Oxford University Press's
Academic Insights for the Thinking World
By Kyle Gann
By long tradition, sweet Venus and mystical Neptune are the planets astrologically connected with music. The relevance of Mars, “the bringer of war” as one famous composition has it, would seem to be pretty oblique. Mars in the horoscope has to do with action, ego, how we separate ourselves off from the world; it is “the fighting principle for the Sun,” in the words of famous astrologer Liz Greene.
By Reinhold Heller
The German artist Otto Dix — born this day in 1881 — drew a remarkable image of himself in 1924 (the tenth anniversary of the beginning of World War I), simply rendered in bold lines of India ink, caricature-like in its exaggerated simplicity. In the drawing we see Dix as he gazes directly out at us through squinting eyes, sporting a small curving mustache, a cigarette dangling from his lips, wearing a battered steel helmet and tattered uniform while carrying a heavy machine gun.
By Paul Griffiths
I must have seen Elliott Carter several times in London from deep back in the seventies; perhaps the earliest of my mental photographs has him standing at the kerbside at Oxford Circus, waiting to cross the road, his head slightly turned and raised to look at his publisher who was with him, Janis Susskind, his face (as it would always be) smiling, his white hair lifted by the wind.
By Jessica Barbour
An eerie image emerged from Europe’s 14th-century bubonic plague epidemics into popular imagination: Death, in skeleton form, leading living souls in a processional dance to the grave. This idea, the danse macabre, was evoked by artists and writers across the continent, a cultural reaction to daily lives spent surrounded by death. I was introduced to the genre in school when I first heard Camille Saint-Saëns’ Danse Macabre, a boisterous seven-minute work for orchestra written in the 1870s.
As a musician, I found this absolutely shocking — here I thought I’d been hearing the glissando (the effect created when, for example, a pianist runs his finger up or down the keyboard), all my life, and suddenly it turned out that the very legitimacy of the word had been dismissed by Blom, a prominent music-writer linguist, more than 30 years before I was even born.
If a theater noob polled a group of theater fans on what classic musicals she must see to jumpstart her theater education, you would be hard pressed to find a fan without The Phantom of the Opera on their list. The show, which opened at Her Majesty’s Theatre in London on 9 October 1986, has left an undeniable impact on London’s West End, Broadway, and theater in general.
Looking at the growing use of our online products, we know that many still choose to reach beyond first impressions on the web to delve further in a reference work from Oxford. Why is it still so important to do so?
By Jessica Barbour
There is a reference work on the subject of music to which English-speaking music students are referred every day. It has been around, in various editions, for over 130 years, and in its current online form it includes more than 40,000 full articles. As a 1955 article in Time put it, “For three-quarters of a century, the sun never set on Grove’s Dictionary of Music and Musicians.”
By Alyssa Bender
In its three centuries of existence, the piano has become one of the most widely spread instruments in the world. In a quick poll of our music social media team here at Oxford University Press, nine out of eleven of us have had piano training. (Of course, we are the music social media team, so our results may be a bit skewed from other departments!)
By Paul G. Bahn
Of all decorated Ice Age caves, by far the most famous is that of Lascaux, which was discovered 72 years ago today by four boys (the hole was found by a dog on 8 September 1940, but the boys entered the cave on 12 September). It houses the most spectacular collection of Paleolithic wall-art yet found. It is best known for its 600 magnificent paintings of aurochs (wild cattle), horses, deer, and “signs,” but it also contains almost 1,500 engravings dominated by horses.
By John L. Heilbron
Galileo is not a fresh subject for a biography. Why then another? The character of the man, his discovery of new worlds, his fight with the Roman Catholic Church, and his scientific legacy have inspired many good books, thousands of articles, plays, pictures, exhibits, statues, a colossal tomb, and an entire museum. In all this, however, there was a chink.
It’s been a long, hard road to London 2012 and while the closing ceremony brings an end to the sporting events and spectacle, we all know it’s not truly the end. The Paralympics begin in a few weeks. There will continue to be reports, analysis, and even a few more blog posts from us. Let’s take a look back on Olympic news, analysis, context, and history from the past few months. And we’ll see you in Rio de Janeiro in 2016!
Ice cream, one of the most spectacularly successful of all the foods based on dairy products, has a comparatively short history. The first ice creams, in the sense of an iced and flavoured confection made from full milk or cream, are thought to have been made in Italy and then in France in the I7th century, and to have been diffused from the French court to other European countries.
By Mark Clague
The Fourth of July, aka “Independence Day” (the annual federal holiday in the United States marking the 1776 signing of the Declaration of Independence from Britain), is cause for national celebration and certainly the celebration of nationalism. Fireworks, orchestral concerts, parades, 5-K runs, carnivals, family picnics, and political speeches are common holiday happenings. Many are accompanied by music, especially by a haphazard class of folk tunes known as patriotic song that often defy historical logic, but nevertheless have become potent cultural symbols.
By Peter Hainsworth
Most English-speakers who read literature have heard of Dante. Eliot, Pound and a host of other modern poets, critics and translators have made sure of that, though it’s a moot point whether many readers have followed Dante very far out of his dark wood. When it comes to other classic Italian writers, the darkness thickens.
By Michael Suarez and Henry Woudhuysen
‘And yet the books’ by Polish writer Czeslaw Milosz’s great poem (1986) brilliantly captures the relationship between the book as a universal, world-wide object, a thing that exists by the millions and yet is so individual, and the single, solitary writer or reader. How can such a ubiquitous, material phenomenon be at the same time so personal and so transcendent?