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In the footsteps of the fashionable world

By Hannah Greig
Each autumn, throughout the 1700s, London’s West End was transformed. Previously quiet squares were populated again, first by servants and tradesmen. After the houses were readied, their employers journeyed to the capital from their country estates between October and January. Snow, noted one observer, ‘brings up all the Fine folks [to London], flocking like half-frozen birds into a Farm-yard, from the terror…of another fatal month’s confinement…in the country’.

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Why is Gandhi relevant to the problem of violence against Indian women?

By Judith M. Brown
The global media has, in recent months, brought to the attention of a world audience the prevalence of violence against women in India. The horrific rape of a woman student, returning home after watching an early evening showing of The Life of Pi, in Delhi in December 2012, and the subsequent trial and conviction of her drunken and violent attackers, has led to considerable comment about violence against women.

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Feral politics: Searching for meaning in the 21st century

By Matthew Flinders
Could it be that conventional party politics has simply become too tame to stir the interests of most citizens? With increasing political disaffection, particularly amongst the young, could George Monbiot’s arguments about re-wilding nature and the countryside offer a new perspective on how to reconnect disaffected democrats? In short, do we actually need feral politics?

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The first ray gun

By Stephen R. Wilk
When reporting on the origin of that science fiction cliché, the ray gun or death ray, most histories cite H.G. Wells’ classic story The War of the Worlds, which first appeared in Pearson’s Magazine between April and December of 1897. Wells was undoubtedly one of the founders of science fiction, striving to create original situations and ideas.

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Yggdrasil and northern Christian art

By G. Ronald Murphy, S.J.
A lot of things become clear when you realize that many of the puzzling and mysterious Christian artifacts and poetry of the North, those from England and Germany as well as those from the Scandinavian countries, are speaking in the language of Germanic myth—specifically in the language of the ancient evergreen tree, the savior of the last human beings, Yggdrasil.

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Cheers to the local bar

By Christine Sismondo
“Where everybody knows your name.” Easily one of the best phrases ever written. That string of five words summed up the idea of the “local,” a refuge from the dynamism of modernity where a small clutch of people get together nearly every day to shoot the shit over a pint – or four.

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How to be an English language tourist?

By David Crystal
Hilary and I asked ourselves this question repeatedly when we were planning the tour that we eventually wrote up as Wordsmiths and Warriors: The English-Language Tourist’s Guide to Britain. Where can you find out about the places that influenced the character and study of the English language in Britain? How do you get there? And what do you find when you get there?

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Émile Zola and the integrity of representation

By Brian Nelson
Émile Zola’s main achievement was his twenty-volume novel cycle, Les Rougon-Macquart (1871–1893). The fortunes of a family, the Rougon-Macquart, are followed over several decades. The various family members spread throughout all levels of society, and through their lives Zola examines methodically the social, sexual, and moral landscape of the late nineteenth century.

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Breaking Bad’s Faustian Cast

In a Reddit AMA session a few months ago, Bryan Cranston was asked when he thought his character on Breaking Bad broke bad. His response: “My feeling is that Walt broke bad in the very first episode. It was very subtle but he did because that’s when he decided to become someone that he’s not in order to gain financially. He made the Faustian deal at that point and everything else was a slippery slope.”

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How film music shapes narrative

Reflecting on his futuristic 2002 film Minority Report, Steven Spielberg said “one of the most exciting scenes” he had to shoot was this action scene – in which two characters (John and Agatha) traverse a busy shopping mall with armed police in pursuit, relying on Agatha’s ability to see into the future in order to hide and successfully evade capture.

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Ten surprising facts about the violin

By Ayana Young
As one of the most renowned and recognizable instruments in the modern orchestra, the violin’s petite shape and magnified sound charms listeners, players and dreamers alike. Beyond the aesthetic and captivating sound, the history of the violin is just as enticing.

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Why do the French insist on their ‘cultural exception’?

By David Ellwood
Is French culture exceptional, exceptionalist, or just… unique ? The question was raised again this year by the row which broke out just before the start of US-EU trade talks. The French government insisted that cultural products, particularly film and television, should be left out of the negotiations due to their special status as timeless acts of artistic creation.

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Very Short Introductions go online

By Luciana O’Flaherty
All those who have read and loved a Very Short Introduction know that they offer a short but sophisticated route into a new or slightly familiar topic. The series was launched in 1995 and has continued to offer new books each year (around 30 a year, at the last count) for students, scholars, and the avidly curious.

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What is atonal? A dialogue

Viennese composer Alban Berg played a major role in the transformation of serious music as it entered the modern period. He was also a skilled, analytic writer, whose essays, lectures, and polemics provide a unique perspective on classical music in transition. A new English edition of his Pro Mundo – Pro Domo. edited by Bryan R. Simms, contains 47 essays, many of which are little known and have not been previously available in English. Below is a brief extract from one of his dialogues with critic Julius Bistron.

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