Oxford University Press's
Academic Insights for the Thinking World

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Mark Vail remembers synth pioneer Bob Moog

While I wasn’t born early enough to know Antonio Stradivari, Henry E. Steinway, or Adolphe Sax personally, I did see 95-year-old Leon Theremin from afar at an outdoor Stanford University concert on September 29, 1991. Not many people have the opportunity to meet in person, or speak with on the phone, a person who designed and built a special musical instrument.

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Expressing ourselves about expressiveness in music

Picture the scene. You’re sitting in a box at the Royal Albert Hall, or the Vienna Musikverein. You have purchased tickets to hear Beethoven’s Ninth symphony performed by an internationally renowned orchestra, and they are playing it in a way that sounds wonderful. But what makes this such a powerful performance?

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Discussing Josephine Baker with Anne Cheng

By Tim Allen
Josephine Baker, the mid-20th century performance artist, provocatrix, and muse, led a fascinating transatlantic life. I recently had the opportunity to pose a few questions to Anne A. Cheng, Professor of English and African American Literature at Princeton University and author of the book Second Skin: Josephine Baker & the Modern Surface, about her research into Baker’s life, work, influence, and legacy.

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Grand Piano: the key to virtuosity

“Play one wrong note and you die!” The recently-released feature film Grand Piano, directed by Eugenio Mira and starring Elijah Wood, is an artsy and rather convoluted thriller about classical music and murder.

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Composer Hilary Tann in eight questions

Here, we interviewed composer Hilary Tann. Praised for its lyricism and formal balance, Hilary Tann’s music is influenced by her love of Wales and a strong identification with the natural world. A deep interest in the traditional music of Japan has led to private study of the shakuhachi and guest visits to Japan, Korea, and China.

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Harry Nilsson and the Monkees

By Alyn Shipton
Singer-songwriter Harry Nilsson worked in the computer department of a California bank throughout the early 1960s. For much of that time, he managed the night shift, clocking on in the early evening and finishing around 1 a.m. Then, instead of going to sleep, he wrote songs all night. Being a man of considerable energy, he spent the daytime hawking his songs around publishers.

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Women of 20th century music

Women musicians push societal boundaries around the world, while hitting all the right notes. In honor of Women’s History Month, Oxford University Press is testing your knowledge about women musicians. Take the quiz and see if you’re a shower singer or an international composer!

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Female artists and politics in the civil rights movement

In the battle for equal rights, many Americans who supported the civil rights movement did not march or publicly protest. They instead engaged with the debates of the day through art and culture. Ruth Feldstein, author of How it Feels to Be Free: Black Women Entertainers and the Civil Rights Movement, joined us in our New York offices to discuss the ways in which culture became a battleground and to share the stories of the female performers who played important but sometimes subtle roles in the civil rights movement.

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Beyond Ed Sullivan: The Beatles on American television

Sunday, February 9, 2014 marked the 50th anniversary of the American television broadcast of the Beatles on the Ed Sullivan Show. For many writers on pop music, the appearance on the Sullivan show not only marked the debut of the Beatles in the United States, but also launched their career as international pop music superstars.

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A day with Carol Channing in Disneyland

by Eddie Shapiro
When I began work on my book, I knew I would be fortunate enough to experience a few moments of “Pinch me. This can’t really be happening.” There were, as it turned out, so many that I’d be black and blue if there was actual pinching going on. But of all of those moments, I think the highlight would have to be spending a day at Disneyland with Carol Channing and her late husband, Harry, who were then 90 and 91 respectively.

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Best Original Score: Who will win (and who should!)

By Kathryn Kalinak
This year’s slate of contenders includes established pros (John Williams, Thomas Newman, Alexandre Desplat) along with some newcomers (William Butler and Owen Pallett, Steven Price). This used to be a category where you had to pay your dues, but no longer.

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The rise of music therapy

By Scott Huntington
Music therapy involves the use of clinical, evidence-supported musical interventions to meet a patient’s specific goals for healing (a useful fact sheet). The music therapist should have the proper credentials and be licensed in the field of music therapy.

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Dirty South hip hop and societal ills in the former Confederacy

Dirty South hip hop refers to a gritty rap culture first developed in the southern United States during the 1980s and the 1990s. Goodie Mob, an eccentric quartet from Atlanta, Georgia, titled a 1995 single “Dirty South” in order to shed light on myriad societal ills in the former Confederacy, where ethnic prejudice and racism seemed to be perennial sicknesses.

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Martin Luther, music, and the Seven Liberal Arts

By The Very Revd Dr Andreas Loewe
It was the German reformer Martin Luther who famously said that ‘music was next to theology’. Why did Luther claim that music was ‘next’ to theology, and what did he mean? In the past, scholars have explained that music had a unique capacity to touch the human heart in a way that the spoken word, or other sounds may not do.

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At the launch of Nothing Like a Dame

On Monday, 27 January 2014, the lobby of Oxford University Press’s New York City office was filled with Broadway fans, and a few stars, drinking champagne in celebration of the publication of Nothing Like a Dame: Conversations With the Great Women of Musical Theater by Eddie Shapiro.

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Pete Seeger: the power of singing to promote social justice

By Barry S. Levy and Victor W. Sidel
“That song really sticks with you!” The speaker was the Rev. Martin Luther King, Jr., in 1957, on his way to a speaking engagement in Kentucky. The song was “We Shall Overcome.” He had heard it the day before from Pete Seeger at the Highlander Center in Tennessee. There Seeger had, a decade before, learned the song – most likely derived from an old gospel song that became a labor-union song by the early 1900s.

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