Oxford University Press's
Academic Insights for the Thinking World
Why is the head of a drum usually shaped like a circle? How would it sound if it were shaped like a square instead? Or a triangle? If you closed your eyes and listened, could you tell the difference? The mathematics used to prove that “one can hear the corners of a drum” are founded on the study of two everyday phenomena: vibrations and heat conduction.
It’s hard to believe, but another busy year at Oxford University Press has gone by. Join our music team as we take a look back at the year that was 2015, from new scholarship to new faces, with a combination of computers, cake, and chicken.
Handbells aren’t just ringing for the Salvation Army this holiday season. If you’ve ever tuned in to a holiday music special, you’ve probably seen a handbell choir playing the Christmas standards. Handbells have been a part of the holiday landscape for hundreds of years.
Todd Haynes’ new film Carol is an adaptation of Patricia Highsmith’s semi-autobiographical novel The Price of Salt, first published in 1952 under the pseudonym Claire Morgan. Daring for its time, the novel depicts a passionate lesbian romance between Carol Aird (Cate Blanchett), a well-off middle-aged New Jersey housewife divorcing her husband, and nineteen-year-old Therese Belivet (Rooney Mara), who works as a department store salesclerk.
Christmas is the busiest time of year by far for the Oxford Music Hire Library. Oxford University Press publishes most of the carols the world knows and loves – the one that has just popped into your head is probably one of ours – with newly-composed Christmas titles added every year. Carol orders come in as early as August and keep rolling in until worryingly close to the big day itself.
One of classical music’s greatest guilty pleasures—the music of Gilbert & Sullivan—celebrated an historic event in late October when the famed D’Oyly Carte Opera Company, the 144 year-old company founded by the team’s original producer, Richard D’Oyly Carte, sold some of their last remaining original Gilbert & Sullivan treasures to the British Library.
There are many rewards that can be garnered through sharing our cultural reflexivity, honoring the voices of the people we serve, involving ourselves in honest and open cultural dialogue, and delving into uncomfortable topics involving race, class, power, and privilege.
To celebrate what would have been Frank Sinatra’s 100th birthday this December, we’ve put together an infographic of just a few of his accomplishments.
Music has a long tradition of being associated with winter holidays, something we’re mindful of in the music departments of Oxford University Press. As Hanukkah is already in full swing, we asked members of our editorial, marketing, and publicity departments, for their favorite Hanukkah songs.
When the late Ken Harper first began pitching his idea for a show featuring an all black cast that would repeat and revise the popular plot of L. Frank Baum’s The Wonderful Wizard of Oz, augmenting it with a Hitsville USA-inspired score, he had television in his sights.
If American orchestras want to be more patriotic, they should program more music by American composers. In context, however, the sentiment is deeply ironic. American composers are absent from today’s concert programs precisely because anti-nationalists consistently shackled them.
Policing patriotism at the concert hall is a time-honored tradition. One of the latest targets is the Fort Worth Symphony, which has endured public criticism for performing The Star-Spangled Banner regularly before its concerts. One fed-up critic, Scott Cantrell, recently urged all American orchestras to abandon the practice because a concert should “transport” listeners to “another world” away from “narrow nationalism.”
Every major news source last week carried news of Andy White’s death at 85. The Guardian’s “Early Beatles Drummer Andy White Dies at 85” represents a typical article title intended to attract readers albeit with misinformation that suggests that a particular two-minute-and-twenty-second episode from his life should be why we remember him.
Theatergoers have been dazzled by the new Broadway hit Hamilton, and not just by its titular lead: the Schuyler women often steal the show. While Alexander Hamilton’s wife Elizabeth Schuyler Hamilton provides heart and pathos, her sister Angelica Schuyler Church is sassy, witty, and flirtatious.
Sturdy idiophone ubiquitous among dress shoe-wearing cultures. Rising to prominence during 15th century England, the shoehorn has today become one of the most widely used instruments in the world. This notoriety had lead many scholars to suggest that the shoehorn stands as Britain’s crowning contribution to contemporary music culture.
We’re getting ready for the annual American Musicological Society Conference, beginning 11 November 2015 in Louisville, Kentucky. From panels to performances, there’s a lot to look forward to. We asked our past and present attendees to tell us what make AMS and Louisville such exciting places to be this month.