Oxford University Press's
Academic Insights for the Thinking World
Kicking off three great OUPblog posts on Famine and Foreigners: Ethiopia Since Live Aid is a short excerpt from the first chapter. Come back tomorrow for an exclusive Q&A with Peter Gill, followed by an original post by him on Thursday.
The morning of June 9th, I and about 500 NYC elementary school students gathered at the Apollo theater to dance, gawk at rap music icons, and…learn about healthy eating. Hip Hop HEALS (Healthy Eating and Living in Schools) is a program that seeks to teach young people the rules for healthy living, ways to prevent heart disease and strokes, and curb the incidences of childhood obesity.
Geoffrey Block, Distinguished Professor of Music History at the University of Puget Sound, is the author of Enchanted Evenings: The Broadway Musical From Show Boat to Sondheim and Lloyd Webber. The book offers theater lovers an illuminating behind-the-scenes tour of some of America’s best loved, most admired, and most enduring musicals, as well as a riveting history. In the post below we provide the answers to last week’s Tony quiz. How many did you get correct?
Gordon Thompson is Professor of Music at Skidmore College. His book, Please Please Me: Sixties British Pop, Inside Out, offers an insider’s view of the British pop-music recording industry. In the post below he looks at the 10th of June, 1960. Check out Thompson’s other posts here.
Geoffrey Block, Distinguished Professor of Music History at the University of Puget Sound, is the author of Enchanted Evenings: The Broadway Musical From Show Boat to Sondheim and Lloyd Webber. The book offers theater lovers an illuminating behind-the-scenes tour of some of America’s best loved, most admired, and most enduring musicals, as well as a riveting history. In the original post Block challenges readers to test their Tony knowledge. We will post the answers next Wednesday so be sure to check back.
In honor of National Tap Dance Day (May 25) Oxford is celebrating with Constance Valis Hill, author of Tap Dancing America. In this excerpt Hill shares a contemporary tap dance scene full of rich choreography.
For Beatles fans, it was like watching mortality embrace a loved one. The spring of 1970 brought news of the dissolution of the Beatles and, with the release of Michael Lindsey-Hogg’s Let It Be in May, fans could see the disestablishment for themselves.
Kathryn Kalinak is Professor of English and Film Studies at Rhode Island College. Her extensive writing on film music includes numerous articles and several books, the most recent of which is Film Music: A Very Short Introduction. You may remember her from an Oscar season interview on WNYC’s Soundcheck, when she accurately predicted a win for Michael Giacchino’s score in Up. Now, she has been asked back to the show (today at 2pm ET) to discuss the score in the new Robin Hood movie, starring Russell Crowe. Kalinak shares her thoughts after the jump.
I would never pretend to be an expert on Lena Horne, but my research prompts me to make a few observations on her career as a singer of popular songs. Perhaps the most striking thing about her stellar career is that Lena Horne, alone among the great singers of her era, never introduced a hit song. The songs she is associated with are the “standards” of what’s been termed The Great American Song Book. In the television obituaries, for example, she was heard singing the classic songs of Cole Porter, Ira and George Gershwin, and Lorenz Hart and Richard Rodgers. Even her signature song, “Stormy Weather,” was originally written by Ted Koehler and Harold Arlen for Ethel Waters in the 1933 Cotton Club Revue. (Waters, supposedly, always resented the fact that Lena Horne had co-opted “her” song).
“Apathetic,” he scoffs.
“Naïve and romantic,” I counter defensively.
“These songs are so self-absorbed!”
“Those songs were so self-righteous!”
This is Pete Seeger-biographer David Dunaway and I debating the evolution of American folk music from our distinct generational perspectives, and we aren’t, technically, arguing. Beyond the pot-shots, we are engaging in academic discourse born out of the ever-shifting debate over purity, authenticity, and activism in folk music.
Oxford University Press joins a large community of friends, colleagues, performers, and students in mourning the passing of Shirlee Emmons Baldwin, one of the most beloved and strongest voices in the education, nurturing, and career development of singers. Having been trained as a classical singer myself, it was with great pride that I “inherited” Shirlee’s three titles when I began work at the Press—Power Performance for Singers (1998), Prescriptions for Choral Excellence (with Constance Chase; 2006), and Researching the Song (with Wilbur Watkins Lewis; also 2006). Through these books and others, and in the hearts of all those she touched, Shirlee’s voice will continue to resound and enlighten.
An interview with R. Larry Todd author of Fanny Hensel.
Did Eddie Cochran’s tour of the UK and death fifty years ago lead to the Beatles?
Kathryn Kalinak reflects on the the 2010 Oscar “Original Score” presentations and results.
Gordon Thompson’s monthly music post.
Kathryn Kalinak makes her predictions for the 2010 Oscar “Original Score” category, and a chance to submit your guesses.