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The Beatles, Orientalism, and Help!

By Gordon Thompson
At the July 29, 1965 premiere of the Beatles’ second film, Help!, most viewers understood the farce as a send-up of British flicks that played on the exoticism of India, while at the same time spoofing the popularity of James Bond. Parallel with this cinematic escapism, a post-colonial discourse began that questioned how colonial powers justified their economic exploitation of the world. Eventually, Edward Said’s Orientalism would describe the purpose of this objectification as “dominating, restructuring, and having authority over the Orient” (1978: 3). In effect, Said and others argued that portrayals of the non-Western other

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The Beatles Are Dead. Long Live the Beatles

For Beatles fans, it was like watching mortality embrace a loved one. The spring of 1970 brought news of the dissolution of the Beatles and, with the release of Michael Lindsey-Hogg’s Let It Be in May, fans could see the disestablishment for themselves.

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Exploring the Scottish and African diasporas

Since 1801, the fifth anniversary of his death, January 25 has become synonymous with the poet Robert Burns, widely regarded as the national poet of Scotland and celebrated worldwide. One of the lesser-known aspects of Burns’ life is that he almost moved to Jamaica to become an overseer; his tumultuous relationship with ‘ungrateful’ Jean Armour also attributed to his resolution to sail as an emigrant to Jamaica.

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So long and thanks for all the tweets

Today is my last day editing the OUPblog. Back in January 2012, I took over as blog editor without so much as a handover (an early maternity leave prevented one). I promptly screwed up multiple things in the first few weeks, causing great annoyance to my colleagues. Then I gradually began steering the blog on a different course.

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