Search Term: war poetry

A New ‘Modern Prometheus’?

By Brett Rogers and Benjamin Stevens
Early in Ridley Scott’s science fiction (SF) film Prometheus, archaeologists discover a cave-painting of what seems to be a human figure pointing at a group of stars. Having gathered strikingly similar images from ancient and prehistoric cultures around the globe, the archaeologists take this most recent discovery as confirming their theory about the origin of humankind: we were placed here, created, by extraterrestrials. The archaeologists refer to those extraterrestrials as ‘Engineers’ (“What did they engineer?” asks another character. “They engineered us.”).

Monthly etymology gleanings for June 2012

By Anatoly Liberman
Many thanks to those who responded to the recent posts on adverbs, spelling, and cool dudes in Australia. I was also grateful for friendly remarks on the Pippi post and the German text of Lindgren Astrid’s book (in German, spunk, the Swedish name of the bug with green wings, as I now know, remained spunk).

10 questions for Bradford Morrow

Each summer, Oxford University Press USA and Bryant Park in New York City partner for their summer reading series Word for Word Book Club. The Bryant Park Reading Room offers free copies of book club selection while supply lasts, compliments of Oxford University Press, and guest speakers lead the group in discussion. On Tuesday 26 June, Bradford Morrow leads a discussion on My Antonia by Willa Cather.

‘A Beautiful Model’: Moral imitation in Islam

By F. E. Peters
The Imitatio Christi, composed by the German monk Thomas à Kempis (d. 1471), is a classic of Christian spirituality, widely read and translated from Latin into a variety of languages. It is not of course an instructional manual for the imitation of Christ — how does one imitate the Son of God? — nor Jesus of Nazareth, the man born of woman who was revealed to be the Son of God. Kempis’ famous work has little to do with the Jesus of the Gospels and more to do with Aristotle and the theology faculty at the University of Paris (he disapproved) and the Fathers of the Desert in early Christian Egypt (he approved, with reservations; they were a bit excessive in their asceticism).

From Dante to Umberto Eco: why read Italian literature?

By Peter Hainsworth
Most English-speakers who read literature have heard of Dante. Eliot, Pound and a host of other modern poets, critics and translators have made sure of that, though it’s a moot point whether many readers have followed Dante very far out of his dark wood. When it comes to other classic Italian writers, the darkness thickens.

Elizabeth Bowen in European modernism and the awakening of Irish consciousness

By Stephen Regan
Elizabeth Bowen was born in Dublin on 7 June 1899. She grew up in an elegant Georgian house on Herbert Place, close to the Grand Canal, hearing the busy rattle of trams going over the bridges and the lively bustle of barges carrying timber to a nearby sawmill. Her memoir of early childhood, Seven Winters (1942), recalls the sights and sounds of Dublin city life with striking clarity and immediacy. It both registers the unique and specific details of the author’s early years and takes up its place in a marvelously rich tradition of Irish memoir and autobiography.

Innocence and Experience: Childhood in Kafka

By Ritchie Robertson
Some of the great modernists have written evocatively about childhood. At first glance, Kafka may not seem to be among them. The minutely detailed recollection of childhood that Proust provides in Swann’s Way, or Thomas Mann’s account of a school day in the life of young Hanno Buddenbrook, lack counterparts in Kafka. His world-famous and compelling fantasies are about inscrutable authorities, such as the Court and the Castle, and their victims are doomed at worst to inexplicable punishment, at best to frustration. Kafka would seem to deal with experience rather than innocence.

Picturing Putin’s Russia

By Mark D. Steinberg
Winston Churchill famously called Russia “a riddle, wrapped in a mystery, inside an enigma”—a phrase that makes me cringe when it shows up in contemporary journalism or student papers. Part of the problem is that we forget Churchill’s point: there IS a key, “Russian national interest.” We are left with a dismissive cliché about Russia as strange and incomprehensible—and thus probably dangerous. Yet this may be less harmful than clichés about how Russians love a strong ruler; Russians have no historical experience with democracy so cannot understand it; Russia will always be alien to “western” values. Frankly, if we want to understand Russia, we may be better off finding Russia mysterious—knowing that there are no easy answers or certainties.

