Oxford University Press's
Academic Insights for the Thinking World
Mark Twain is reputed to have quipped, “Reports of my death have been greatly exaggerated.” Such hyperbole aptly applies to predictions that digital reading will soon triumph over print.
In late 2012, Ben Horowitz (co-founder of Andreessen Horowitz Venture Capital) declared, “Babies born today will probably never read anything in print.” Now four years on, the plausibility of his forecast has already faded.
Judging a book by its cover has turned out to be a necessity in life. We’ve all perused book shops and been seduced by a particularly intriguing cover–perhaps we have even been convinced to buy a book because of its cover. And, truly, there is no shame in that. It takes skill and artistry to craft a successful book cover, and that should be acknowledged.
As part of Peer Review Week, running from 19-25 September 2016, we are celebrating the essential role that peer review plays in maintaining scientific quality. We asked some of our journal’s editorial teams to tell us why peer review is so important to them and their journals.
I’m no expert. Still, I reckon the notorious claim made by Michael Gove, a leading campaigner for Britain to leave the European Union, that the nation had had enough of experts, will dog him for the rest of his career. In fact, he wasn’t alone. Other Brexit leaders also sneered at the pretensions of experts, the majority of whom warned about the risks – political, economic, social – of a Britain outside the EU.
Record-breaking mobile app Pokémon Go has been downloaded over 75 million times worldwide, a number set only to increase as the game is released in more territories. What five common crimes have police officers had to attend to as a result of this craze taking off?
Marketing as a business function has swept the world. It is the fastest growing global business activity. It has infiltrated all aspects of life, not just the economic – but also the political, social and personal.
Where will Uber stop? After the news that the Saudi’s have decided to invest $3.5bn in the company, came details of a further $2bn Uber wants to raise from financial markets using tecniques never deployed before by a start-up.
Listen to, and read a transcript of an interview from Nicola Barringer with Valerie Minogue, translator of Money by Émile Zola, part of the Rougon-Macquart cycle. In the interview, she introduces the Rougon-Macquart, Zola’s epic cycle of twenty novels.
Information now moves at a much greater speed than migrants. In earlier eras, the arrival of refugees in flight was often the first indication that grave human rights abuses were underway in distant parts of the world.
The idea that the United States economy runs on information is so self-evident and commonly accepted today that it barely merits comment. There was an information revolution. America “stopped making stuff.” Computers changed everything. Everyone knows these things, because of an incessant stream of reinforcement from liberal intellectuals, corporate advertisers, and policymakers who take for granted that the US economy shifted toward an “knowledge-based” economy in the late twentieth century.
Lewis Carroll, J.R.R. Tolkein, and Philip Pullman are three of the many great writers to come out of Oxford, whose stories are continually reimagined and enjoyed through the use of media and digital technologies. The most obvious example for Carroll’s Alice in Wonderland are the many adaptations in […]
In a speech made after the November terrorist attacks in Paris, President Obama criticized the media’s use of the word mastermind to describe Abdelhamid Abaaoud. “He’s not a mastermind,” he stated. “He found a few other vicious people, got hands on some fairly conventional weapons, and sadly, it turns out that if you’re willing to die you can kill a lot of people.”
Julian Assange is an unusual figure in the world of hacktivism. He embraced his notoriety as leader of Wikileaks, and on 4 February 2016, he appeared on the balcony of the Ecuadorian embassy holding a copy of a UN panel report that declared that he has been “arbitrarily detained” while avoiding extradition to Sweden for alleged rape for almost six years (British and Swedish prosecutors still seek to detain him).
Libraries have been primarily identified by their collections – by those accessing the resources collected by individual libraries and for those not directly engaging imagining access. When Borges wrote “Paradise is a library, not a garden” he captured the concept of the library as a palace for the mind, connecting readers to the generations of works – from maps, manuscripts and incunabula to the new online resources of today.
Our lives are full of distractions: overheard conversations, the neighbor’s lawnmower, a baby crying in the row behind us, pop-up ads on our computers. Much of the time we can mentally dismiss their presence. But what about when we are reading? I have been studying how people read with printed text versus on digital devices.
How does one grapple with music research in the digital age? What are the changes and challenges therein? On 23 June 2015, a group of distinguished academics and editors came together for a panel discussion on “Referencing music in the twenty-first century: Encyclopedias of the past, present, and future” at a conference organized by the International Association of Music Libraries, Archives and Documentation Centers (IAML) and the International Musicological Society (IMS).