Oxford University Press's
Academic Insights for the Thinking World

October 2010

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Happy Birthday, Ezra Pound!

By A. David Moody
[Pound] was going back to his old master not so much to learn as to argue with him and assert his independence. He was taking Browning’s Sordello as a point of departure for his cantos, as ‘the thing to go on from’. He had to start there because he thought it ‘the best long poem in English since Chaucer’, and the only one with a ‘live form’. But that form was not right for what he had to do, and he would be finding his own in breaking free from Browning’s.

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Linked Up: Book Dominoes, Vegans, Ghosts

Tweet [Insert witticism here.] Book Dominoes FTW! [Urlesque] This week in unnecessarily large versions of unhealthy foods… [Good] Esquire thinks we can balance the federal budget in 3 days. Good luck with that one, guys. [Esquire] Type in your own handwriting! [Pilot via GalleyCat] If you didn’t already know, being vegan is hard. [Gizmodo] A […]

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“Fiddlers” to Take a Bow

By Philip Lambert
They never had the marquee allure of Rodgers and Hammerstein. They didn’t enjoy the longevity of their contemporaries Kander and Ebb, who wrote songs for shows like Cabaret and Chicago for almost forty-two years. But they are one of Broadway’s most critically acclaimed and commercially successful songwriting teams, and on November 1, 2010, composer Jerry Bock and lyricist Sheldon Harnick will be honored with Lifetime Achievement Awards from the Dramatists Guild, at a ceremony in New York.

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A literal paradox: “literally” generally means ‘figuratively’

By Dennis Baron
The English language is full of paradoxes, like the fact that “literally” pretty much always means ‘figuratively.’ Other words mean their opposites as well – “scan” means both ‘read closely’ and ‘skim.’ “Restive” originally meant ‘standing still’ but now it often means ‘antsy.’ “Dust” can mean ‘to sprinkle with dust’ and ‘to remove the dust from something.’ “Oversight” means both looking closely at something and ignoring it. “Sanction” sometimes means ‘forbid,’ sometimes, ‘allow.’ And then there’s “ravel,” which means ‘ravel, or tangle’ as well as its opposite, ‘unravel,’ as when Macbeth evokes “Sleepe that knits up the rauel’d Sleeue of Care.”

No one objects to these paradoxes. But if you say “I literally jumped out of my skin,” critics will jump on your lack of literacy. Their insistence that literally can only mean, well, ‘literally,’ ignores the fact that word has meant ‘figuratively’ for centuries.

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The Proposed New Copyright Crime of “Aiding and Abetting”

Tweet By Michael A. Carrier The Anti-Counterfeiting Trade Agreement (ACTA) has caused concern for many reasons, such as secret negotiations and controversial provisions.  Today, more than 70 law professors sent a letter to President Obama asking that he “direct the [U.S. Trade Representative] to halt its public endorsement of ACTA and subject the text to […]

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Witchcraft!

In 2004, workmen digging in Greenwich, near London, uncovered a sealed stone bottle that rattled and splashed when they shook it. It was sent to a laboratory where X-rays revealed metal objects wedged in the neck, suggesting that it had been buried upside down, and a scan showed it to be half filled with liquid. Chemical analysis confirmed this was human urine containing nicotine and brimstone. When the cork was removed, scientists discovered iron nails, brass pins, hair, fingernail parings, a pierced leather heart, and what they believed might be navel fluff.

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Memo From Manhattan: On the Waterfront

By Sharon Zukin
The world’s biggest cities often spawn disaster scenarios—those end-of-the-world, escape-from-New-York exaggerations of urban dystopia. Once limited to printed texts and paintings, visions of urban apocalypse have become ever more accessible in newspaper photographs, movies and video games. They form a collective urban imaginary, shaping the dark side of local identity and civic pride.

New York is especially attractive as a site of imagined disaster. Maybe it’s payback for the city’s hubris and chutzpah, or perhaps there’s something in the American character that yearns for and fears creative destruction. If there is a general hunger for destruction stories, it is fed by the knowledge that the cities we build are vulnerable.

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How to Read a Word

By Elizabeth Knowles
When I began working for Oxford Dictionaries over thirty years ago, it was as a library researcher for the Supplement to OED. Volume 3, O–Scz, was then in preparation, and the key part of my job was to find earlier examples of the words and phrases for which entries were being written. Armed with a degree in English (Old Norse and Old English a speciality) and a diploma in librarianship, I was one of a group of privileged people given access to the closed stacks of the Bodleian Library.

