Oxford University Press's
Academic Insights for the Thinking World
By William Kinderman
A blend of past and present, art and life: Beethoven’s most challenging work for piano, the Diabelli Variations op. 120, has triggered a mania of interest on the theatrical scene. Several years ago New York playwright Moisés Kaufman visited my wife Katherine Syer and myself — the first of several visits — to shape a play on Beethoven.
Bob Chilcott talks to Oxford University Press about why he likes running choral workshops, the challenges that these days present, and what he hopes singers take away.
Today marks the 55th anniversary of the Broadway premiere of Leonard Bernstein’s West Side Story. A racially charged retelling of Romeo and Juliet, West Side Story is set in the “blighted” West Side of 1950s Manhattan, the potent themes of star-crossed love and gang rivalry successfully translated from 16th century Italy to 20th century New York by book-writer Arthur Laurents and lyricist Steven Sondheim.
By Joel Sachs
Many people begin a conversation about Henry Cowell by telling me why he spent four years in San Quentin. Although I prefer to dwell on Cowell’s enormous accomplishments as a composer, theorist, performer, and educator, there is no need to run from the matter. The misinformation begins with the idea that he was convicted of a morals charge. He was not “convicted;” there was no trial.
By Jessica Barbour
There is a reference work on the subject of music to which English-speaking music students are referred every day. It has been around, in various editions, for over 130 years, and in its current online form it includes more than 40,000 full articles. As a 1955 article in Time put it, “For three-quarters of a century, the sun never set on Grove’s Dictionary of Music and Musicians.”
By Joel Sachs
As I began to go through papers at the New York Public Library for the Performing Arts, I was buffeted by competing forces: the exhilaration of unravelling the stunning reality of a man’s life, and the growing fear that, should I actually live to read all of the documents, I might never be able to digest them.
It’s September, which means back-to-school in the world of education, but for classical music it’s a different start, that of the 2012-13 opera season. In the old days opera was a grand affair; the first night of a production meant black tie and opera cloaks. These days its far more relaxed, and you won’t be frowned upon if you’re wearing jeans at the Royal Opera House.
By Alyssa Bender
In its three centuries of existence, the piano has become one of the most widely spread instruments in the world. In a quick poll of our music social media team here at Oxford University Press, nine out of eleven of us have had piano training. (Of course, we are the music social media team, so our results may be a bit skewed from other departments!)
By Gordon R. Thompson
Fifty years ago, the Beatles entered EMI’s recording studios on Abbey Road for their first official recording session. Their June visit had gained them a recording contract, but had cost Pete Best his position when artist-and-repertoire manager George Martin winced at the drummer’s timing. With little ceremony, Lennon, McCartney, and especially Harrison recruited the best drummer in Liverpool — a mate who sometimes subbed for Best — and left the firing of Best to manager Brian Epstein. Thus, Ringo Starr ascended to the drummer’s throne.
Many of you may have seen the cdza video “An Abridged History of Western Music in 16 Genres | cdza Opus No. 7″ (below) that went viral this summer. (cdza, founded by Joe Sabia, Michael Thurber, and Matt McCorkle, create musical video experiments.) To complement this lively celebration of the history of western music, from ragtime to reggae and baroque to bluegrass, we thought about how we can put this music into words. Here’s a quick list of definitions, drawn from the latest edition of The Oxford Dictionary of Music, to help lead you through each genre.
By Liz Wollman
Colony Records, which will close on Saturday, September 15th after 64 years of business, is no mere record store. A cavernous, crowded, and never particularly tidy place, Colony has kept one foot firmly in its Tin Pan Alley past, and the other in its media-saturated present. The largest and easily most famous provider of sheet music in New York City, Colony also houses cassettes, CDs, DVDs, karaoke recordings, an absolutely enormous collection of records, and all kinds of memorabilia
By Meghann Wilhoite
It’s difficult to pin a label onto John Zorn. Active since the early 70s, Zorn has effectively woven his peculiar style of musical experimentation into the fabric of New York City’s downtown scene. His work—in the general sense of the word—has varied from philanthropic to shocking, with a curatorial bent that has often held quite a bit of sway.
By Alice M. Hammel and Ryan M. Hourigan
While standing at the local superstore watching my children choose their colorful binders and pencils for the upcoming school year, I saw another family at the end of the aisle. Their two sons had great difficulty accessing the space because of the crowd and they were clearly over-stimulated by the sights and sounds of this tax-free weekend shopping day. One boy began crying and the other soon curled into a ball next to the packets of college-lined paper.
This is my last blog on the music and TV broadcasts for the 2012 Olympic games — I promise. But I just saw a new video ad that I must share. In my last blog post, I noted the remarkable feat of the London Philharmonic Orchestra (LPO), who, under the baton of Philip Sheppard, recorded the national anthems of all 205 participating nations in the Olympic games in a little under 52 hours of studio time.
By Jesse Rodin
No figure in Western music poses a greater challenge to the writing of history than Josquin des Prez (ca. 1450–1521). That’s because there is no composer of comparative fame — musicians regularly speak Josquin’s name in the same breath as Bach, Beethoven, or Brahms — about whom so very little is known.
Composer Richard Causton worked with the European Union Youth Orchestra on Twenty-Seven Heavens, premiering in the UK tonight at Usher Hall in Edinburgh as part of the Edinburgh International Festival. Causton composed the work, which he describes as a Concerto for Orchestra, for the 2012 Cultural Olympiad festivities celebrating the UK, London, and the Olympics.