Martha Graham Redivivus
By Mark Franko
Martha Graham’s work was prominent in the New York dance world of the 1930s in the wake of her innovative Primitive Mysteries (1931). Yet, her reputation grew exponentially beyond the confines of dance and the New York art world after the premiere of American Document (1938) followed by its national tour in 1939. This is, paradoxically, a work that the Martha Graham Dance Company may be reluctant to perform today in a version close to the original. It was related to the political issues of the day, highly anti-fascist and popular front, and critical of the history of the United States. Graham’s national reputation took hold at this time, and she was noted not only for her choreography and dancing but also for her political stance in the pre-war moment.