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“What Brings Mr. Epstein Here?” 9 November 1961

By Gordon Thompson
The transformation of the Beatles from four musicians with humble roots into British cultural icons (second only to Shakespeare in some minds) began in Liverpool, even if a recent decision by the Trademark Trial and Appeals Board of the United States Patent and Trademark Office may attempt to shape how we remember those roots in the future. Ironically, that decision comes shortly before a relevant anniversary in Beatles history.

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In memoriam: Amy Winehouse

Following the funeral, the British radio waves are full of Amy Winehouse music. Those of us who learned as teenagers about great women blues and soul singers from listening to the voices of Billie Holliday and Bessie Smith, had no such contemporary singers of our own generation, white or black.

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Orwell and Huxley at the Shanghai World’s Fair

Tweet Who, we sometimes ask, at the dinners and debates of the intelligentsia, was the 20th century’s more insightful prophet — Aldous Huxley or George Orwell? Each is best known for his dystopian fantasy — Huxley’s Brave New World, Orwell’s 1984 — and both feared where modern technology might lead, for authorities and individuals alike. […]

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“The Start of a Solo Career”: Paul McCartney, 10 April 1970

By Gordon Thompson


Even in the storm’s dawning, both fans and defamers alike recognized magic in the Beatles’ ability to collaborate and to adapt in pursuit of a shared vision, and at the heart of this quest lay the desire to make great recordings. In the beginning of their career with EMI, their willingness to subvert their individual identities to a common cause (and the joy with which they did so) contributed to their success. In the

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Hey everybody! Meet Kirsty!

Kirsty Doole has been part of the OUPblog team since…possibly forever, and yet I don’t know that we’ve ever properly introduced her to all of you. Formerly known as the ‘UK Early Bird,’ she is our UK Contributing Editor and keeps me on my toes at every turn. To my great delight, she’s also joined me on the @OUPblog twitter account! Without further adieu, I present this (fantastic) Q&A.

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Smoking Typewriters and the New Left rebellion

Following the lead of papers like the Los Angeles Free Press, the East Village Other, and the Berkeley Barb, young Americans in the 1960s launched hundreds of mimeographed pamphlets and flyers, small press magazines, and underground newspapers. New, cheaper printing technologies democratized the publishing process and by the decade’s end the combined circulation of underground papers stretched into the millions. Though not technically illegal, these papers were often genuinely subversive, and many of those who produced and sold them-on street-corners, at poetry readings, gallery openings, and coffeehouses-became targets of

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John Lennon and Jesus, 4 March 1966

Forty-five years ago, in the spring of 1966, as swinging London and its colorful denizens attracted the attention of ‘Time’, the publishers of an American teen magazine found part of a recent interview with John Lennon to be of particular interest. A rapid disintegration ensued of the complex identity that the Beatles management, the media, the fans, and even the musicians themselves had constructed, setting in motion a number of dark forces.

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The Oxford Comment Archive

In Spring 2010, Lauren and Michelle decided it was time Oxford University Press got a podcast, and by September, The Oxford Comment was born. Reporting at special events, live on the street, and from the “studio,” each episode features commentary from Oxford authors and friends of the Press.

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Sixties British Pop in the Classroom

By Gordon Thompson

Baby boomers have not only fundamentally shaped our modern world, but also how their children (and grandchildren) perceive that world. The generation that gyrated with hula hoops and rock ‘n’ roll also embraced British pop music (among other things) and have bequeathed this aesthetic to today’s college students. On campuses across North America, students amble to classes with “Beatles” patches on their book bags while their college radio programs often include music by the Rolling Stones, the Who, and the Kinks. At Skidmore College in Saratoga Springs, New York a few years ago, a Facebook survey identified the Beatles as the favorite campus musical artists, followed closely by Bob Dylan. Given the continuing importance of a band that dissolved in acrimony over forty years ago, a question arises: does this subject merit inclusion in the college curriculum? The answer is clearly, yes.

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John Winston Ono Lennon, Everyman

By Gordon Thompson
On 9 October, many in the world will remember John Winston Ono Lennon, born on this date in 1940. He, of course, would have been amused, although part of him (the part that self-identified as “genius”) would have anticipated the attention. However, he might also have questioned why the Beatles and their music, and this Beatle in particular, would remain so current in our cultural thinking. When Lennon described the Beatles as just a band that made it very, very big, why did we doubt him?

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George Martin Goes Independent, 2 Sept 1965

By Gordon Thompson
When George Martin first entered the recording industry in the early 1950s, assisting Oscar Preuss at EMI’s Parlophone, he encountered the end of the mechanical era. The company’s facilities on Abbey Road in genteel St. John’s Wood still used lathes to record sound by cutting grooves in warm wax with energy provided by weights and pulleys, like a child of Big Ben. The sheer mechanics of this kind of professional recording demanded large…

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What has become of genius?

By Andrew Robinson
“In the early 21st century, talent appears to be on the increase, genius on the decrease. More scientists, writers, composers, and artists than ever before earn a living from their creative output. During the 20th century, performance standards and records continually improved in all fields—from music and singing to chess and sports. But where is the Darwin or the Einstein, the Mozart or the Beethoven, the Chekhov or the Shaw, the Cézanne or the Picasso or the Cartier-Bresson of today?”

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