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Academic Insights for the Thinking World
Fast forward to 2017: with a few possible exceptions, Congress hasn’t addressed any significant environmental problems for over a quarter century and has blocked important environmental legislation; President Trump has promised to gut the EPA; and its new administrator, Scott Pruitt, as Attorney General of Oklahoma, sued the Agency over and over again to kill major environmental regulations.
Diversity continues to be a huge topic in the media. Each year seems to spark new debates about everything from the racial makeup of award nominee lists, to the people who are allowed into different countries. The wave of popularity surrounding this subject impacts upon every sphere of life and culture, including books and libraries.
As regular readers know, I understand paradoxes to be a particular type of argument.
Every year, on 1 April, the OUPblog team rack their brains for inspiration. We try to figure out if there is something else we should be doing, other than providing academic insights for the thinking world and daily commentary on nearly every subject under the sun. We should be creating new board-games based on literary figures.
Donald Trump ran for the US presidency on the backs of undocumented immigrants, particularly those from Mexico, calling them criminals and promising to build a border wall across the entire length of the United States-Mexico border to keep them out. As Trump issues executive orders and unveils his Congressional proposals for immigration enforcement as an integral part of his initial “100-day action plan,” that timeline intersects with what would have been the 90th birthday of labor rights champion César Chávez on 31 March 2017.
Microbes have not yet met an ocean, wall, or national border they could not permeate. Zika once again has demonstrated that large and small countries, relatively wealthy and relatively poorer countries all are dependent on a larger infrastructure for their national health security – even the United States cannot rely solely on itself to fight an outbreak or protect itself and Americans from the next outbreak.
In early March, ABC released a much-anticipated mini-series that followed a group of activists who played important roles in the emergence of LGBTQ political movements. The show, When We Rise, was based in large part on a memoir by veteran activist Cleve Jones.
The eighteenth-century Scottish poet James Grainger has enjoyed a resurgence of scholarly attention during the last two decades. He was a fascinatingly globalized, well-rounded, idiosyncratic author: an Edinburgh-trained physician; regular writer for the Monthly Review; the first English translator of the Roman poet Tibullus; author of both a pioneering neoclassical poem on Caribbean agriculture, The Sugar-Cane (1764), and the first English treatise on West-Indian disease.
From time immemorial, humans have yearned to know what lies ahead. Setting the context is a three-thousand-year romp through the ‘history of the future’ illustrating how our forebears tried to influence, foretell or predict it. Examples extend from the prophets and sibyls to Plato and Cicero, from the Renaissance to the European Enlightenment.
In the late 1970s, Tennessee Williams frequently visited London, feeling that European stages were more catholic than New York’s and thus open to producing his plays at a time when America was growing less tolerant of his brand of theatre. While in London, Williams would often visit celebrity painter Michael Garady and swap writing for painting lessons.
CNN’s Don Lemon recently pushed back when Paris Dennard, a conservative pundit, insisted on calling a story they were covering (the cost to the taxpayer of President Trump’s frequent visits to Florida) “fake news.” As Lemon said, “Fake news is when you put out a story to intentionally deceive someone and you know that it is wrong.” Lemon provided an excellent definition for fake news, but it’s also a great definition for “propaganda”.
Is speculation ingrained into American culture? Economists dating back to as early as John McVickar have analyzed the American enthusiasm directed toward speculation. History indicates that the American approach to enterprise has differed from its European counterparts since its inception. In this shortened excerpt from Speculation: A History of the Fine Line between Gambling and Investing, author Stuart Banner discusses the economic risks taken in early American history, and the cultural significance of speculation in the United States today.
The 2014 Independence referendum was an important moment in British constitutional history. With the Scottish Parliament’s decision to ask for a second vote, it also provides useful lessons for the future. The referendum of 2014 divided Scotland into two camps, a division that has now become the principal dividing line in the nation’s politics. Yet it has not created a social or ethnic divide such as we see in Northern Ireland.
The harp is an ancient instrument found in a wide variety of sizes, shapes, and tunings in musical cultures throughout the world. In the West, the harp has been used to accompany singing in religious rituals and court music.
When you talk about how the young boys that I grew up around walked through the world, when you talk about the fact that my brother had made a decision at 13 that he was going to carry a handgun, when you talk about the fact that that wasn’t even unusual, you are talking about the physical safety, the danger, the very health of the body. Conversations about race are filled with words and euphemisms to describe the impact of racism on people and communities.
When Tennessee Williams swapped his pen for a paintbrush, his tendency to use his lived experiences as source material did not alter much. He often painted places he’d seen, people he knew, or compositions he conjured up in the limekiln of his imagination. Although Williams painted more frequently later in life, precisely as a creative outlet when his brand of theatre was no longer in vogue, he had started sketching and painting from a very early age. To follow his career as a painter is, to a large extent, to trace his life’s alterations, physically, of course, but also emotionally.