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Academic Insights for the Thinking World
Across the United States, those who are not too replete with their Thanksgiving feast will be braving the crowds in order to secure themselves one of the bargains associated with Black Friday, the day following Thanksgiving which is often regarded as the first day of Christmas shopping in the United States. Even on the […]
Peter Gilliver has been an editor of the Oxford English Dictionary since 1987, and is now one of the Dictionary’s most experienced lexicographers; he has also contributed to several other dictionaries published by Oxford University Press. In addition to his lexicographical work, he has been writing and speaking about the history of the OED for over fifteen years. In this two part Q&A, we learn more about how his passion for lexicography inspired him to write a book on the development of the Oxford English Dictionary.
Peter Gilliver has been an editor of the Oxford English Dictionary since 1987, and is now one of the Dictionary’s most experienced lexicographers; he has also contributed to several other dictionaries published by OUP. In addition to his lexicographical work, he has been writing and speaking about the history of the OED for over fifteen years. In this two part Q&A, we learn more about how his passion for lexicography inspired him.
Between 1986 and 1988, the jazz musician and experimental music pioneer George Lewis created the first version of Voyager. After spending some time making work that involved compositional programmes in Paris, Lewis returned to the US and began work on Voyager. His aspiration was not simply to use computers as a tool or raw material, but to create software that could take an equal improvisational role to the other (human) musicians in the performance.
Can Peer Review ever be as important as publication? This year’s Peer Review Week focuses on the recognition of reviewers. Peer Review Week 2016 is an international initiative that celebrates the essential and often undervalued activity of academic peer review.
In anticipation of the post on clean, I decided to say something about the idioms in which clean figures prominently, but chose only those which have the structure as clean as.
May is known as International Zombie Awareness Month. After witnessing many poor comrades lose their lives in Hollywood zombie uprisings, we’ve decided that we need to prepare for any eventuality. Suppose the living dead do come calling, where is the best place to hide, and, as Simon Pegg hopes, “wait for the whole thing to blow over”? There is but one option, a library. Here’s five reasons why.
This week, the 61st Eurovision Song Contest, more affectionately Eurovision, will be broadcast to a global audience (including for the first-time a live telecast in the United States) with 42 countries competing in a series of semi-finals before the final, live show on 14 May. Established in 1956 as part of the then-fledgling European Broadcast Union, the contest has continued to grow in popularity and some would argue in cultural significance.
It is the origin of idioms that holds out the greatest attraction to those who care about etymology. I have read with interest the comments on all the phrases but cannot add anything of substance to what I wrote in the posts. My purpose was to inspire an exchange of opinions rather than offer a solution. While researching by Jingo, I thought of the word jinn/ jinnee but left the evil spirit in the bottle.
Publishing music books would be much harder without our stellar editorial team. We sat down with three editorial assistants from the New York office – Lauralee, Eden, and Andrew – to talk about Oxford University Press, their music lives inside and out of the office, and current literary addictions.
The lines above look (and sound) like identical oaths, but that happens only because of the ambiguity inherent in the preposition by. No one swears by my name, while Mr. Jingo has not written or published anything. Nowadays, jingoism “extreme and aggressive patriotism” and jingoist do not seem to be used too often, though most English speakers still understand them, but in Victorian England, in the late nineteen-seventies and some time later, the words were on everybody’s lips.
The Bodleian recently launched a festival celebrating drawing. As part of this, the artist Tamarin Norwood retreated to our Printing Workshop, turned off her devices and learned how to set type. She proceeded, in her inky and delightful way, to compose a series of Print Tweets.
Regular readers of this blog will be more than familiar with the work of both Tim Cole and Henry Greenspan. Their work offers new and powerful ways of understanding the role of space and time in oral history process and production.
Yes, you understood the title and identified its source correctly: this pseudo-Shakespearean post is meant to keep you interested in the blog “The Oxford Etymologist” and to offer some new ideas on the origin of the highlighted adjective.
Humans are very good at reading from start to finish and collecting lots of information to understand the aggregated story a text tells, but they are very bad at keeping track of the details of language in use across many texts.
‘Dear Martial’ – what a strange coincidence that Martial’s soul-mate, who leads the life he himself dreams of living, is called ‘Julius Martial’. In our selection we meet him first at 1.107, playfully teasing the poet that he ought to write “something big; you’re such a slacker”; at the start of book 3, JMa’s is ‘a name that’s constantly on my lips’ (3.5), and the welcome at his lovely suburban villa on the Janiculan Hill 4.64 is so warm, ‘you will think the place is yours’.