Jonathan Swift, Irish writer
By Claude Rawson
Jonathan Swift, whom T. S. Eliot called “colossal,” “the greatest writer of English prose, and the greatest man who has ever written great English prose,” died on 19 October 1745.
By Claude Rawson
Jonathan Swift, whom T. S. Eliot called “colossal,” “the greatest writer of English prose, and the greatest man who has ever written great English prose,” died on 19 October 1745.
By Mitch Kachun
Like many scholars who study nineteenth century African American history and literature, I am excited by the attention surrounding the newly released film, 12 Years a Slave, based on the experiences of Solomon Northup, a free black man from New York who was kidnapped in 1841 and sold into slavery.
By Jill L. Levensen
In its fall preview issue for 2013 (dated 2-9 September), New York magazine lists Romeo and Juliet with other films opening on 11 October 2013, and it comments: “Julian Fellowes (the beloved creator of Downton Abbey) tries to de-Luhrmann-ize this classic.” The statement makes two notable points.
What is your earliest musical memory? How has it formed your creativite impulse? Jeanna Bamberger’s research focuses on cognitive aspects of music perception, learning, and development, so when it came to reviewing her work, she thought of her own earliest musical experiences. The following is an adapted extract from Discovering the musical mind: A view of creativity as learning by Jeanne Bamberger.
By Mark Lawrence
Food fortification, that is the addition of one or more nutrients to a food whether or not they are normally contained in the food, is receiving much attention as a potential solution for preventing or correcting a demonstrated nutrient deficiency. It is a powerful technology for rapidly increasing the nutrient intake of populations. Political agendas and technological capacities are combining to significantly increase the number of staple foods that are being fortified, the number of added nutrients they contain and their reach.
Today marks the publication of the fifth edition of the Oxford Dictionary of Humorous Quotations under the editorship of broadcaster and former MP Gyles Brandreth. But who is the wittiest of them all?
By Anna-Lise Santella
After nearly a decade of work, the second edition of The Grove Dictionary of American Music—often called AmeriGrove—is finished. In September 2013, shortly before publication, I talked with Editor in Chief Charles Hiroshi Garrett about the project.
By Damien McCallig
Through the use of email, social media, and other online accounts, our lives and social interactions are increasingly mediated by digital service providers. As the volume of these interactions increases and displaces traditional forms of communication and commerce the question of what happens to those accounts, following the death of the user, takes on greater significance.
By Tim Kendall
One of the anthologist’s greatest pleasures comes from discovering previously unknown pieces to jostle with the familiar classics. Editing The Poetry of the First World War, I knew that I should need to accommodate ‘Dulce et Decorum Est’, ‘The Soldier’, and ‘For the Fallen’. Whatever their qualities, these have become so inextricably part of our understanding that to omit them would be perverse.
By Eleanor Ty
In the early 1790s, Mary Hays was a rising writer who had published an Oriental tale, an essay on the usefulness of public worship, and, with her sister, produced a collection of essays on miscellaneous topics: romances, friendships, and improvements to female education. She admired and had befriended radicals Mary Wollstonecraft and William Godwin, and was introduced to the circle of London intellectuals in the 1790s.
By Melissa Aronczyk
Since the US government shutdown last week, lawmakers and public commenters have been worrying about the massive costs to American taxpayers and the US economy. Previous government shutdowns in 1995 and 1996 cost us an estimated $2.1 billion in 2013 dollars.
It is finally here. The big anniversary. The bicentennial. Today, Giuseppe Verdi turns 200. There has been excitement in the air for quite some time—leading opera houses presenting new productions and outreach initiatives to honor the great composer, publishing companies rushing to release a host of new books for all sorts of readerships, and public and private organizations around the world (governments and municipalities, research centers and fan clubs) working to celebrate the occasion as it deserves.
By Philip Schwyzer
What are we going to do with Richard III? More than a year after his bones were unearthed in Leicester, the last Plantagenet king is still waiting for a resting place.
By Hester Lees-Jefferies
Last month I sat in my favourite theatre, the Swan in Stratford-upon-Avon, watching Michael Fentiman’s excellent Royal Shakespeare Company production of Titus Andronicus. Titus is one of my favourite plays, loose and messy, blackly comic and oddly beautiful.
As Grand Central Terminal celebrates its centennial this year, I have found myself admiring other accomplishments of the firm responsible for a significant part of its design, Warren & Wetmore. In my first days in the New York office of Oxford University Press, I noticed an imposing cadre of busts from the southeast windows of the building.
By Philippe Grandjean
This time of the year, parents worry about what the new school year will bring for their children, teachers complain about school budget constraints, and politicians express ambitions that at least 90% of all children complete basic schooling and 50% or more pursue college degrees.