Oxford University Press's
Academic Insights for the Thinking World
As someone who has spent decades studying the evolution of nuclear energy, I’ve seen its emergence as a promising transformative technology, its stagnation as a consequence of dramatic accidents and its current re-emergence as a potential solution to the challenges of global warming.
With the semester well underway, your college student is probably juggling a lot—classes, homework, exams, and writing assignments—all while managing friendships, jobs, and other responsibilities. This balancing act can be tough for any young adult, but it’s often especially challenging for students with ADHD.
This year’s Open Access Week poses the question: “How, in a time of disruption, can communities reassert control over the knowledge they produce?” Here at OUP, we were inspired to delve into our open access publishing for examples of research that doesn’t just study communities, but actively involves them.
When I studied comparative politics as an undergraduate in the 1990s, I was introduced to the field through static comparisons between national political systems. Each chapter in the textbook we read described a different country, and we learned about constitutions, legislatures, and parties as if they were fixed features of political life.
Listen to Bernard Herrmann’s eight scores for the films of Alfred Hitchcock. You’ll hear, in music, a mirror of how the duo’s personal relationship evolved, from its joyous start in late 1954 to its bitter end in 1966.
Google Gemini offers “a new way to bring your imagination to life.” Adobe Firefly promises “The ultimate creative AI solution.” And Craiyon invites you to “Create AI Art.” Don’t believe the tech hype.
For academics, stepping into the world of scholarly conferences for the first time can feel like crossing the Rubicon. After months (or sometimes years) of what is often a solitary research journey, scholars enter a dynamic ecosystem where subfields collide and converge, and colleagues at every career stage rub shoulders in line for coffee and conversation.
This Halloween, why not let literature dress you?
Antoine-Chrysostôme Quatremère de Quincy (1755-1849) was celebrated during his lifetime as the greatest European writer on the arts. The architect Sir John Soane admired his essay on Egyptian architecture while Hegel considered his research on ancient Greek polychromatic sculpture a masterpiece. Despite the breadth of Quatremère’s writings, today he is famous for inventing an idea […]
‘They court the notice of a future age/ Those twinkling tiny lustres of the land’. Today’s users of the Oxford Dictionary of National Biography are members of the ‘future age’ that William Cowper talks of in his poem ‘On Observing Some Names Of Little Note Recorded In The Biographia Britannica’. For students, this makes the […]
I miss a lot of things about the decline of paper newspapers, especially the comic strips. The comics were verbal humor with pictures and recurring characters, and the language of the comics provided a window into how spoken language was represented in print.
I wrote a biography of John Williams, essentially, because I have loved his music since I was nine years old.
Legal professionals need content they can depend on—accuracy, authority, and integrity are non-negotiable.
Prague is a city steeped in history, where music has long been intertwined with its cultural identity. This playlist captures that spirit, featuring compositions that reflect the grandeur of its imperial courts, the struggles of its people, and the resilience of its artists.
A few years ago, I taught an undergraduate course on “Cons, Cults, and Conspiracies Theories,” exploring the connections and parallels among those phenomena.
Two notes. Probably the most famous two-note unit of music in modern history.
When a composer has a hit song or an instantly iconic tune, it can be a blessing and a curse. That tune becomes eternally attached to you—and sometimes it can eclipse the rest of your work.