Oxford University Press's
Academic Insights for the Thinking World
Shakespeare’s characters can often appear far-removed from our modern day world of YouTube, Beyoncé and grime. Yet they were certainly no less interested in music than we are now, with music considered to be at the heart of Shakespeare’s artistic vision. Of course our offerings have come a long way since Shakespeare’s day, but we think it is a shame that they never had a chance to hear the musical delights of Katy Perry or Slipknot.
An astronomer, mathematician, philosopher, and active public figure, Hypatia played a leading role in Alexandrian civic affairs. Her public lectures were popular, and her technical contributions to geometry, astronomy, number theory, and philosophy made Hypatia a highly regarded teacher and scholar.
The documentary Twenty Feet from Stardom (2013) gave us a glimpse of how backing singers—performers who provide vocal harmonies and responses for featured artists—have contributed to twentieth-century American popular music.
Is absolute peace throughout a nation ever truly attainable and sustainable? Can a country ever unite as one entity in the face of extreme opposing views and ideals throughout the land, its people unable to achieve the plurality of a single bilateral, collective human interest legislative mandate?
The bass guitar is often thought to be a poor musician’s double bass or a poor musician’s guitar. Nonetheless, luthiers and performers have explored its expressive possibilities within a wide range of musical styles and performance traditions, some of which we chart below.
Is Judaism a religion and a culture or is it also a nationality? To this question the Zionist movement, which led to the establishment of the State of Israel, gave a clear positive answer. This approach has been adopted by Israel.
In just a little more than three years as the Bishop of Rome, Pope Francis appears to have disrupted what many thought was a straight and unchangeable course of moral teaching in the Catholic Church. Some of the more conservative members of the church are worried that the fundamentals of that teaching are being ignored, or worse, thrown overboard. Francis’s call for a ‘poorer’ church and a world that cares about the environment displays a significant turn in Catholic politics.
The objects of mass production – screws, nails, cell phones, cars – are everywhere. They are, for the most part, humdrum and insignificant and beneath the notice of philosophers. But in fact, I shall suggest, they are deeply mysterious from an ontological point of view.
Blindness is a recurrent image in Enlightenment rhetoric. It is used in a political context to indicate a lack of awareness, seen in a letter from Edmund Burke to the chevalier de La Bintinnaye, in poetic rhetoric, with the stories of the blind poets Milton, Homer, and Ossian circulating among the intelligentsia of the time, or simply as a physical irritation, when writers with long lives and extensive correspondences frequently complained of their eyesight deteriorating.
As every four years, we are now quickly approaching to the Games of the XXXI Olympiad, which will be held in Rio de Janeiro, Brazil, from 5 to 21 August 2016. The Olympics are the biggest sports event in the world, followed by the FIFA World Cup in football and the Tour de France of cycling, with as many as two billion people tuning in at some point during the event.
When we look at the so-called “miraculous gifts” of musical prodigies, it is easy to get caught up in the nature vs. nurture debate: are these prodigies born or made? But we won’t be entering here into the discussion as to whether genetics or education plays the greater role. Instead, there may be a secondary element to this debate that is often overlooked, an element that intrinsically ties together these two conflicting sides.
Music at that time was special— magical even— and its effect would have been diminished by constant presence even if that were possible for the musicians, which it was not. David Lindley, indeed, points out that, in contrast to the modern use of filmic underscoring, music in Shakespearean theatre was ‘always part of the world of the play itself, heard and responded to by the characters on- stage’.
Recent months have seen the release of two movies about great jazz trumpeters from the 1950s and 60s: Miles Ahead (Don Cheadle, 2015) focusing on Miles Davis, and Born to Be Blue (Robert Budreau, 2015) focusing on Chet Baker (although Miles plays an important role in the latter too: his second cinematic revival in one year). The similarities don’t end there: both films are semi-fictional, homing in on a moment of crisis in their respective protagonists’ real lives and spinning a mostly fictional story around it.
Logic is a deep subject, at the core of much work in philosophy, mathematics, and computer science. In very general terms, it is the study of what (conclusions) follows from what (premises)—logical consequence. The Early Modern philosopher, Immanuel Kant, held that Aristotle invented logic, and at his hands it was complete. There was nothing left to be done. He was notoriously wrong.
Over the past few years, Britain has commemorated Shakespeare’s life, works, and death in parallel with an extensive remembrance of the First World War and those who served in it. The elision of Shakespeare’s work with this particular conflict is not a new trend: 100 years ago, similar celebrations of Shakespeare were occurring in the midst of wartime, and both Britain and Germany were employing his image and plays for propaganda and recruitment purposes.
I fear death, you might think, because the fact that I will die robs the things I do in my life of their meaning or their value or their worth. This, if it were true, would justify the feeling of vertigo and emptiness that comes when we reflect that we will die.