Oxford University Press's
Academic Insights for the Thinking World
One definition of a classic book is a work which inspires repeated metamorphoses. Romeo and Juliet, Gulliver’s Travels, Frankenstein, Dracula, The Great Gatsby don’t just wait in their original forms to be watched or read, but continually migrate from one medium to another: painting, opera, melodrama, dramatization, film, comic-strip. New technologies inspire further reincarnations
True love in opposition. Levin and Kitty’s match set against the triangle of Anna, her husband Karenin, and her lover Vronsky. How can Tolstoy’s crushing rejection scene (drawn from his own life) be portrayed on screen? A new film adaptation of Anna Karenina, starring Keira Knightly and directed by Joe Wright, has opened worldwide, and we’ve paired a scene from the film with an excerpt of the work below.
By Robert Morrison
In The Metaphysics of Morals (1797), Immanuel Kant gives the standard eighteenth-century line on opium. Its “dreamy euphoria,” he declares, makes one “taciturn, withdrawn, and uncommunicative,” and it is “therefore…permitted only as a medicine.” Eighty-five years later, in The Gay Science (1882), Friedrich Nietzsche too discusses drugs, but he has a very different story to tell.
By Maya Slater
The farce is at its height: the old clown in the armchair is surrounded by whirling figures in outlandish doctors’ costumes, welcoming him into their brotherhood with a mock initiation ceremony. He takes the Latin oath: ‘Juro’, falters. His face crumples. The audience gasps – is something wrong? But the clown is grinning now, all is well, the dancing grows frenzied, the play rushes on to its end. Not till the next day will the audience find out what happened afterwards. They carried the clown off the stage in his chair, and rushed him home. He was coughing blood, dying. He asked for his wife, and for a priest to confess him. They failed to arrive before he died.
It’s Valentine’s Day on Thursday, so let us celebrate the happiness of brief, all-encompassing love. We’ve paired a scene from the recent film adaptation of Anna Karenina, currently nominated for fours Oscars, with an excerpt of the novel below. In it, Anna and Vronsky discuss the happiness of their newfound love.
Sinclair Lewis was the first US writer to be awarded the Nobel Prize in Literature. Known for his insightful and critical depictions of American society, one of Lewis’ most famous works was Babbitt. In honor of the anniversary of Lewis’ birth (7 February 1885), we’ve crept into the archives and dug up some pages from Babbitt for you to enjoy.
By Finn Fordham
Joyce was obsessed with birthdays. Today, February 2nd, is his. An emerging secular saint’s day, it will be remembered and alluded to round the world – especially in Dublin – in the corners of newspapers and pubs, in blogs (like this one), tweets and the odd talk. Born in 1882, Joyce’s cake – if he could have one, let alone eat it – would have a hundred and thirty one candles; a hundred years ago, therefore, he would have been celebrating his 31st birthday. The image of candles is suitable, since Joyce’s birthday fell on ‘Candlemas’, a holy day which commemorates Christ’s first appearance in a synagogue with his mother, forty days after his birth, in part by the lighting of candles.
On 28 January 1813, Pride and Prejudice by Jane Austen was published. Originally titled ‘First Impressions’, Austen was forced to re-title it with a phrase from Frances Burney’s Cecilia after the publication of Margaret Holford’s First Impressions. We’ve paired an extract from the book with a scene from the most recent dramatization to see how Austen’s words have survived the centuries.
By Peter Hunt
The recent appearance of Fifty Shades of Alice, which is (I am told) about a girl who follows a vibrating white rabbit down a hole, made me reflect, not for the first time, that children’s literature is full of mysteries.
By Ann Saddlemyer
There had been rumours for months. When Dublin’s Abbey Theatre announced that John Millington Synge’s new play The Playboy of the Western World would be produced on Saturday, 26 January 1907, all were on alert. Controversy had followed Synge since the production of his first Wicklow play, The Shadow of the Glen, in which a bold, young and lonely woman leaves a loveless May/December marriage to go off with a fine-talking Tramp who rhapsodizes over the freedom of the roads. Irish women wouldn’t do that!
Praeterita, John Ruskin’s incomplete autobiography, was written between periods of serious mental illness at the end of his career, and is an eloquent analysis of the guiding powers of his life, both public and private. An elegy for lost places and people, it recounts Ruskin’s intense childhood, his time as an undergraduate at Oxford, and his journeys across France, the Alps, and northern Italy. In the following excerpt, Ruskin remembers his childhood home.
By Phillip Mallett
At 2.00 pm on Monday 16 January 1928, there took place simultaneously the two funerals of Thomas Hardy, O.M., poet and novelist. His brother Henry and sister Kate, and his second wife Florence, had supposed that he would be buried in Stinsford, close to his parents, and beneath the tombstone he had himself designed for his first wife, Emma, leaving space for his own name to be added. But within hours of his death on 11 January, Sydney Cockerell and James Barrie had established themselves at his home at Max Gate, and determined that he should be laid in Poets’ Corner in Westminster Abbey.
In 1845 Henry David Thoreau left his home town of Concord, Massachusetts to begin a new life alone, in a rough hut he built himself a mile and a half away on the north-west shore of Walden Pond. Walden is Thoreau’s classic autobiographical account of this experiment in solitary living, his refusal to play by the rules of hard work and the accumulation of wealth and above all the freedom it gave him to adapt his living to the natural world around him.
A timely reminder to act while you still can for New Year’s Eve… A new film adaptation of Anna Karenina, starring Keira Knightly and directed by Joe Wright, has opened worldwide, so we wanted to put it to the test. How faithful is the script to the novel? We’ve paired a scene from the film with an excerpt of the work below. One of the greatest novels ever written, Anna Karenina sets the impossible and destructive triangle of Anna, her husband Karenin, and her lover Vronsky against the marriage of Levin and Kitty, thus illuminating the most important questions that face humanity.
By Peter W. Sinnema
Self-help isn’t what it used to be. At least, its early renditions were cast in a style alien to the contemporary ear. The concept was first named (and voluminously expounded) by Samuel Smiles in his 1859 best-seller, Self-Help: With Illustrations of Character, Conduct, and Perseverance. Erstwhile apothecary, railway secretary, newspaper editor, and biographer, Smiles’ birth in Haddington, Scotland marks its bicentennial on December 23.
How can Anna live without her lover Count Vronsky? One of the greatest novels ever written, Anna Karenina sets the impossible and destructive triangle of Anna, her husband Karenin, and her lover Vronsky against the marriage of Levin and Kitty. We’ve paired an excerpt of the novel with a scene from the film adaptation, starring Keira Knightly and directed by Joe Wright, below. How do Tolstoy and Wright bring that fateful train station to life?