Rising to popularity in the 15th century, the bassoon is a large woodwind instrument that belongs to the oboe family and looks similar to the oboe in terms of coloring and use of the double reed. The bassoon enabled expansion of the range of woodwind instruments into lower registers.
Anyone reading Sophocles’ Antigone in the Oxford Classical Text of 1924, edited by A. C. Pearson, will sooner or later come across the following passage. Antigone has defied Creon’s decree that the body of her brother Polynices, who had recently fallen in battle when waging war against his homeland of Thebes, should be left unburied; discovered, she has been brought before the new ruler.
A few bogus etymologies: “tantrum,” “dander,” “dandruff,” and “dunderhead,” along with “getting one’s goat”
Bogus, tantrum, and dander are fairly recent additions to the vocabulary of English. Like so many newcomers, they are words of unknown etymology. My greatest ambition is to promote their status from “unknown” to “uncertain.”
It must be frustrating to be a Congressional Democrat these days. The minority party in both the House and Senate and having lost the White House, the only thing keeping the Democrats relevant is a dysfunctional White House and a disunited Republican majority in Congress. There is, however, one area in which they should drop any obstructionism and play ball with the Republicans—raising the debt ceiling.
Is burlesque an expression of sex-positive feminism, or is it inherently sexist? In the following excerpt from The League of Exotic Dancers: Legends from American Burlesque, documentarian Kaitlyn Regehr and photographer Matilda Temperley share narratives by burlesque dancers who embraced this form of art as an early expression of women’s rights.
Werner Herzog turns 75 this September and remains as productive as ever. More than only a filmmaker, he directs operas, instructs online courses, and occasionally makes cameo appearances on television shows including Parks & Recreation and The Simpsons. He has been directing films for nearly six decades, and he released three feature-length films within months of each other in 2016.
In light of Organ Donation Week (4-11th September 2017), we have drawn together a collection of articles around the same theme. Our reading list includes articles and chapters which inform, showcase, and discuss the latest research, key issues, and cases of interest in organ donation. The collection offers a sample of the breadth of content available on this topic
Global refugee numbers are at their highest levels since the end of World War II, but the system in place to deal with them, based upon a humanitarian list of imagined “basic needs,” has changed little. In this excerpt from Refuge: Rethinking Refugee Policy in a Changing World, authors Paul Collier and Alexander Betts explain the cause and effect of mass violence, a far too common pre-cursor to refugee crises and global displacement.
When I left practice to start my PhD, I was made to do a master’s degree in research methods as a condition of my doctoral funding. The ‘made’ in that first sentence is wholly intentional. I was quite clear, and quite vocal, that I had no interest in, and no need to study, methods. I knew exactly what form my PhD was going to take: an analysis of EU chemicals regulation using a new governance lens.
We learn in school science class that matter is not continuous, but discrete. As a few of the philosophers of ancient Greece once speculated nearly two-and-a-half thousand years ago, matter comes in “lumps.” If we dig around online we learn that we make paper by pressing together moist fibers derived from pulp. The pulp has an internal structure built from molecules (such as cellulose), and molecules are in turn constructed from atoms (carbon, oxygen, hydrogen).
The Liar paradox arises via considering the Liar sentence: L: L is not true. and then reasoning in accordance with the: T-schema: Φ is true if and only if what Φ says is the case. Along similar lines, we obtain the Montague paradox (or the paradox of the knower) by considering the following sentence: M: M is not knowable. and then reasoning in accordance with the following two claims: Factivity: If Φ is knowable then what Φ says is the case.
We should pay more attention to paragraphs. I know that sounds obvious, but what I’m fretting about is the advice that beginning writers get to begin paragraphs with topic sentences and end with summary sentences. Such a topic sandwich—filled in with subpoints, supporting sentences, and examples—lends itself to formulaic writing. This strategy of tell them […]
The end of summer and beginning of autumn mean that children and young adults worldwide are heading back to school. While much has changed since the time of the seventeenth century – which children were allowed to go to school and which weren’t, and what they were taught there, for example – one thing that has not changed is the worry a parent feels about their child getting the best education they can.
Hearing things that other people do not – in other words, an auditory hallucination – is something that approximately 5-15% of the population experience at some point in their lives. For people with a psychiatric disorder such as schizophrenia, the experience of auditory hallucinations can often be bewildering and upsetting. However, for some people unusual sensory experiences can be an important and meaningful part of their lives.
With school getting back in session, today on the blog we are exploring how instructors are using oral history in the classroom. The piece below, from filmmaker and UCLA Lecturer Virginia Espino explores the power of oral history to connect students to their campus community, and to help them collaboratively rethink what working class identity means in the modern era.
On Thursday, 31 August, the Fifth Rhythm Changes Conference, themed “Re/Sounding Jazz” will kick off at the Conservatory of Amsterdam, the Netherlands. Rhythm Changes conferences are the largest jazz research conferences in the field, bringing together some 150 researchers from all over the globe. This year’s edition is produced in collaboration with the Conservatory of Amsterdam, the University of Amsterdam.