Oxford University Press's
Academic Insights for the Thinking World
The harsh restrictions that North American slaves faced between the sixteenth and nineteenth century led to the innovative ways to communicate through music. Many slaves sang songs and used their surrounding resources to create homemade instruments.
By Laura Davis
I’ve spent a lot of time in churches throughout my life. I was baptized in the Episcopal Church, raised Methodist, and am a converted Catholic. I’ve worked in Presbyterian, Episcopalian, Lutheran, and Methodist churches and spent a summer in Eastern Europe singing in a Romanian Orthodox church.
Jazz is a genre of music that is rich in history and cultural influences. When you think of jazz music, a massive list of other phenomenal artists may come to mind including Dizzy Gillespie, Miles Davis, and Billie Holiday. In the nineteenth century, the music was birthed from ragtime and evolved into the blues, followed by swing Music and jazz, creating genres of music influenced by a myriad of styles and sounds.
By Ian Woodfield
Fathers do not always receive the kindest press, but any man who unwittingly produces an icon of western culture will find his parental techniques under an especially harsh spotlight. Such was the fate of Johann van Beethoven, a singer of modest achievements, who ended up dividing his time unequally between the Bonn Hofkapelle and the local taverns.
If you watched the World Series this year, you may have noticed a trend in the nightly renditions of “God Bless America” during the seventh inning stretch: all five performances were by soldiers in uniform.
By Nick Wilson
As a musician myself I have certainly received my fair share of warranted (and un-warranted) criticism over the years. There is nowhere to hide on the concert platform. Performing music necessarily requires being open to others, exposing more of the self than is demanded in most other walks of life. It is perhaps only natural, therefore, that the controversial subject of authenticity should remain so stubbornly relevant to our understanding and pleasure of (musical) performance.
This mesmerizing video has received over 21 million views, and is spreading rapidly through social media. The baby is 10 month-old Mary Lynne Leroux, who weeps as her mother Amanda sings My Heart Can’t Tell You No, a song most recently popularized by Sara Evans.
By Kristian Hibberd
I first met its editor Noëlle Mann in the late 1990s as I began my PhD at the University of London. During the course of my studies, I had met (and often had the privilege of being taught by) some incredibly gifted, dedicated musicians and academics. Noëlle was all of that but what struck me most profoundly was the irresistible drive and boundless energy she applied to any venture to which she committed herself
No other holiday has mood swings quite like Halloween. Running the gamut from horror to kitsch to comedy, the holiday is as variable as the types of costumes donned by schoolchildren on the day itself. This Halloween, we have put together a collection of songs collected from the staff at Oxford University Press that reflects that intrinsic variability.
I heard about Lou Reed’s death in the most modern of ways. He had taken over my Twitter feed, which on Sunday was suddenly filled with links to Rolling Stone‘s obituary, often preceded by shock-induced expletives or followed by links to a video of a favorite song.
Today is the birthday of a composer who writes in a radically different musical style than many of us are accustomed to hearing on a day-to-day basis, as we sit on hold with the doctor’s office or hum along with the music piped into the aisles of the grocery store.
From the Harlem Rag to grand pianos to the Grammy awards to the international stage… Jazz has had many different incarnations since its origins 120 years ago. This brief slideshow with images from Mervyn Cooke’s The Chronicle of Jazz conveys the diversity of change in jazz performers throughout the years. Innovation, experimentation, controversy, and emotion — all found in the most imaginative and enduring music.
Spoiler Alert: This article includes plot details from the film. Watching Gravity as a professor who teaches child psychology, I could not help but see the developmental themes that resonate with this film. One of the luminous images that lingered with me long after the film ended is the scene in which Ryan Stone (Sandra Bullock) is nestled in the safety of a spacecraft following a grueling battle for her life.
What is your earliest musical memory? How has it formed your creativite impulse? Jeanna Bamberger’s research focuses on cognitive aspects of music perception, learning, and development, so when it came to reviewing her work, she thought of her own earliest musical experiences. The following is an adapted extract from Discovering the musical mind: A view of creativity as learning by Jeanne Bamberger.
By Anna-Lise Santella
After nearly a decade of work, the second edition of The Grove Dictionary of American Music—often called AmeriGrove—is finished. In September 2013, shortly before publication, I talked with Editor in Chief Charles Hiroshi Garrett about the project.
It is finally here. The big anniversary. The bicentennial. Today, Giuseppe Verdi turns 200. There has been excitement in the air for quite some time—leading opera houses presenting new productions and outreach initiatives to honor the great composer, publishing companies rushing to release a host of new books for all sorts of readerships, and public and private organizations around the world (governments and municipalities, research centers and fan clubs) working to celebrate the occasion as it deserves.