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Monthly Gleanings: October 2010

By Anatoly Liberman
In 1984, old newspapers were regularly rewritten, to conform to the political demands of the day. With the Internet, the past is easy to alter. In a recent post, I mentioned C. Sweet, the man who discovered the origin of the word pedigree, and added (most imprudently) that I know nothing about this person and that he was no relative of the famous Henry Sweet. Stephen Goranson pointed out right away that in Skeat’s article devoted to the subject, C. was expanded to Charles and that Charles Sweet was Henry’s brother. I have the article in my office, which means I, too, at one time read it and knew who C. Sweet was. Grieved and

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London Labour and the London Poor

By Robert Douglas-Fairhurst
It was an ordinary enough London winter’s evening: chilly, damp, and churning with crowds. I’d arranged to meet a friend at the Curzon Mayfair cinema, and after my packed tube had been held up between stations – ten sweaty minutes during which my fellow passengers had fumed silently, tutted audibly, and in one or two cases struck up tentative conversations with the person whose shopping was digging into their shins – I was late.

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What was it like to work with Tony Hillerman?

Like most authors, when Rosemary Herbert speaks at book events about the mystery fiction anthologies she edited with Tony Hillerman, A New Omnibus of Crime and The Oxford Book of American Detective Stories and about her own new first novel, Front Page Teaser: A Liz Higgins Mystery, she always makes sure that she allows plenty of opportunity to for people to ask her questions. Lots of times authors become tired of the questions they are most frequently asked, but that it not true for Herbert, especially when the question is, “What was it like to work with Tony Hillerman?” Today – the second anniversary of Hillerman’s death – she reflects on this question.

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NPR’s Firing of Juan Williams

By Elvin Lim
If NPR values public deliberation as the highest virtue of a democratic polity, it did its own ideals a disservice last week when it fired Juan Williams without offering a plausible justification why it did so. On October 20, Williams had uttered these fateful words on the O’ Reilly Factor:

“…when I get on a plane, I got to tell you, if I see people who are in Muslim garb and I think, you know, they’re identifying themselves first and foremost as Muslims, I get worried. I get nervous.”

Anxiety and worry make for poor public reasons. Quite often discomfort is a façade for prejudice – an emotion that knows no reasonable defense.

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Treating America’s Foster Youth like They Are Our Own

By Mark E. Courtney
For most young people, the transition to adulthood is a gradual process. Many continue to receive financial and emotional support from their parents or other family members well past age 18. This is in stark contrast to the situation confronting youth who must navigate the transition to adulthood from the U.S. foster care system. Too old for the child welfare system but often not yet prepared to live as independent young adults, the approximately 29,000 foster youth who “age out” of foster care each year are expected to make it on their own long before the vast majority of their peers.

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The Great Cannabis Divide

By Marcello Pennacchio
Few plants have generated as much debate and controversy as cannabis (Cannabis sativa). Throughout the ages, it has been labelled both a dangerous drug and potent medicine. Where the former is concerned, law-enforcement agents and governments spend millions of dollars fighting what many consider to be a losing battle, while fortunes are being pocketed by those who sell it illegally. This is in spite of the fact that cannabis produces a number of natural pharmacologically-active substances, the medicinal potential of which were recognized thousands of years ago. Chinese Emperor, Shên Nung, for example, prescribed cannabis elixirs for a variety of illnesses as early as 3000 BC. It was equally prized as a medicine in other ancient civilisations, including India, Egypt, Assyria, Palestine, Judea and Rome and may have been instrumental in helping Ancient Greece’s Delphian Oracle during her divinations.

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“Gatz” at the Public: A Great Gatsby or Just an Elitist One?

By Keith Gandal
Want a quick, but apparently reliable measure of how elitist you are? Go see the 7-hour production of Gatz, in which all 47,000 words of F. Scott Fitzgerald’s The Great Gatsby are, in the course of the play, enunciated on stage. (If you dare and can afford to.) If you love every minute of it and find time flying by, you’re probably, well, an arts snob; if you find your reaction mixed, your mind drifting in and out, and your body just plain giving out, well, you’re likely more of a populist.

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