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Academic Insights for the Thinking World
The historical record of women making music extends back as far as the earliest histories and artifacts of musical performance. For example, artwork from Ancient Greece and Rome suggest that women’s choruses were featured in rituals and festivals. And throughout Chinese imperial history the courts, civil and military officials and wealthy households employed women to sing, dance, and play musical instruments.
So long, a formula at parting (“good-bye”) is still in use, unlike mad hatter and sleeveless errand, the subjects of my recent posts, and people sometimes wonder where it came from. I have little of substance to say about the formula’s origin, but, before I say it, I would like to make the point I have made so many times before.
Throughout our history, women have made varied and important contributions to the fields of science, technology, and medicine. Their pioneering work, often fought against overwhelming social prejudice, still affects our lives to this day. Women’s History Month is the ideal time to celebrate the achievements of female scientists and medics from past to present—and perhaps discover some new inspiration.
Women’s economic empowerment is a key issue, as it is noted that “when more women work, economies grow.” To celebrate International Women’s Day, we have some key facts that demonstrate that changes still need to be made to help women became an active part of economics; whether it is through studying economics itself or the number of women who work in the field, to employment.
In his recent post, “Declining Exposure to Religious Diversity” (24 January), Jeremy Bauer-Wolf notes some striking results of a survey conducted by the Interfaith Youth Core of more than 7,000 students at 122 American colleges and universities. The survey measures the extent of their interfaith experiences on campus, and tracks developments in their attitudes toward religious diversity.
In all these instances, academic historians have either been sidelined, or have become the victims of politically motivated onslaughts. Still, the disputes per se are not a late modern phenomenon. Similar debates occur in any society that records its past. They form part of historical culture. Having a past and knowing it was considered to be a mark of civilisation. But where did this need for a past come from?
It must top the list of famous misquotes: Shakespeare’s Juliet did not say “a rose by any other name would smell as sweet.” But she did ask “What’s in a name?” thus pinpointing a problem that still vexes women today. When I turned 40, I rebranded myself from Pat to Patricia, a shift that was personally gratifying yet had no serious effects. But some women have had to contemplate more serious consequences.
Public health has seen multiple revolutions over history: from the recognition of the connection between water, sanitation, and health, to breakthroughs in medicine and genetics. We are currently in the midst of a new revolution in public health where humans are recognised as social beings connected to their community and their environment.
The revival of Chicago, the 1975 Bob Fosse musical, has been playing on Broadway and around the world for more than two decades, and is now the longest running American musical in Broadway history. That’s quite a turnaround from its original production. In 1975, Chicago had the bad luck to open the same season as A Chorus Line, and its cynical depiction of 1920s Windy City murder and corruption didn’t connect with audiences like the earnest, striving dancers who put their lives on the line for a chance at Broadway gold.
By deciding to review Wayfair v. South Dakota, the US Supreme Court has thrust itself into the long and contentious debate about the proper tax treatment of internet sales. As I argue, the Court should use this opportunity to overturn Quill v. North Dakota.
In its amicus brief submitted in relation to the US Microsoft Warrant case, the European Commission emphasised that: “In the European Union’s view, any domestic law that creates cross-border obligations should be applied and interpreted in a manner that is mindful of the restrictions of international law and considerations of international comity.” (Amicus brief, p. 5)
Many view organ transplantation as one of the miracles of modern medicine: preserving a person’s life by providing a new liver, heart, lung, kidney, or other organ where the original vital organ has failed. One sees the transplant surgeon as the proverbial knight in shining armor riding a white horse and impaling the demons of death and disease on the end of his sharp-pointed lance.
Across the globe, the garrison state has “gone green” as national militaries have become partly involved in stewardship of the natural environment. On the face of it, this is a puzzling development. After all, protecting plants and animals from the depredations of humankind is not a job that most people expect from women and men in uniform.
Not long ago, a colleague was setting up a meeting and suggested bringing along spouses to socialize after the business was done. Not getting a positive reply, she emailed: “I’m getting a lack of enthusiasm for boring spouses with our meeting.” A minute later, a second, clarifying email arrived indicating that she “meant boring as a verb not an adjective.” She had spotted the ambiguity in the first message.
March is a notable month for basketball enthusiasts across the United States, as college teams face off and are narrowed down to one final champion. But for those of us who aren’t as inclined to get in on the sporting excitement, there is an alternative: March Mammal Madness (MMM). MMM was started in 2013 by Dr. Katie Hinde, Associate Professor at Arizona State University.
The most recent publication by leading theorists Michael Tenzer and Pieter van den Toorn brings to the fore issues relating to the analysis of African music. Well known for work on Balinese music and for championing the new movement towards analysis of world music, Tenzer here indulges a long-standing interest in African music by exploring deep parallels between two compositions: a beautifully elusive flute-and-voice piece recorded in 1966 by Simha Arom and Genevieve Taurelle and given the title Hindehu; and Nhemamusasa, a standard item from the Shona mbira repertoire recorded by Paul Berliner in 1977.