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Coming out of the fog

This is a postscript to last week’s post on fog. To get my point across, as they say, let me begin with a few short remarks on word origins, according to the picture emerging from our best dictionaries.

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Word of the Year 2016 is… post-truth

Word of the Year 2016 is… post-truth. After much discussion, debate, and research, the Oxford Dictionaries Word of the Year 2016 is post-truth – an adjective defined as ‘relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief’.

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“Fog” and a story of unexpected encounters

“Fog everywhere. Fog up the river,… Fog down the river….” This is Dickens (1852). But in 1889 Oscar Wilde insisted that the fogs had appeared in London only when the Impressionists discovered them, that is, they may have been around for centuries, but only thanks to the Impressionists, London experienced a dramatic change in its climate.

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Betty Tompkins – Episode 40 – The Oxford Comment

Betty Tompkins came of age as a painter in the 1960s and 1970s. Though she has been a working artist for over 40 years, Tompkins has inspired renewed interest since the early 2000s, with a new generation of viewers responding to her unique voice and technical skill. As a woman and a feminist artist, Betty Tompkins is no stranger to the barriers against female voices, both in the art world, and in culture at large.

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Blessing and cursing, part 3: curse (conclusion)

The verb curse, as already noted, occurred in Old English, but it has no cognates in other Germanic languages and lacks an obvious etymon. The same, of course, holds for the noun curse. The OED keeps saying that the origin of curse is unknown.

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Learning about lexicography: A Q&A with Peter Gilliver (Part 2)

Peter Gilliver has been an editor of the Oxford English Dictionary since 1987, and is now one of the Dictionary’s most experienced lexicographers; he has also contributed to several other dictionaries published by Oxford University Press. In addition to his lexicographical work, he has been writing and speaking about the history of the OED for over fifteen years. In this two part Q&A, we learn more about how his passion for lexicography inspired him to write a book on the development of the Oxford English Dictionary.

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Learning about lexicography: A Q&A with Peter Gilliver (Part 1)

Peter Gilliver has been an editor of the Oxford English Dictionary since 1987, and is now one of the Dictionary’s most experienced lexicographers; he has also contributed to several other dictionaries published by OUP. In addition to his lexicographical work, he has been writing and speaking about the history of the OED for over fifteen years. In this two part Q&A, we learn more about how his passion for lexicography inspired him.

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Blessing and cursing, part 2: curse

Curse is a much more complicated concept than blessing, because there are numerous ways to wish someone bad luck. Oral tradition (“folklore”) has retained countless examples of imprecations. Someone might want a neighbor’s cow to stop giving milk or another neighbor’s wife to become barren.

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Etymology gleanings for September 2016

As usual, let me offer my non-formulaic, sincere thanks for the comments, additions, questions, and corrections. I have a theory that misspellings are the product of sorcery, as happened in my post on the idiom catch a crab (in rowing). According to the routine of many years, I proofread my texts with utmost care.

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Our habitat: booth

This post has been written in response to a query from our correspondent. An answer would have taken up the entire space of my next “gleanings,” and I decided not to wait a whole month.

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Esperanto, chocolate, and biplanes in Braille: the interests of Arthur Maling

The Oxford English Dictionary is the work of people: many thousands of them. In my work on the history of the Dictionary I have found the stories of many of those people endlessly fascinating. Very often an individual will enter the story who cries out to be made the subject of a biography in his or her own right; others, while not quite fascinating enough for that, are still sufficiently interesting that they could be a dangerous distraction to me when I was trying to concentrate on the main task of telling the story of the project itself.

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Sartor resartus, or some thoughts on the origin of the word “cloth” and the history of clothes

I keep clawing at the bars of the cage I built for myself. But first a digression. Walter W. Skeat wrote numerous notes on English etymology, some of which he eventually put together and published in book form. Much to my regret, not too many kl-words attracted his attention. But I was amused to discover that the verb clop means not only the sound made by shoes or hoofs but also “to cling, adhere to.”

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