Music

Quiz on country music,
Level 2: Ring of fire

Let’s test your knowledge from honky tonk to hillbilly blues. Here’s the second of a three-part quiz on the twang of guitars and accents, compiled by the Country Music Hall of Fame and Museum, Michael McCall, John Rumble, and Paul Kingsbury — authors of The Encyclopedia of Country Music. You can still go back and take “Quiz on country media, Level 1: Walk the line.” All this is running up to the 47th Annual Academy of Country Music Awards is this Sunday, April 1st. Can you pass all three levels of our a country music knowledge challenge?

Quiz on country music,
Level 1: Walk the line

The 47th Annual Academy of Country Music Awards is this Sunday, April 1st, so we thought it was time to pull together a country music knowledge challenge. Compiled by the Country Music Hall of Fame and Museum, Michael McCall, John Rumble and Paul Kingsbury — authors of The Encyclopedia of Country Music — we begin the first of a three-part quiz on the twang of guitars and accents today. How much do you know about the music of “three chords and the truth”?

What do rockstars, publishers, and media start-ups have in common?

By Duncan Calow
It is only March, but 2012 has already seen a series of contract disputes over digital media and technology hit the headlines, with cases filed by Peter Frampton, HarperCollins, and new media company Phonedog.com

Handel conducts London premiere of Messiah

This Day in World History
On March 23, 1743, composer George Frideric Handel directed the first London performance of his sacred oratorio, Messiah. While the composition has become revered as a magnificent choral work—and a staple of the Christmas holiday season—it met some controversy when it first appeared.

Robert Sherman, songwriter and storyteller

By Philip Furia
Next to George and Ira Gershwin, the only major fraternal songwriting team in the history of American popular music has been Robert and Richard Sherman. Together, the Sherman brothers wrote songs for such film musicals as Mary Poppins, Chitty Chitty Bang Bang, Tom Sawyer, The Jungle Book, and The Aristocats. Richard Sherman composed the music for their songs, and both he and Robert wrote the lyrics.

Questions about the evolution of music criticism

In February 2012, Grove Music’s Editor in Chief Deane Root talked to contemporary music scholar Paul Griffiths about his multi-faceted career and his involvement with Grove in print and online. Grove Music Online has been the leading online resource for music research since its inception in 2001, a compendium of music scholarship offering full texts with numerous subsequent updates and emendations, more than 50,000 signed articles, and 30,000 biographies contributed by over 6,000 scholars from around the world.

“Davy” Jones, actor and musician

By Gordon Thompson
As the Beatles made their historic debut on American television in February 1964, the cast of Oliver!, the actor playing the role of the Artful Dodger, and other acts on the show watched from the wings as the hysteria unfolded. Davy Jones had started his acting career on British television, making his debut appearance in the venerable Coronation Street followed by the gritty Liverpool police drama, Z-Cars.

Brian Epstein and the quest for a contract

By Gordon Thompson
On a cold winter’s day in early 1962, Brian Epstein and the Beatles huddled together contemplating their failed bid for a Decca recording contract and the bitter aftertaste of rejection that left emptiness in their stomachs. But hunger can feed ambition. Disappointments would ensue, but almost immediately Epstein would be the proverbial right man in the right place at the right time and meet a string of people who were looking for something not quite exactly unlike the Beatles.

The Beatles wait, January 1962

By Gordon Thompson
Fifty years ago in January 1962, British popular music crept toward the brink of success. Notably, the coming months would see Britain’s Decca Records release the UK’s first international rock hit Telstar created by the quirky iconoclast Joe Meek with his studio band the Tornados. That recording declared Meek’s infatuation with the first telecommunications satellite and proved that London’s recording industry had the potential to compete in the United States.

Brian Epstein transforms the Beatles, December 1961

By Gordon Thompson
Fifty years ago in December 1961, Brian Epstein made a leap of faith that he could change his life and the lives of four young musicians. He could not foresee that he would change Western civilization. A few weeks earlier, the Liverpool businessman had heard the din of the Beatles in a claustrophobic former vegetable cellar and had seized upon the idea of transforming the band into something the world could embrace. He seems to have had few second thoughts about his decision, even as he allowed that he might fail.

“What Brings Mr. Epstein Here?” 9 November 1961

By Gordon Thompson
The transformation of the Beatles from four musicians with humble roots into British cultural icons (second only to Shakespeare in some minds) began in Liverpool, even if a recent decision by the Trademark Trial and Appeals Board of the United States Patent and Trademark Office may attempt to shape how we remember those roots in the future. Ironically, that decision comes shortly before a relevant anniversary in Beatles history.

Beside the seaside: Blackpool and national biography

By Sue Arthur
Memories of your summer holiday may be fading, but the latest update of the Oxford Dictionary of National Biography seeks to rekindle the summer—or at least summers past—with one of the new additions from its latest update, published today. For forty years Reginald Dixon (1904-1985) played the Wurlitzer at the Tower Ballroom, Blackpool, turning a former cinema organist into a recording star, known worldwide for his signature tune, ‘I do like to be beside the seaside.’ Here Dixon’s biographer, Sue Arthur, describes the man who became ‘Mr Blackpool’, and the interwar resort he helped to make a national attraction.

Actor, receptor, witness

We all play three roles in every moment of our lives. As actors we move, speak, push and pull, make decisions, and otherwise engage in any number of activities animated by our goals and desires. As receptors we use our senses to listen, smell, touch, get pushed and pulled, and react emotionally to other people. As witnesses we observe everything going on around us, analyzing, synthesizing, describing, explaining, and understanding the world in which we live.

“That’s it. I’m not a Beatle anymore.”

By Gordon Thompson

In memoriam: Amy Winehouse

By Nigel Young

Following the funeral, the British radio waves are full of Amy Winehouse music. Those of us who learned as teenagers about great women blues and soul singers from listening to the voices of Billie Holliday and Bessie Smith, had no such contemporary singers of our own generation, white or black.

Art, love, and the terror in Norway

By Toril Moi

Like other Norwegians I am in shock at the terrible events in Oslo and at Utøya on 22 July. My heart goes out to the victims and their families.

I was not in Norway when the horror happened. On 22 July, I was giving a talk about Ibsen’s 1873 play Emperor and Galilean at the National Theatre in London. I only learned about the bombing in Oslo and the massacre at Utøya later that night. When I discovered that the terrorist in Norway saw himself as