In Memoriam: Paul Fussell

Scholar Paul Fussell passed away on Wednesday at the age of 88. He was Donald T. Regan Professor Emeritus of English Literature at the University of Pennsylvania and the author of several works, including three with Oxford University Press: The Great War and Modern Memory, Wartime: Understanding and Behavior in the Second World War, and Abroad: British Literary Traveling between the Wars. Named one of the twentieth century’s 100 Best Non-Fiction Books by the Modern Library, The Great War and Modern Memory was the winner of the National Book Award and the National Book Critics Circle Award.

Because I made a blunder, my dear Watson… The Silver Blaze

On 22 May 1859, a Scottish doctor and writer admired the world round was born — Sir Arthur Conan Doyle. His university teacher, Dr. Joseph Bell, was a partial model for his most famous character — Sherlock Holmes. Let’s listen in as Holmes explains The Silver Blaze to Watson.

The Dark Lady in ink and paper

On 20 May 1609, Shakespeare’s sonnets were first published in London by Thomas Thorpe (work now found in the Folger Library). The Bard was nearing the end of his play-writing career and soon to retire. A lifetime of poetry was gathered together and printed — possibly without the permission of the author. To celebrate, we’ve excerpted Sonnet 127 and additional commentary from our Oxford World Classics edition edited by Colin Burrow — The Oxford Shakespeare: The Complete Sonnets and Poems. Enjoy the Dark Lady of Shakespeare’s poetry.

She danced like a lilac flame: the other Astaire

By Kathleen Riley

By Kathleen Riley
I am writing this on Shakespeare’s birthday, 23rd April, and it strikes me how apposite are Beatrice’s words in Much Ado to the birth, on 10th September 1896, of Adele Marie Austerlitz, later Adele Astaire, a personality and a performer of infinite, inextinguishable and irresistible mirth. In London in the 1920s, she was depicted as a misplaced Shakespearean sprite who ‘should be dancing by glow-worm light under entranced trees on a midsummer eve with a rout of elves, after drinking rose-dew.’

Writing Disasters

By David Roberts
Natural disaster is an exciting but tricky subject. Risk to survival; extreme deprivation; families sundered and reunited; panoramic set pieces of waves crashing, meteors hurtling, or skyscrapers toppling – all the ingredients are there for a gripping narrative. But think of the technical and ethical challenges. How does a writer choose one focal point among so many? Who survives? If the subject is a real disaster, how does a novelist or screenwriter honour the memory of those who endured, and those who perished? And what about the nagging doubt that it is all an exercise in profiting from misery?

Into Maple White Land of the Lost World

Happy International Pixel-Stained Technopeasant Day! Let’s celebrate the great science fiction and fantasy writers with an excerpt from one of the earliest fantasy novels — and an Oxford World Classic — The Lost World by Arthur Conan Doyle. Professor Challenger’s claims of dinosaurs living in twentieth-century South America may seem outlandish, but even skeptics become believers in The Lost World…

The Seasons, part 2. From three to four, summer.

By Anatoly Liberman
The ancient Indo-Europeans lived in the northern hemisphere (see the previous post), but, although this conclusion is certain, it does not follow that they divided the year into four seasons. Our perception of climate is colored too strongly by Vivaldi, the French impressionists, and popular restaurants. At some time, the Indo-Europeans dominated the territory from India to Scandinavia (hence the name scholars gave them). They lived and traveled in many climate zones, and no word for “winter,” “spring,” “summer,” and “autumn” is common to the entire family; yet some cover several language groups.

A Keatsian Field Trip

By Richard Marggraf Turley, Jayne Elisabeth Archer and Howard Thomas
“What if the field in Keats’s ode was (cue drum roll), not an allegorical field, not a cipher for, say, St Peter’s Field in Manchester (the location of the Peterloo Massacre), nor a mythic site of bucolic languor, but an actual Winchester field …