Oxford University Press's
Academic Insights for the Thinking World
By Ian Hargreaves
Returning to any book script created a decade ago involves lexical shock. When the subject is journalism and the decade the one just gone, the effect is more that of lexical implosion.
By Ayana Young
As one of the most renowned and recognizable instruments in the modern orchestra, the violin’s petite shape and magnified sound charms listeners, players and dreamers alike. Beyond the aesthetic and captivating sound, the history of the violin is just as enticing.
By David Ellwood
Is French culture exceptional, exceptionalist, or just… unique ? The question was raised again this year by the row which broke out just before the start of US-EU trade talks. The French government insisted that cultural products, particularly film and television, should be left out of the negotiations due to their special status as timeless acts of artistic creation.
By Luciana O’Flaherty
All those who have read and loved a Very Short Introduction know that they offer a short but sophisticated route into a new or slightly familiar topic. The series was launched in 1995 and has continued to offer new books each year (around 30 a year, at the last count) for students, scholars, and the avidly curious.
Viennese composer Alban Berg played a major role in the transformation of serious music as it entered the modern period. He was also a skilled, analytic writer, whose essays, lectures, and polemics provide a unique perspective on classical music in transition. A new English edition of his Pro Mundo – Pro Domo. edited by Bryan R. Simms, contains 47 essays, many of which are little known and have not been previously available in English. Below is a brief extract from one of his dialogues with critic Julius Bistron.
By Michael Newton
“The trouble with you,” an old friend recently declared to me, “is that you have always been a conformist.” He meant that I had never undertaken that necessary radical break with my parents and their ideals and interests. Without such a generational rupture, it seemed to him, nobody could claim to be a fully independent, realised person. While he had been dropping acid and dropping (temporarily) out of college, I’d been reclining under a tree with John Keats. And surely there was nothing rebellious in that.
By Stephen H. Webb
Mormon critics have long tried to discredit Joseph Smith by identifying him with a host of contested religious movements from the ancient world. These include Gnosticism, hermeticism, alchemy, and the Jewish Kabbalah.
By Philip Mackowiak
It has been said that the only persons who refer to themselves as “we” are royalty, college professors, and those with worms. In the 4 September 2013 issue of the Lancet, Piers Mitchell and colleagues present evidence that Richard III, one of England’s best known medieval kings and the deformed villain of Shakespeare’s Richard III, had two reasons for referring to himself in the first person plural.
By David Blockley
The costly controversy over the abandonment of the ambitious Wear Bridge scheme and current plans by Sunderland City Council to ‘reduce down to a simpler design’ is a manifestation of what can happen when thinking about various forms of art is confounded.
By Jill Timmons
Leaves are changing, temperatures are cooling, and students are returning to the rigors of school. For those of us in the music industry, fall can also be a time of personal renewal. As autumn commences, we have the opportunity to turn the page from summer pursuits and ignite fresh and innovative initiatives.
In my last post I wrote about little known composer Sophie Elisabeth. Today’s subject, Francesca Caccini, is somewhat better known. The last decade or so has seen a renewed interest in her work.
By Lucy Newlyn
Here is one of the poems Dorothy wrote from her sick room. Dated by her as 1836 (and copied out for the Wordsworths’ friend and neighbour Isabella Fenwick in 1839), it gives us some insight into her state of mind as she looked back on a crisis in 1832-3 when her life was in danger.
By John McWilliams
Cooper’s daunting, lifelong energies led him to venture down still other fictional paths, nominally imaginary but rendered realistic through trenchant social commentary. He experimented with unreliable first person narrative, with the biography of an inanimate object, with urban satire, with the beast fable (The Monikins), and with dystopian fiction (The Crater).
By Philip H. Pfatteicher
Throughout much of the Christian Church, 14 September is celebrated as a feast of the Holy Cross. By focusing on the visible cross, the Christian church is making a rich and manifold proclamation. Venantius Fortunatus (530-609) in his hymn “Sing my tongue, the glorious battle” reflects one aspect of devotion to the cross.
By Robert Eaglestone
So here’s the first thing about the books on the Booker Prize lists, both short and long: until the end of August, it was hard-to-impossible to get hold of most of them. Only one was in paperback in July (well done, Canongate). And while some were in very pricey hardback, several hadn’t even been published. This begs the question: who is the Booker Prize for?
By Kandice Rawlings
Summer is over, and it’s back-to-school season. Art students are heading back to their classrooms and studios, receiving a course of training that will help them become professional artists.