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Academic Insights for the Thinking World
As Americans adjust to the idea of President Donald Trump, many are looking at the electoral process to ask how this result came about. The 2016 American presidential election has been characterized as like none other in the nation’s history. In some senses the election was unique; for instance, Donald Trump will be the first President to assume office without ever having held a public office or having served in the military.
We are delighted to introduce Elanor Caunt who joined OUP’s sheet music marketing department in September 2016 and is based in the Oxford offices. We sat down to talk to her about what a typical day marketing sheet music looks like, what life on a desert island should involve, and the ‘interesting’ wildlife of Oxford.
This is a postscript to last week’s post on fog. To get my point across, as they say, let me begin with a few short remarks on word origins, according to the picture emerging from our best dictionaries.
Ireland is home to many great writers, from Bram Stoker and Jonathan Swift to Oscar Wilde and James Joyce. In this slideshow, Molly Grote, OUP publicist with a degree in British and Irish literature, takes us on a literary tour of Dublin.
Some years ago, I sent off a manuscript to an editor. After the usual period of review, the editor sent back a note saying that he liked the work, but suggested that I should make it “less academic.” I reworked a number of things and sent back a revised version with more examples and a lighter tone. A week later, I got a short email back saying “No really, make it less academic.”
The idea that many, if not most, people exhibit physical signs – tells – when they lie is an old idea – one that has been extensively studied by psychologists, and is of obvious practical interest to fields as otherwise disparate as gambling and law enforcement. Some of the tells that indicate someone is lying include:
With the abolition of slavery in 1888 and the collapse of the empire in 1889, Brazil’s population of color was basically abandoned. Many left the plantations that had been their only home and began to move south to the developing urban areas of Brazil.
Crossing the train track from the predominantly white Anniston into the historically black Hobson City, Alabama, I immediately noticed the significant changes in environment and people. It was not until I exited my car and physically inserted myself into the Hobson City community that I learned that there was much more to this small town than what initially met my eyes.
The United States and its Constitution are now in their third century. The passage from each century to the next has been eventful. This review suggests an important lesson in considering the presidency in the twenty-first century: Events, the issues they generate, and the people who serve are normally more important than reforms in explaining change. Neustadt again: “The presidency nowadays [has] a different look.”
“Fog everywhere. Fog up the river,… Fog down the river….” This is Dickens (1852). But in 1889 Oscar Wilde insisted that the fogs had appeared in London only when the Impressionists discovered them, that is, they may have been around for centuries, but only thanks to the Impressionists, London experienced a dramatic change in its climate.
In the second presidential debate, Donald Trump indicated that Warren Buffett had deducted, for federal income tax purposes, net operating losses in a manner similar to Trump’s deduction of his net operating losses. In response, Buffett, an outspoken supporter of Hillary Clinton, released a summary of Buffett’s 2015 federal tax return. Buffett’s intended message was clear: Trump didn’t pay federal income taxes; I did.
What constitutes a person’s identity: family, country, religion? How do we resolve conflict: military action, strategy, negotiation? What turns a good man into a traitor?
I just found out that a scientist whom I greatly admire is writing his first book. Only he’s not. He’s hired a writer to do the heavy lifting. The hired writer’s name won’t appear on the cover. He’s signed on the dotted line in the invisible ink. Ghostwriters don’t write about ghosts, but waft around in the background like them. Unlike real ghosts, such behind-the-scenes authors deal in reality, turning the ideas of ‘living’ authors into words for them to take credit for.
How does an avowedly nonpartisan news organization like the New York Times cover an outrageous but media-savvy and factuality-challenged candidate like Donald Trump? In a recent interview, Times’ executive editor Dean Baquet explained that the press was at first flustered by Trump, that “everybody went in a little bit shell-shocked in the beginning, about how you cover a guy who makes news constantly.
In recent years my academic work has revolved around the analysis of two main concepts: ‘hyper-democracy’ and ‘normality.’ The former in relation to the outburst of forms and tools of democratic engagement in a historical period defined by anti-political sentiment; the latter relating to the common cry of those disaffected democrats – ‘why can’t politicians just be normal?
I am in Palermo, sitting on the floor of the puppet museum with a circle of teenagers. Around us hang gaudy, dormant marionettes of characters from the Orlando Furioso: the valiant Orlando and his horse Brigliadoro, his rival Rinaldo, his beloved the beautiful Angelica. Their stories are amazing, the stuff of epic and romance; but in fact the teenagers around me, all boys, have been through adventures no less extraordinary, though harsh and real.