Oxford University Press's
Academic Insights for the Thinking World
English spelling can be endlessly frustrating. From its silent letters (could, stalk, salmon, February, and on and on) to its nonsensical rules (i before e except ….), to the pronunciation of ough (in cough, through, though, and thought).
Now I’ve read my Gandhi and while I’ve always found his writing incredibly coherent and often inspired, I haven’t necessarily thought of it as lyrical. I realise now that this is because I had not known where to look.
With principal investigators facing work, life, mental health and career challenges, time is often a limiting factor. But creating a healthy environment helps all achieve and feel well. A typical principal investigator (PI) must overcome many challenges and has a great deal to learn. The experience was accurately portrayed in a recent Twitter post with the caption […]
At what point are you morally permitted to refuse to rescue distant strangers? How much must you give over the course of your life? Theron Pummer explores these extremely difficult questions.
What does “SM” stand for in the context of Leonardo da Vinci? Our visual engagement with the painting has been skewed by fictionalised stories, lurid journalism, and attributional vitriol. For me, SM now stands for “Sensationalised Mess.” How the painting actually works as a devotional image, what it means, and how it embodies Leonardo’s science and art have become lost.
At OUP, we are the largest university press publisher of SHAPE disciplines. Back in 2021, we joined the SHAPE initiative along with the British Academy, LSE, the Arts Council, and other key partners to show our support and advocacy for these vitally important areas of research and scholarship.
One does not need to be an etymologist to suggest that stocking consists of “stock-” and “-ing”. The trouble is that though “-ing” occurs in some nouns, it looks odd in stocking. Few English words have more seemingly incompatible senses than stock.
The shift from print publishing toward digital publishing brings environmental benefits that will help to reduce publishing’s contribution to the climate and nature emergencies.
Adrastos Omissi argues that the collapse of the West Roman Empire in the fifth century AD was caused not, primarily, by invasions of external “barbarians” from Germanic Europe, but was rather a product of the endemic civil wars that sprang up in the Roman Empire from the third century AD onwards.
Travel back in time to Ancient Egypt and explore pyramids with hidden burial chambers, colossal royal statue, miniscule gold jewelry, and much more.
For good reasons, tantra often stands at the center of debates about cultural appropriation and the commodification of religious practices. Through nineteenth-century orientalist studies and missionary polemics, it became associated with sexual licentiousness and abhorrent rituals before it was refashioned as a way to sexual liberation and individual freedom.
Some of the most acclaimed films to come out of the horror mini-boom of the past decade mix history and horror in disconcerting ways. Of course, these are not the first scary movies or stories do this. But when, and how, did horror first get historical?
The first challenge that confronts researching LGBTQ+ Victorians in the archives is the question: where to look? Simon Joyce explores how to access more accurate, reliable information about LGBTQ+ Victorians.
Throughout Europe reaction to the March on Rome was, inevitably, mixed, with some appalled by the violence and the total disregard the fascists showed for parliamentary politics, while others—such as those among British conservative opinion—thought that the fascist government would bring much-needed “order” to what they condescendingly saw as typically Mediterranean chaos. Many right-wing European politicians looked on Mussolini and to his mode of achieving power with admiration. One man in particular was greatly impressed by the March on Rome and even hoped to emulate it. This was Adolf Hitler.
As a not-for-profit university press which publishes over 75% of its journals on behalf of scholarly societies and other organisations, OUP is committed to a transparent approach to OA. The transition to OA can appear opaque, steeped in jargon and complexity, and we see a major part of our role in the move to OA as being as open and clear as possible.
I have always wanted to write about the enigmatic phrase “red gold.” Our characterization of color is a matter of culture, not physiology.