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The paradox of generalizations about generalizations

By Roy T Cook

A generalization is a claim of the form: (1) All A’s are B’s. A generalization about generalizations is thus a claim of the form: (2) All generalizations are B. Some generalizations about generalizations are true. For example: (3) All generalizations are generalizations. And some generalizations about generalizations are false. For example: (4) All generalizations are false. In order to see that (4) is false, we could just note that (3) is a counterexample to (4).

Religion and security after the Charlie Hebdo shootings

By John Wolffe

On 6 January 2015, I led a major event in the British Parliament at Westminster to launch and promote a recently completed survey of academic analysis and its policy implications, Religion, Security, and Global Uncertainties. The following day in Paris, the Houachi brothers shot dead twelve people in their attack on the magazine Charlie Hebdo, professedly to avenge its alleged insults to the Prophet Muhammad.

A quiz on the Nuns of Sant’Ambrogio

By Hubert Wolf

In 1858, German Princess Katharina von Hohenzollern entered the strict Franciscan convent of Sant’Ambrogio della Massima. Instead to finding the solitude and peace she was looking for she stumbled across a sex scandal of ecclesiastical proportions filled with poison, murder, and lesbian initiation rites. Based on Hubert Wolf’s vividly reconstructed telling of the scandal, we’ve created a short quiz where you can try your hand and unravel the secrets of the Sant’Ambrogio convent.

Country music and the press

By Travis D. Stimeling

At least a decade prior to the recording of the first “hillbilly” records in the 1920s, journalists were writing about rural music-making in the United States, often treating the music heard at barn dances, quilting bees, and other rural social events as curious markers of local color. Since the emergence of country music as a recorded popular music in the 1920s, though, the press’s fascination with the genre has not waned.

A festival of colorful emotions

By Kiyokazu Okita

It is as if a massive color palette fell on earth from the hand of the Almighty. The whole atmosphere is painted with bright colors—red, pink, yellow, blue, green, and purple. Young and old, men and women—all are soaked in colored water, running around, laughing loudly, shouting, and throwing mud on each other. It is a war where a water gun is your weapon, colored water is your bullet, and colored powder is your smoke screen.

An A – Z guide to Nicolas Nabokov

By Vincent Giroud

Who was Nicolas Nabokov? The Russian-born American composer had a huge impact on music and culture globally, but his name remains relatively unknown. He had friends and acquaintances in a variety of circles, whether his cousin the writer Vladimir, the poet Auden, or the choreographer Balanchine.

Does philosophy matter?

By Walter Sinnott-Armstrong

Philosophers love to complain about bad reasoning. How can those other people commit such silly fallacies? Don’t they see how arbitrary and inconsistent their positions are? Aren’t the counter examples obvious? After complaining, philosophers often turn to humor. Can you believe what they said! Ha, ha, ha. Let’s make fun of those stupid people. I also enjoy complaining and joking, but I worry that this widespread tendency among philosophers puts us out of touch with the rest of society.

Creating a constructive cultural narrative for science

By Tom McLeish

How can we understand the relation between science and narrative? Should we even try to? Where can we find and deploy a constructive cultural narrative for science that might unlock some of the current misrepresentations and political tangles around science and technology in the public forum?

Nineteenth and twentieth century Scottish philosophy

By Gordon Graham

In the history of Britain, eighteenth century Scotland stands out as a period of remarkable intellectual energy and fertility. The Scottish Enlightenment, as it came to be known, is widely regarded as a crowning cultural achievement, with philosophy the jewel in the crown. Adam Smith, David Hume, William Robertson, Thomas Reid and Adam Ferguson are just the best known among an astonishing array of innovative thinkers, whose influence in philosophy, economics, history and sociology can still be found at work in the contemporary academy.

Emily Brontë, narrative, and nature

By Helen Small

Catherine’s removal from the plot (other than as a haunting presence in the background, much less potent hereafter than the waif-like child ghost whose wrist Lockwood rubs back and forth across the broken window glass till the blood runs freely (p. 21)) has seemed to some readers to weaken the second half of the novel. One modern critic has suggested, indeed, that the whole of the second-generation narrative was an afterthought.

Five Biblical remixes from Rev. Dr. Martin Luther King, Jr.

By Nyasha Junior

Civil Rights icon Reverend Dr. Martin Luther King, Jr. was also a theologian and pastor, who used biblical texts and imagery extensively in his speeches and sermons. Here is a selection of five biblical quotations and allusions that you may not have noticed in his work (in chronological order).

Rebel Girl: Lesley Gore’s voice

By Alexandra Apolloni

In 2005, Ms magazine published a conversation between pop singer Lesley Gore and Kathleen Hanna of the bands Bikini Kill and Le Tigre. Hanna opened with a striking statement: “First time I heard your voice,” she said, “I went and bought everything of yours – trying to imitate you but find my own style.”

Wolf Hall: count up the bodies

By Peter Marshall

Historians should be banned from watching movies or TV set in their area of expertise. We usually bore and irritate friends and family with pedantic interjections about minor factual errors and chronological mix-ups. With Hilary Mantel’s novels Wolf Hall and Bring Up the Bodies, and the sumptuous BBC series based on them, this pleasure is denied us. The series is as ferociously well researched as it is superbly acted and directed. Cranmer probably didn’t have a beard in 1533, but, honestly, that’s about the best I can do.

Why we should read Dante as well as Shakespeare

By Peter Hainsworth

Dante can seem overwhelming. T.S. Eliot’s peremptory declaration that ‘Dante and Shakespeare divide the modern world between them: there is no third’ is more likely to be off-putting these days than inspiring. Shakespeare’s plays are constantly being staged and filmed, and in all sorts of ways, with big names in the big parts, and when we see them we can connect with the characters and the issues with not too much effort.

Iggy (Azalea) pop: Is cultural appropriation inappropriate?

By Matthew D. Morrison

Popular music is much more than mere entertainment—it helps us make sense of who we are or who we hope to be. Although music is but one of pop culture’s media outlets, our tendency to embody and take ownership of sound—whether through our headphones, MP3 downloads, dancing, or singing—often makes it difficult to separate our personal connection to popular music from the cultural context in which it was created.

The art of musical arrangements

By David Blackwell

‘I write arrangements, I’m sort of a wannabe composer’ – consciously or otherwise, these words from violinist Joshua Bell seem to give voice to the tension between these two interlocking musical activities. For arrangement and composition are interlocked, as composers throughout the ages have arranged, adapted, revised, and generally played free with musical compositions of all kinds (their own and other people’s) for reasons artistic, practical, or downright commercial.