Anthropologist Edward Sapir once wrote, “Unfortunately, or luckily, no language is tyrannically consistent. All grammars leak.” Sapir was talking about the irregularities of language. For me, this leakiness is especially evident in what I think of as doppelgrammar words.
Born in 1935, Robert Whitman was a member of an influential, innovative group of visual artists– Allan Kaprow, Red Grooms, Jim Dine, and Claes Oldenburg– who presented theater pieces on the lower east side in Manhattan in the early 1960s. Whitman has presented more than 40 theater pieces in the United States and abroad, including The American Moon, Flower, Mouth, and most recently Passport (2011) and Swim (2015).
Robert Whitman is a pioneering American artist who, in the company of other groundbreaking figures including Claes Oldenberg, Jim Dine, and Allan Kaprow, performed experimental performance art pieces in New York in the 1960s. In 1966, Whitman would become a founding member of the collective Experiments in Art and Technology (E.A.T.), along with Bell Labs engineers Billy Klüver and Fred Waldhaur and artist Robert Rauschenberg.
Engl. cloud belongs so obviously with clod and its kin that there might not even be a question of its origin (just one more lump), but for the first recorded sense of clūd in Old English, which was “rock, cliff.”
Adult migrants often struggle to learn the language of their new country. In receiving societies, this is widely seen as evidence that migrants are lazy, lack the required will power or, worse, actively resist learning the new language as an act of defiance towards their new community. Unfortunately, most of those who point the finger at migrant language shirkers vastly underestimate the effort involved in language learning.
Once again, no gleanings: the comments have been too few, and there have been no questions. Perhaps when the time for a real rich harvest comes, I’ll start gleaning like a house on fire. When last week I attacked the verb clutter, I planned on continuing with the kl-series; my next candidates were cloud and cloth.
In an old post, I once referred to Jack London’s Martin Eden, a book almost forgotten in this country and probably in the rest of the English-speaking world. Martin is not Jack London’s self-portrait; yet the novel is to a great extent autobiographical.
Over spring break, I spent a day in Tombstone, Arizona. This is the town where, if you don’t know the story, Wyatt Earp and his brothers, accompanied by their friend Doc Holliday, had a shootout with a group of cattle rustlers at the OK Corral. Though the Earp brothers wore the badges, when the tale is told the hero is usually Doc Holliday—noted gambler, crack shot, prodigious drinker
Almost everyone swears, or worries about not swearing, from the two-year-old who has just discovered the power of potty mouth to the grandma who wonders why every other word she hears is obscene. Whether they express anger or exhilaration, are meant to insult or to commend, swear words perform a crucial role in language. But swearing is also a uniquely well-suited lens through which to look at history
The sixteenth of June is the day on which James Joyce fans traditionally email each other their Bloomsday greetings. And nowadays it has become the focus for a global celebration of Joyce’s work, marked by readings and performances, and many other acts of Joycean homage.
I expected that my series on dogs would inspire a torrent of angry comments. After all, dog is one of the most enigmatic words in English etymology, but the responses were very few. I am, naturally, grateful to those who found it possible to say something about the subject I was discussing for five weeks, especially to those who liked the essays.
I write a lot of thank you notes. I thank donors of organizations that I support, gift givers after the holidays and birthdays, friends who have invited me over for dinner, guest speakers who come to my classes, community partners who work with my students, colleagues who help me solve problems, and editors and publishers (you know who you are).
My series on the etymology of dog and other nouns with canine roots has come to an end, but, before turning to another subject, I would like to say a few moderately famous last words. For some reason, it is, as already mentioned, just the names of the dog that are particularly obscure in many languages (the same holds for bitch and others).
For all its supposed isolation out there beyond the pale of acceptable discourse — marginal words in the mouths of marginal people — we know a good deal about slang. We know its lexis, and keep chasing down the new arrivals; we know its lexicographers, some very well; we know its speakers, and note that far from monosyllabic illiterates, they coin some of the most inventive usages currently on offer.
Here is a phrase whose origin seems to be known, but, as this does not mean that everybody knows it, a short discussion may not be out of place. I have such a huge database of idioms that once in six weeks or so I am seized with a desire to share my treasures with the public.
By this time, the thrust of the posts united by the title “Not a dog’s chance” must be clear. While dealing with some animal names, we plod through a swamp (or a bog, or a quagmire) and run into numerous monosyllabic words of varying structure (both vowels and consonants alternate in them), lacking a clear etymology, and designating several creatures, sometimes having nothing to do with one another (for instance, “doe” and “grasshopper,” though this is an extreme case).