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Musings on the Eurovision Song Contest

By Alyn Shipton
When the first Eurovision Song Contest was broadcast in 1956, the BBC was so late in entering that it missed the competition deadline, so it was first shown in my native England in 1957. Nonetheless, it seems as if this curious example of pan-European co-operation, which started with seven countries and is now up to 40, has been around forever.

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Baseball scoring

What is it about the sounds of baseball that make them musical, and so easily romanticized? In Ken Burns’ documentary Baseball, George Plimpton says that “Baseball has these absolutely unique sounds. The sounds of spring and summer….The sound of the ball against the bat is absolutely extraordinary. I don’t know any American male that doesn’t hear that in the springtime and get called back to some moment in the past.” These sounds are especially vivid in a game that’s often so quiet.

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H. P. Lovecraft and the Northern Gothic Tongue

By Roger Luckhurst
There is a very specific language of Gothic and horror literature that has its roots buried deep in the history of English: doom has been around since Old English; dread carries over from Middle English; eerie, that sense of vague superstitious uneasiness, enters Middle English through Scottish. The adjectives are harsh and guttural: moons are always gibbous, the trees eldritch.

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Jekyll and Hyde: thoughts from Creation Theatre’s director

We are delighted that this year Oxford World’s Classics will be sponsoring Oxford theatre company Creation Theatre’s production of Jekyll and Hyde, which is taking place at another Oxford institution – Blackwell’s Bookshop – from 8 June to 6 July. To celebrate our partnership, we asked the production’s Director, Caroline Devlin, for her thoughts on Robert Louis Stevenson’s classic novel Strange Case of Dr Jekyll and Mr Hyde.

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The real secret behind Gatsby

The Great Gatsby is one of the best-known American novels, but weirdly, and strangely reflective of Gatsby himself, one of the least understood. The much-awaited Baz Lurhmann version of The Great Gatsby opens in the United States tomorrow, and like Gatsby himself — as a new trailer reminds us — the novel is “guarding secrets.”

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Visions of Wagner

By Barry Millington
Few composers embrace such a span of disciplines — musicological, philosophical, historical, political, philological — as Richard Wagner. To what extent does the wide-ranging, comprehensive nature of Wagner’s works militate against a true understanding of them? How close are we, in his bicentenary year, to an understanding that does them justice? The following illustrations from The Sorcerer of Bayreuth: Richard Wagner, his Work and his World demonstrate the variety of perspectives on Wagner, from outdated stereotypes to new reappraisals.

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The first jukebox musical

By Hal Gladfelder
The opening-night audience at John Gay’s The Beggar’s Opera—first performed on 29 January 1728 at the Theatre Royal, Lincoln’s Inn Fields—can’t fully have known what sort of theatrical experience awaited them. The play’s title, for a start, must have struck them as nonsensical. What could a beggar have to do with an opera?

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This is your brain on food commercials…

By Ashley N. Gearhardt
Gooey chocolate and scoops of mouth-watering chocolate ice cream. Steaming hot golden French fries. Children see thousands of commercials each year designed to increase their desire for foods high in sugar, fat, and salt like those mentioned above. Yet, we know almost nothing about how this advertising onslaught might be affecting the brain.

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Getting from “is” to “ought” near the end of life

By Nancy Berlinger
There is a saying in ethics: you can’t get an “ought” from an “is.”  Descriptions of the world as it is do not reveal truths about the world as it ought to be. Even when descriptions of real-world conditions suggest that something is seriously wrong — that our actions are causing unintended and avoidable harms to ourselves, to others, to our common environment — reaching agreement on how we ought to change our thinking and our behavior, and then putting these changes into practice, is hard.

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Beatlemania

Fifty years ago, in March of 1963, The Beatles released their first album entitled Please Please Me. While the music partly based on British folk and popular forms—including skiffle and music-hall styles—American rock ’n’ roll was by far their dominant resource. The album quickly dominated the British charts and led the group to a path of superstardom that changed the world forever.

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Cinco de Mayo and the insurgent taco

On the fifth of May, many in the US and Mexico will celebrate Cinco de Mayo, the commemoration of Mexico’s victory over the French at the Battle of the Puebla in 1862. In this excerpt from Planet Taco: A Global History of Mexican Food, Jeffrey Pilcher looks at Cinco de Mayo and the first written instance of the word “taco.”

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An Oxford Companion to NBC’s Hannibal

By Kimberly Hernandez
The new television show Hannibal resurrects Thomas Harris’s famous serial killer and offers a few new surprises bound to shock both newcomers and longtime fans of Dr. Lecter. So while you’re catching up on the latest incarnation of the series, why not brush up on criminology facts or learn something new about cannibalism?

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Celebrating 100 years of Indian Cinema: a quiz

By Alana Podolsky
On 3 May 1913, Raja Harishchandra, the first Indian feature-length film, premiered. Since then, India’s film industry, mostly known as Bollywood but operating outside of Bollywood’s Mumbai base as well, has become the world’s most prolific film industry — 1325 films were produced in 2008.

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The Oi! movement and British punk

By Matthew Worley
According to the Daily Mail, Oi! records were ‘evil’. According to the Socialist Worker, Oi! was a conduit for Nazism. According to the NME, Oi! was a means to inject ‘violent-racist-sexist-fascist’ attitudes into popular music. The year is 1981, and on 3 July the Harmbrough Tavern is set ablaze in the London borough of Southall.

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