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Is Renaissance art ‘history’?

By Geraldine Johnson
When the latest news in the art world is all about record-breaking prices for contemporary works and the celebrity buzz of London’s Frieze Art Fair, thinking about Renaissance art might seem, well, a little old-fashioned, if not downright eccentric. But if the two experiences I had recently are anything to go by, maybe we need to think again.

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Denzel Washington’s Flight from authority

By Jim Cullen
Over the course of the last thirty years, Denzel Washington has played a notable variety of roles: leading man and aging man; hero and villain; emblem of his race and Everyman. Yet to a truly striking degree the various roles he’s chosen — and here it’s worth noting that as one of the most blue-chip actors in Hollywood, he’s long enjoyed considerable power in this regard — revolve around two key relationships: mentor and protégé.

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Sinfonia Antartica: ‘Good, great and joyous, beautiful and free’

By Simon Wright
One hundred years ago this month the bodies of Captain Scott and his companions were discovered, eight months after they had perished from starvation, frostbite, and exposure on their return journey from the South Pole. Ostensibly a scientific and research expedition, Captain Robert Falcon Scott and his party had raced against Roald Amundsen to be first at the South Pole, and lost.

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In praise of the podcast

PB. The initials are not exactly as familiar as, say, BBC, or NPR, but we’re not operating in a massively different environment. PB: Philosophy Bites. Time was when to broadcast on the radio (or the ‘wireless’) you’d have to seek a license for permission to use a teeny weeny portion of the radio frequency spectrum. Broadcasting was time-consuming, bureaucratic, and above all expensive. It required staff and costly equipment and it was possible only with the support of highly-trained studio technicians and engineers. No longer

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Who needs another translation of Homer’s Iliad?

By Anthony Verity
There must have been hundreds of English versions since Chapman (c.1560-1634), a good many of them on bookshop shelves today. The usual answer is that great literature needs frequent reinterpretation. If students of antiquity and curious general readers are being urged today to return to the first work in writing in the Western canon, those who can read Greek will continue to translate the Iliad for their benefit, in the hope of recreating something of the “feel” of the original.

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New Atlantis at Voodoo Fest

I had the great thrill over the week to perform as part of the Paul Sanchez Rolling Road Show at the Voodoo Experience in New Orleans. The three day music extravaganza takes place under the live oaks in beautiful City Park. Sanchez asked me to read from New Atlantis: Musicians Battle for the Future of New Orleans at the beginning of his set on the Preservation Hall stage. I read about my return to New Orleans after hurricane Katrina as the band played the melodic swells of “At the Foot of Canal Street” behind me.

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“Remember, remember the fifth of November”

By Daniel Swift
“Remember, remember the fifth of November,” instructs the old nursery rhyme, and offers a useful summary: “Gunpowder, treason and plot.” But we have never been sure quite what, or how, we should be remembering. On 5 November 1605 a small gang of Catholics and minor noblemen plotted to blow up the Houses of Parliament, during the State Opening at which King James I would be present. One of the conspirators, Guy Fawkes, was caught with the gunpowder before he set it off. The other plotters were soon caught, and all were executed.

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Russia’s toughest prisons: what can the Pussy Riot band members expect?

By Judith Pallot
The onion dome of Russian Orthodox Church dominates the skyline of women’s correctional colony number 14 (IK14) in Part’sa. The Governor of the colony, showing Laura and I around, told us that five prisoners – all tuberculosis sufferers – who volunteered to help build the Church were miraculously cured of their disease. It was a story we were to hear repeated several times on our research trip to women’s penal colonies in S-W Mordoviia.

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Requiem Mass settings

By Lucy Allen
The clocks have gone back, the days are colder, the evenings are darker, and poppies are starting to appear on everyone’s lapels. As November approaches our thoughts turn to Armistice Day (11th November) and to commemorating the fallen. Orders for the music of Requiem settings keeps the OUP Hire Library busy at this time of year, but with so many different Requiem versions, how does one select which to perform? We asked OUP staff and their families for their favourite; read on to find out which they chose.

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Dances of Death

By Jessica Barbour
An eerie image emerged from Europe’s 14th-century bubonic plague epidemics into popular imagination: Death, in skeleton form, leading living souls in a processional dance to the grave. This idea, the danse macabre, was evoked by artists and writers across the continent, a cultural reaction to daily lives spent surrounded by death. I was introduced to the genre in school when I first heard Camille Saint-Saëns’ Danse Macabre, a boisterous seven-minute work for orchestra written in the 1870s.

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A Halloween ghost story

Looking for a fright ? The ghost stories of M.R. James, considered by many to be the most terrifying in English, have lost none of their power to unsettle and disturb. So we’re presenting an extract from ‘Casting the Runes’ in the Collected Ghost Stories of M.R. James, edited by Darryl Ince, to get you in the mood for Halloween.

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Howard Skempton on composing

Composer Howard Skempton is one of the mainstays of British contemporary classical music. He is an experimental composer who writes in a style completely his own, un-deflected by trends in composition or performance. Having developed, under the tutelage of Cornelius Cardew, a musical style characterised by its elegance and simplicity, Skempton’s catalogue of compositions is now extensive and diverse.

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Journalistic narratives of Gerald Ford

By James L. Baughman
It has been more than 25 years since Gerald Ford narrowly lost the 1976 election to Jimmy Carter. Ford’s presidency has become a dim memory. “The more I think about the Ford administration,” John Updike wrote in 1992, “the more it seems I remember nothing.” Taking office after Richard Nixon resigned in August 1974, Ford struggled to restore the public’s faith in the presidency, badly shaken by the numerous illegalities associated with the Nixon White House.

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An Oxford Companion to James Bond

By Daniel ‘Pussy Galore’ Parker and Gabby ‘Odd Job’ Fletcher
‘Ah’, he says stroking a white fluffy cat, ‘we’ve been expecting you’. Leave Ms Moneypenny with a peck on the cheek, stash your Walther PPK in your back pocket and jump into our Aston Martin so you can join us as we speed through an A to Z of Bond fun, fact, and fiction. We have stories about Roger Moore’s penchant for love-making, tales of fictional islands, and even anecdotes about crocodile jumping. We’ve devoured OUP’s online reference works to bring you a delicious helping of double 0 heaven. Welcome to the world of Bond, James Bond

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The “Choice” Bazaar

Daniel Callahan
Some years ago I wrote a book on abortion that espoused women’s legal right to choose abortion, which was later cited in Roe v. Wade. It should have made me popular with feminists, but it did not and for one reason: I also argued that abortion is an ethical choice, and that not all abortions would necessarily be good choices. Trained as a philosopher, I pointed out that a traditional part of morality is deciding how to make good choices in the shaping of one’s life.

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