Oxford University Press's
Academic Insights for the Thinking World
By Scott Huntington
Music therapy involves the use of clinical, evidence-supported musical interventions to meet a patient’s specific goals for healing (a useful fact sheet). The music therapist should have the proper credentials and be licensed in the field of music therapy.
Dirty South hip hop refers to a gritty rap culture first developed in the southern United States during the 1980s and the 1990s. Goodie Mob, an eccentric quartet from Atlanta, Georgia, titled a 1995 single “Dirty South” in order to shed light on myriad societal ills in the former Confederacy, where ethnic prejudice and racism seemed to be perennial sicknesses.
By The Very Revd Dr Andreas Loewe
It was the German reformer Martin Luther who famously said that ‘music was next to theology’. Why did Luther claim that music was ‘next’ to theology, and what did he mean? In the past, scholars have explained that music had a unique capacity to touch the human heart in a way that the spoken word, or other sounds may not do.
On Monday, 27 January 2014, the lobby of Oxford University Press’s New York City office was filled with Broadway fans, and a few stars, drinking champagne in celebration of the publication of Nothing Like a Dame: Conversations With the Great Women of Musical Theater by Eddie Shapiro.
By Barry S. Levy and Victor W. Sidel
“That song really sticks with you!” The speaker was the Rev. Martin Luther King, Jr., in 1957, on his way to a speaking engagement in Kentucky. The song was “We Shall Overcome.” He had heard it the day before from Pete Seeger at the Highlander Center in Tennessee. There Seeger had, a decade before, learned the song – most likely derived from an old gospel song that became a labor-union song by the early 1900s.
Complied by Taylor Coe
Feeling angsty about Valentine’s Day? The OUP staff is here to help! We have pulled together a wide-ranging list of “anti-Valentine’s Day” music – exactly opposite the treacly, mincing pop that you may encounter otherwise on this most-exclusive of holidays.
By Gary Rosen
This February marks the 100th anniversary of the founding of ASCAP, the American Society of Composers, Authors & Publishers. Though little known outside the music industry today, its creation set in motion a series of events that still reverberates in the popular music of our time.
Humans seem to love attempting to understand the meaning of songs. Back in my college days, I spent many hours talking with friends about what this or that song must mean. Nowadays, numerous websites are devoted to providing space for fans to dissect and share their interpretations of their favorite songs (e.g. Song Meanings, Song Facts, and Lyric Interpretations). There is even a webpage with a six-step program for understanding a song’s meaning.
By Hugh Cobbe
The cantata Dona Nobis Pacem by Ralph Vaughan Williams was written at a time when the country was slowly awakening to the possibility of a second European conflict. When invited to provide a work for the centenary of the Huddersfield Choral Society in October 1936, Vaughan Williams remembered that he had in his drawer an unpublished setting of Walt Whitman’s ‘Dirge for Two Veterans’.
By Miriam Higgins
My friends always ask me: what do you do all day?!
Well, every day Bethan, new manager Guy, and I make sure orders for music are present and correct to be sent around the world. We also update the website, look at which titles need re-engraving next, work with our agents (who are worldwide), and answer customer enquiries either over the phone or by email.
By Gordon R. Thompson
When Pan Am flight 101, the “Jet Clipper Defiance,” touched down at the recently renamed John F. Kennedy Airport on 7 February 1964, the grieving angst that had gripped the Western world lifted, if just a little. What emerged from the darkness of the Boeing 707’s doorway was something so joyful, so deliciously irreverent that we forgot for a moment the tensions of the Berlin wall, the Cuban missile crisis, and the assassination of a young president. The sigh that North America released felt so deep that it sounded as one big exuberant scream of delight.
By Anna-Lise Santella
It may be the middle of winter, but April Fool’s Day is only two months away, and that means it’s time to start planning your entry for the Second Annual Grove Music Spoof Article Contest! Spoof articles have been part of Grove’s history for several decades—it seems that our authors have always had an inclination toward humor.
Music Theory Spectrum, the official publication of the Society for Music Theory, was first published in the spring of 1979 — the same year that the Society was founded. We’re thrilled that 35 years later, the journal has joined Oxford University Press. To learn more about the journal and its fascinating subject, we sat down with the Editor, Michael Cherlin. The University of Minnesota professor discusses his experience in publishing, the field of music theory, and what to expect in future.
In recognition of the inimitable Carol Channing’s 93rd birthday, we have excerpted a portion of her interview from Eddie Shapiro’s forthcoming book of interviews with the leading ladies of Broadway, Nothing Like a Dame: Conversations with the Great Women of Musical Theater.
Perhaps you saw that Dr. Pepper ad in which Ravens kicker Justin Tucker shows off his opera chops, singing in a quite lovely bass-baritone voice. Well, we saw it, and it got us thinking: have there been other opera-singing American football players?
By Ronald Cohen
I am saddened to learn of the passing of American folk musician Pete Seeger and am not sure how to sum up his life in a short space. I am just thinking: the world weeps. So I’d like to share the postcard I just got from him. It sums up his life, always caring and studying and thinking.