Oxford University Press's
Academic Insights for the Thinking World
We asked our composers a series of questions based around their musical likes and dislikes, influences, challenges, and various other things on the theme of music and their careers. Each month we will bring you answers from an Oxford University Press composer, giving you an insight into their music and personalities.
Robert Burns was born on 25 January 1759 in Alloway, a small village near the river Doon just south of the town of Ayr, in the south-west of Scotland. As Scots and Scotophiles to world over prepare to celebrate Burns Night tomorrow, here’s an excerpt from the new Oxford World’s Classics edition of his Selected Poems and Songs, dedicated to that river near which he grew up.
By Jeremy Begbie
On my office wall I keep two photos together in a single frame. They show two teachers who inspired me more than any others—my first theology teacher, James Torrance (1923–2003), and next to him the American conductor, composer and pianist, Leonard Bernstein (1918–1990).
By Elizabeth Hellmuth Margulis
How much repetition is too much repetition? How high would the number of plays of your favorite track on iTunes have to climb before you found it embarrassing? How many times could a song repeat the chorus before you stopped singing along and starting eyeing the radio suspiciously? And why does musical repetition often lead to bliss instead of exhaustion?
How high would the number of plays of your favorite track on iTunes have to climb before you found it embarrassing? How many times could a song repeat the chorus before you stopped singing along and starting eyeing the radio suspiciously?
By David King Dunaway
In the late 1950s, Dave Van Ronk was walking through Washington Square Park in New York’s Greenwich Village on a Sunday afternoon. This Trotskyist-leaning jazz enthusiast from Queens thought the crowds huddled around guitars and banjos “irredeemably square.”
By Scott Huntington
Why should people bother to study music history or, for that matter, go on to major in it? What could you possibly gain from studying music history? The answer to these questions might surprise you.
On the first day of class in my ‘Psychology of Music’ course, I often ask students to create their own musical instruments. The catch is… they have to make them out of whatever they happen to have in their backpacks and pockets that day!
The 5 December 2013 live broadcast of The Sound of Music became a ratings giant despite withering reviews from armchair critics everywhere. “Hate watchers” Twittered their derision with relish, while NBC laughed all the way to the bank. What was the draw?
As of 1 January 2014, 27 years have passed since the first edition of the Grove Dictionary of American Music was published. In those 27 years, The Beatles sold 2 billion albums, Michael Jackson died, and Simon Cowell had the excellent foresight to create One Direction.
The 6th of November is Saxophone Day, a.k.a. the birthday of Adolphe Sax, which inspired us to think about instruments that take their name in some way from their inventors (sidenote: for the correct use of eponymous see this informative diatribe in the New York Times).
Compiled by Taylor Coe
After reflecting on music that they were thankful for a few weeks ago, we have now asked Oxford University Press staffers to share music that reminds them of the New Year.
Beginning the 26th of December, a globe-spanning group of millions of people of African descent will celebrate Kwanzaa, the seven-day festival of communitarian values created by scholar Maulana Karenga in 1966. The name of the festival is adapted from a Swahili phrase that refers to “the first fruits,” and is meant to recall ancient African harvest celebrations.
Compiled by Victoria Davis
It’s been a busy year at OUP Music! Before 2013 comes to a close, we thought we would take a look back at the highlights of another year gone by.
Christmas is big at Oxford University Press and carol-related tasks continue virtually all year. We publish most of the festive music that the world knows and loves, and our editors started working on carols for this Christmas in the summer of 2012. We’re all carolled out every year by August! October, November, and December are particularly frantic for our Music Hire Library.
The recent death of renowned British composer Sir John Tavener (1944-2013) precipitated mourning and reflection on an international scale. By the time of his death, the visionary composer had received numerous honors, including the 2003 Grammy Award for Best Classical Contemporary Composition, the 2005 Ivor Novello Classical Music Award, and a knighthood from Queen Elizabeth II.
They spoke to listeners across generations from the early 1940s through the 1980s. They were influential women who faced tremendous risks both personally and professionally. They sang and performed for gender equality and racial liberation. They had names such as Lena Horne, Nina Simone, and Gladys Knight. They were the most powerful black female entertainers of the Civil Rights era.