutra) to those you may not have (such as The Recognition of Sakuntala), these classic works provide a window on the classical worlds of India, China, and the Middle East.
By Philip V. Bohlman and Dafni Tragaki
In the spirit of the Eurovision Song Contest motto for 2013 “We Are One,” we seek the common space afforded by dialogic reflections on the European unity that has inspired and eluded the Eurovision since 1956. We search to rescue stretto from the fragments of the largest and most spectacular popular-music competition in the world.
What role does antiquity play in defining popular perceptions of Chinese culture? Kenneth W. Holloway confronted this issue recently with a set of bamboo manuscripts featured in the opening ceremony of the 2008 Beijing Olympics. Confucians have claimed these manuscripts while denying its relevance to the rest of early China. Excavated texts have the potential to transform our understanding of history, but we cannot force them to conform to long held intellectual frameworks.
By Linda Bauld
For the past 25 years, the World Health Organisation and its partners have marked World No Tobacco Day. This day provides an opportunity to assess the impact of the world’s leading cause of preventable death – responsible for one in ten deaths globally – and to advocate for effective action to end tobacco smoking. This year, the WHO has selected the theme of banning tobacco advertising, promotion, and sponsorship.
By Thomas Dixon
The story of Doubting Thomas is a wonderful philosophical parable about seeing and believing, but what exactly is the intended moral? And what light does it shed on the relationship between science and religion?
Four hundred and twenty years ago, on Wednesday 30 May 1593, Christopher Marlowe was famously killed under mysterious circumstances at the young age of 29. Test your knowledge on this enigmatic figure of history. Do you know when Marlowe was born? Who killed him and why? Find out answers to these and much more in our quiz. Good luck!
100 years ago, the world was shocked by, of all things, a ballet. Le Sacre du printemps (Rite of Spring), choreographed by Vaslav Nijinsky and composed by Igor Stravinsky, caused a riot when it was first performed at the Théâtre des Champs-Élysées in Paris on 29 May 1913. Stravinsky’s composition was revolutionary; it introduced dissonance in classical music.
By Keith Gandal
The New Yorker’s predictably elitist and conservative review of Baz Lurhmann’s new movie has David Denby concluding with the following: “Will young audiences go for this movie, with its few good scenes and its discordant messiness? “
Aaron Minsky is an award-winning composer who has made it his mission to persuade us that bowed stringed instruments (especially the cello) can be extremely effective in popular music. He began his career as a rock guitarist and then went on to study the cello with the finest classical teachers from The Juilliard School and other prestigious establishments. He has performed his works with orchestras around the world and on radio and television.
Arrested Development—the cult comedy set to rise from the dead on Netflix 26 May 2013—had its own distinctive language. It was a show of catchphrases: “I’ve made a huge mistake.” “No touching!” “I’m a monster!” “There’s always money in the Banana Stand.” “Steve Holt!” “Her?”
By Simon Wright
The issue and performance of previously unpublished musical works — juvenilia, early pieces, and even completions by others of music left by composers, for one reason or another, incomplete — always provokes interesting debate. Would the composer have wanted it? Does the newly presented work serve the best interests of the composer’s reputation? Does the music throw new (or even controversial) light on ‘the life and works’?
OUP recently partnered with The Poetry Archive to support Poetry by Heart, a new national poetry competition in England. Here, competition winner Kaiti Soultana talks about her experience.