Music

The foundations of British rock: Archer Street

By Gordon Thompson
Fifty years ago, on Monday 22 May 1961, London’s constabulary attempted to terminate a British musical tradition. For as long as most of them could remember, musicians had gathered Monday afternoons on the short stretch of pavement between Rupert Street and Great Windmill Street in Soho to collect their pay from previous engagements and to pick up work for the coming week. A local merchant had probably complained about the disparate crowd blocking the street, so the police

Royal Wedding music has ‘martial swagger’

Sir William Walton’s Crown Imperial has been chosen as the Recessional for the Royal Wedding of HRH Prince William and Catherine Middleton at Westminster Abbey. A specially abridged version of the piece will be performed at the end of the Service by the London Chamber Orchestra, marking the bride’s entrance into the royal family.

John Swenson on Treme

By Michelle Rafferty

How real is the HBO series Treme? Here John Swenson reflects on what it was like watching the first season as a resident of New Orleans (he has yet to comment on the second, which premiered last night), as well as what the culture of the city means to its people. As a writer for OffBeat Swenson has written about the musicians returning to NOLA after Katrina, and in his forthcoming book New Atlantis: Musicians Battle for the Survival of New Orleans he talks about their crusade to save the endangered city. Swenson himself suggested the song in the video,”Dogs Chase Cats,” from Andy J. Forest’s NOtown Story (2010).

Congratulations, Zhou Long!

Please join us in congratulating composer Zhou Long, as he has been awarded with the 2011 Pulitzer Prize in Music for Madame White Snake. The opera (written by Cerise Lim Jacobs) premiered on February 26, 2010 at Boston’s Cutler Majestic Theatre. Drawing on a Chinese folk tale, this opera blends musical traditions from the East and the West to tell the story of a powerful white snake demon who longs to become human so she can experience love – but she meets with deceit, doubt and distrust.

To have been a muppet in that nightclub…

By Michelle Rafferty

What made Louis Armstrong embarrassed? Why was Cab Calloway on Sesame Street? To learn a little more about these two legends check out the podcast below with BBC Producer Alyn Shipton and the talented interviewer Annie Shipton (yes that would be Alyn’s daughter).

“The Start of a Solo Career”: Paul McCartney, 10 April 1970

By Gordon Thompson

Even in the storm’s dawning, both fans and defamers alike recognized magic in the Beatles’ ability to collaborate and to adapt in pursuit of a shared vision, and at the heart of this quest lay the desire to make great recordings. In the beginning of their career with EMI, their willingness to subvert their individual identities to a common cause (and the joy with which they did so) contributed to their success. In the

“Tomorrow Never Knows”: The Beatles sample the future, April 1966

By Gordon Thompson

Forty-five years ago, at the beginning of April 1966, on the almost anniversary of a London dentist surreptitiously spiking his and George Harrison’s coffees with Lysergic acid diethylamide, John Lennon visited Barry Miles’ Indica Books and picked up a copy of Timothy Leary, Ralph Metzner, and Richard Alpert’s The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead. In its pseudo-mystical prose, Lennon found partial inspiration for one of the most audacious recordings the Beatles would ever attempt.

Alternative Media – Episode 14 – The Oxford Comment

Are we living in the “anti-60s”? This episode compares the counterculture movement to the blogosphere and pop music today….Bieber vs. Beatles! Hippies vs. Hipsters! Let the showdown begin.

John Lennon and Jesus, 4 March 1966

By Gordon Thompson

Forty-five years ago, in the spring of 1966, as swinging London and its colorful denizens attracted the attention of ‘Time’, the publishers of an American teen magazine found part of a recent interview with John Lennon to be of particular interest. A rapid disintegration ensued of the complex identity that the Beatles management, the media, the fans, and even the musicians themselves had constructed, setting in motion a number of dark forces.

Best Original Score: What will win (and what *should* win)

By Kathryn Kalinak

This year’s Oscar Best Original Score nominations are as notable for who didn’t get nominated as for who did: no Carter Burwell for True Grit, no Clint Mansell for Black Swan, no Danny Elfman (and what a return to form) for Alice in Wonderland. There’s not much of a horse race this year.

Tchaikovsky is No One-Trick Pony

I’d argue our Black Swan fever peaked at Jim Carey’s SNL performance, but we might see a resurgence this weekend at the Oscars. In anticipation I contacted Roland John Wiley, author of Tchaikovsky and Professor of Music at the University of Michigan, for his thoughts on his subject’s recent omnipresence. Turns out Wiley’s a bit of an outsider in the academic community, where the composer hasn’t always been taken seriously. Here, Wiley explains the trappings of music snobbery – and why Tchaikovsky’s popularity among the “muggles” is no reason to discount his brilliance. (Oh, and, he dishes on the original Swan Lake ballerina dra-ma!)

Linked Up: Arcade Fire, Las Vegas, James Cameron

All week, Beliebers have raged on about Arcade Fire, a band they’ve apparently never heard of. I’d like to introduce them to you. If you don’t have time to take a listen now, don’t worry, they’re going to make a record in the month of May. (That’s a little joke.) [Myspace]

And speaking of Justin Bieber, the young pop star’s remarks in an interview are the subject of widespread anger and controversy. [Rolling Stone]

Mr. Graham discovers the extreme fear of conducting a professional orchestra. [Morning News]

Looking for a totally normal cabinet? Then look elsewhere. [Like Cool]

Jazz – Episode 10 – The Oxford Comment

Romance your date with a Monk-inspired duet, or have a private boogie-woogie party in honor of your singledom. This Valentine’s Day, The Oxford Commentpresents a crash course on the music that speaks all kinds of love, from one of the men that knows it best.

Cab Calloway Gets Animated

Cab Calloway was never a classically trained dancer. In fact, he learned movement by studying a rooster he brought with him on tour. Check out this clip from Levin’s documentary, in which cartoon Cab dances alongside Alvin Ailey dancer Matthew Rushing (think Gene Kelly and Jerry Mouse)

The Beatles at the Cavern Club, 9 February 1961

By Gordon Thompson

Fifty years ago, one of the great stories in pop music began when the Beatles debuted in a dank arched subterranean Liverpool club dedicated to music. Located in the narrow lane called Mathew Street, just of North John Street, the Cavern Club had opened as a jazz haven that enfolded blues and skiffle, which was how the Quarry Men, John Lennon’s precursor to the Beatles, had first descended the steps and climbed the tiny stage in August 1957. Three-and-a-half years later, the Beatles had evolved into a

In Memoriam: Composer John Barry

By Kathryn Kalinak

The world of film lost one of the greats on Sunday: composer John Barry. British by birth, he carved a place for himself in Hollywood, winning five Oscars over the course of his career. He cut his teeth on James Bond films – Dr. No, (1962), From Russia With Love (1963), Goldfinger (1964), Thunderball (1965) – and went on to compose seven more. There was something both elegant and hip about these scores, a kind of jazzy sophistication that connoted fast cars, beautiful women, and martinis, shaken not stirred, that is.