Oxford University Press's
Academic Insights for the Thinking World
This year marks the 350th anniversary of the scholarly journal, as recorded by the first publication of the Royal Society’s Philosophical Transactions in 1665. In a dedicatory epistle to the Society’s Fellows and the Introduction, editor Henry Oldenburg set forth its purpose to inform the scientific community of the latest and most valuable discoveries.
Disseminating scholarship is at the heart of the Oxford University Press mission and much of academic publishing. It drives every part of publishing strategy—from content acquisition to sales. What happens, though, when a student, researcher, or general reader discovers content that they don’t have access to?
When the “Case of the Black Macaque” scooped media headlines this summer, copyright was suddenly big news.Here was photographer David Slater fighting Wikipedia over the right to disseminate online a portrait photo of a monkey which had, contrary to all expectations and the law of averages, managed within just a few jabs of a curious finger, to take a plausible, indeed publishable “selfie”.
In order to spread some festive cheer, Blackstone’s Policing has compiled a watchlist of some of the best criminal Christmas films. From a child inadvertently left home alone to a cop with a vested interest, and from a vigilante superhero to a degenerate pair of blaggers, it seems that (in Hollywood at least) there’s something about this time of year that calls for a special kind of policing. So let’s take a look at some of Tinseltown’s most arresting Christmas films.
At the American Political Science Association meetings earlier this year, Gary King (Albert J. Weatherhead III University Professor at Harvard University) gave a presentation on Dataverse (here are his slides). Dataverse is an important tool that many researchers use to archive and share their research materials; as many readers of this blog may already know, the journal that I co-edit, Political Analysis, uses Dataverse to archive and disseminate the replication materials for the articles we publish in our journal.
Two hundred years ago last Friday the owner of the London Times, John Walter II, is said to have surprised a room full of printers who were preparing hand presses for the production of that day’s paper. He showed them an already completed copy of the paper and announced, “The Times is already printed – by steam.”
On 28th November 1814 The Times in London was printed by automatic, steam powered presses for the first time. These presses, built by the German inventors Friedrich Koenig and Andreas Friedrich Bauer, meant that newspapers were now available to a new mass audience, and by 1815 The Times had a circulation of approximately 5,000 people.
One of the more interesting recent developments in film studies is the recognition that what have seemed to be separate histories—documentary filmmaking and avant-garde filmmaking—are, once again, converging.
Like its corollary clicktivism, slacktivism is a term that unites entrenched technosceptics and romantic revolutionaries from a pre-Internet or, more precisely, a pre-social media age as they admonish younger generations for their lack of commitment to “real” social change or willingness to do “what it takes” to make the world around them a better place.
On 9 August 2014, Officer Darren Wilson of the Ferguson, Missouri (a suburb of St. Louis) Police Department, shot and killed Michael Brown, an unarmed 18-year-old. Officer Wilson is white and Michael Brown was black, sparking allegations from wide swaths of the local and national black community that Wilson’s shooting of Brown, and the Ferguson Police Department’s reluctance to arrest the officer, are both racially motivated events that smack of an historic trend of black inequality within the US criminal justice system.
At the Conference on Open Access Scholarly Publishing in Paris last month, Claudio Aspesi, Senior Analyst at Sanford C. Bernstein, raised an uncomfortable question. Did the continuing financial health of traditional publishers like Elsevier indicate that open access had “failed”?
If you ask many people about nurses, they will tell you how caring and kind nurses are. The word “angel” might even appear. Nursing consistently tops the annual Gallup poll comparing the ethics and honesty of different professions.
A ten-year anniversary seems an opportune time to take stock. Much has been said already about Oxford Scholarship Online (OSO) as it moves into its second decade, and let’s cast the net a bit wider and focus not on OSO, per se, but on what the academic publishing industry has gotten right and what we’ve missed since OSO was in its infancy.
Open access (OA) publishing stands at something of a crossroads. OA is now part of the mainstream. But with increasing success and increasing volume come increasing complexity, scrutiny, and demand. There are many facets of OA which will prove to be significant challenges for publishers over the next few years
In 2014 Oxford University Press celebrates ten years of open access (OA) publishing. In that time open access has grown massively as a movement and an industry. Here we look back at five key moments which have marked that growth.
Checking the website for the upcoming Audio Engineering Society (AES) convention in Los Angeles, I took note of the swipes promoting the event. Each heading was framed as follows: If it’s about ____________ it’s at AES. The slide show contained nine headings that are to be a part of the upcoming convention (in no particular order because you start at whatever point in the slide show you happened to log-in to the site).