Music

Dances of Death

By Jessica Barbour
An eerie image emerged from Europe’s 14th-century bubonic plague epidemics into popular imagination: Death, in skeleton form, leading living souls in a processional dance to the grave. This idea, the danse macabre, was evoked by artists and writers across the continent, a cultural reaction to daily lives spent surrounded by death. I was introduced to the genre in school when I first heard Camille Saint-Saëns’ Danse Macabre, a boisterous seven-minute work for orchestra written in the 1870s.

Howard Skempton on composing

By Anwen Greenaway

Composer Howard Skempton is one of the mainstays of British contemporary classical music. He is an experimental composer who writes in a style completely his own, un-deflected by trends in composition or performance. Having developed, under the tutelage of Cornelius Cardew, a musical style characterised by its elegance and simplicity, Skempton’s catalogue of compositions is now extensive and diverse.

Music events to see in New Orleans 1-4 November

By John Swenson
Greetings to all of you in New Orleans for the AMS/SEM/SMT conference. I’ve been writing about the music of New Orleans dating back to the mid-1970s and am still making discoveries to this day. The city is a seemingly bottomless well of creative musicians, with more arriving every day from around the world seeking the muse that inspires this magic, spiritual sound. Here are a few suggestions about where you might want to go over the next few days to hear this aural cornucopia in person. These recommendations are really just the tip of the iceberg, but they reflect what I am likely to be hearing myself.

Solo or duet? Married couples in the American National Biography

By Susan Ware
What are the chances, I wondered, of having separate entries for a married couple in the American National Biography Online (ANB)? I’m still new to my job as the general editor of the ANB, but it struck me as intriguing that the very first update released on my watch will contain one such couple: country music singers Johnny Cash and June Carter Cash. Joined together in marriage and music, they both led fascinating lives that earned them inclusion – separately — in the ANB.

Sounds of the swing era

By Catherine Tackley

The sound of a big band in full flight must surely rank as one of the defining timbres of twentieth century music. It continues to be preserved by, among many others, Wynton Marsalis’ Lincoln Center Jazz Orchestra, remixed by DJs and artists like Matthew Herbert, re-popularised by stars including Michael Bublé, rejuvenated for a new teen audience by West Coast composer Gordon Goodwin

The birth of disco

By Denny Hilton

By Denny Hilton
On this day in 1959, a nightclub opened its doors in the quiet city of Aachen, West Germany, and a small revolution in music took place. The Scotch-Club was similar to many restaurant-cum-dancehalls of the time, with one exception: rather than hire a live band to provide the entertainment, its owner decided instead to install a record player…

Lofty musing: Has it only been 467 years?

By Meghann Wilhoite

Imagine yourself in a lofty cathedral, silver voices echoing off of vaulted stone, with a slight chill in the close air. Are you there? Ok, now you’re ready for the music of English composer John Taverner. Touted as the most influential composer of his time, Taverner (c.1490-1545) was and continues to be admired for his skill in the creation of polyphonic (‘many-voiced’) music — that is, independent musical lines that layer on top of each other in a way that sounds harmonious; the lines fit together without losing any of their individuality.

American football on TV and the music of the night

By Ron Rodman

Monday Night Football has been a staple of American television for over forty years. The first Monday night broadcast aired on the ABC network on 21 September 1970, with a game between the New York Jets and the Cleveland Browns. Ever since, Monday Night Football (MNF) broadcasts have rarely been topped in the Nielsen ratings. After a storied run on ABC, MNF moved to the popular sports cable network, ESPN, in 2006.

Four questions about the relationship between music and language

By Aniruddh D. Patel
Music and language are our two most powerful and complex communication systems. What is their relationship as mental systems? This question has fascinated thinkers for centuries, but only in the past decade has it become a focus of empirical research.

Glissandos and glissandon’ts

As a musician, I found this absolutely shocking — here I thought I’d been hearing the glissando (the effect created when, for example, a pianist runs his finger up or down the keyboard), all my life, and suddenly it turned out that the very legitimacy of the word had been dismissed by Blom, a prominent music-writer linguist, more than 30 years before I was even born.

The point of no return

By Alyssa Bender

If a theater noob polled a group of theater fans on what classic musicals she must see to jumpstart her theater education, you would be hard pressed to find a fan without The Phantom of the Opera on their list. The show, which opened at Her Majesty’s Theatre in London on 9 October 1986, has left an undeniable impact on London’s West End, Broadway, and theater in general.

The Beatles begin, Friday, 5 October 1962

By Gordon R. Thompson

The Beatles’ dream of releasing a record came to fruition fifty years ago today when Parlophone issued the band’s first disc, “Love Me Do.” That night, EMI played the song on its own London-produced weekly radio program Friday Spectacular, broadcast on Radio Luxembourg. In the Beatles’ Anthology, George Harrison recalled that, “First hearing ‘Love Me Do’ on the radio sent me shivery all over.

50 years of James Bond in music

Few characters in the history of cinema, if any, are more iconic than Ian Fleming’s debonair super-spy, James Bond; few, too, can boast of any comparison to the equally iconic music which accompanies the intrepid agent 007’s exploits. Since the series’ beginning, the Bond films have been marked by exceptional music, including contributions from Paul McCartney, Shirley Bassey, Louis Armstrong and Madonna, and, of course, John Barry’s instantly recognizable “James Bond Theme.”

Beethoven on stage in 33 Variations

By William Kinderman

By William Kinderman
A blend of past and present, art and life: Beethoven’s most challenging work for piano, the Diabelli Variations op. 120, has triggered a mania of interest on the theatrical scene. Several years ago New York playwright Moisés Kaufman visited my wife Katherine Syer and myself — the first of several visits — to shape a play on Beethoven.

Bob Chilcott on choral workshops

Bob Chilcott talks to Oxford University Press about why he likes running choral workshops, the challenges that these days present, and what he hopes singers take away.

West Side Story, 55 years later

By Meghann Wilhoite

Today marks the 55th anniversary of the Broadway premiere of Leonard Bernstein’s West Side Story. A racially charged retelling of Romeo and Juliet, West Side Story is set in the “blighted” West Side of 1950s Manhattan, the potent themes of star-crossed love and gang rivalry successfully translated from 16th century Italy to 20th century New York by book-writer Arthur Laurents and lyricist Steven Sondheim.