Oxford University Press's
Academic Insights for the Thinking World
You may not have known it, but July was a pretty stressful month for the composers of this world. Or at least several thousand of them. The life of Sibelius, one of the leading music notation software programs, has seemingly come under threat of dissipation as Avid (who owns the software) has recently shut down Sibelius’ UK office, simultaneously laying off the software’s core development team.
Composer Bob Chilcott and librettist Charles Bennett discuss their experiences of creating “The Angry Planet”, a large-scale cantata on the theme of the environment which was premiered at the 2012 Proms by the Bach Choir, the BBC Singers, the National Youth Choir of Great Britain, and London schoolchildren.
By Gerald Klickstein
The Olympics are in full swing, and we’re bound to witness some athletes who triumph and others who choke under the stress of performing. What differentiates those two groups? I’ve been probing that question for decades from the perspective of a musician and educator. Through my research and experience, I’ve come to appreciate that, for athletes and musicians alike, the primary distinction between those who excel under pressure and those who crack lies in how they prepare to perform.
Television networks use music to connect audience and program through theme music and short video spots called “promos. Themes and promos carry what media musicologist Philip Tagg calls “appellative functions”, which summon viewers to the television screen. With an event as big as the Olympics, television networks need to attract as large an audience as possible to maximize commercial ad revenue.
By Ron Rodman
Film director Danny Boyle’s gargantuan presentation at the opening ceremonies of the 30th Olympiad in London had little to do with the actual games, but had everything to do with his vision of Britain. The show was full of pageantry, drawing upon the 17th century English masque, a sort of loosely structured play with dance, music, costumes, songs and speeches, and festive scenery, with allegorical references to royalty, who would sometimes participate in the show. All elements of the masque were present, including the participation of the Queen herself, who stepped into the narrative briefly.
By Jon Burlingame
When James Bond and Queen Elizabeth parachuted out of the helicopter (or appeared to) during Friday night’s opening ceremonies of the London Olympics, director Danny Boyle could think of only one piece of music to play: the “James Bond Theme.” And of all the dozens of recordings of 007′s signature music that have been made over the years, he chose the unmistakable original: John Barry’s recording of Monty Norman’s “James Bond Theme,” from the very first Bond adventure, Dr. No, which opened in British cinemas 50 years ago, in October 1962.
The summer wedding season is in full swing and many of us will have attended a ceremony or two by the time it’s over. My little sister was married on July 15, and the months leading up to the event were very busy ones for my family members, who planned and prepared the entire event themselves.
27 July 2012: the day that many Britons have been waiting for, and the day when the attention of the world will be focused on London and the Opening Ceremony of the Olympic Games. As a nation we have been holding our breath in anticipation of this extravaganza: a showcase of British and world sporting talent, and the spirit of competition. But the Games are more than just sport, they are also an opportunity for the host nation to demonstrate its cultural excellence and achievements.
English has two great rhyming slanguages, cockney rhyming slang and the dozens, the African American insult game. We’ll leave the parsing of cockney phrases to news reporters covering the Olympics for now and examine the lewd, bawdy, and wonderful world of verbal street duels. Elijah Wald investigated the origins of this cacophony of dirty jokes in The Dozens: A History of Rap’s Mama. While it may have begun in “yo’ mama” jokes, this language was meant for music, as rap and hip-hop today can attest. The dozens even appears in the seminal writings of Richard Wright, Langston Hughes, and Zora Neale Hurston.
By Mark McCormack
With One Direction topping the US music chart, and David Beckham to be the first man featured on Elle’s front cover, images of men have changed dramatically in recent years. The softening of masculinity is a good thing, and shows no sign of abating.
By Steve Savage
In my last blog posting I wrote in defense of Auto-Tune. So if it’s not Auto-Tune, then what is wrong with pop? To the extent that technological capabilities have created a problem, it’s the loudness war that created it. A brick wall limiter is the tool that makes digital audio files loud and in the process it can crush the dynamics and render the music lifeless. The effect is actually very powerful.
By Gordon Thompson
Fifty years ago, in one of London’s busiest shopping districts, the Rolling Stones stepped onto a stage for the first time, full of adolescent confidence and probably not a little performance anxiety. On this Thursday night, a crowd of friends and the curious came to support this muddle of middle-class English adolescents ambitiously exploring a relatively esoteric niche of American music. But everything about this first gig would portend a band that would be, a band that parents would hate and teens love, a band that would be ruthless in its pursuit of success.
This Thursday marks the 50th anniversary of the debut performance of the Rolling Stones at London’s Marquee club on Thursday, 12 July 1962. After putting out their first single two years later, the Rolling Stones would go on to release over two dozen studio albums, over 100 singles, and numerous compilation and live albums. We asked some staff at Oxford for their favorite Rolling Stones songs and why they think they’re so great; read on for their answers.
The temporary disappearance of the Codex Calixtinus was devastating to scholars and the general public alike because of its historical significance and special status as a symbolic object representing an important component of Spain´s national identity. This monumental collection of texts, images, and music relating to the cult of Saint James the greater in Santiago de Compostela is the most eloquent testimony (besides the Cathedral of Santiago itself) to the process by which James of Zebedee came to be revered as the Apostle of Spain.
By Mark Clague
The Fourth of July, aka “Independence Day” (the annual federal holiday in the United States marking the 1776 signing of the Declaration of Independence from Britain), is cause for national celebration and certainly the celebration of nationalism. Fireworks, orchestral concerts, parades, 5-K runs, carnivals, family picnics, and political speeches are common holiday happenings. Many are accompanied by music, especially by a haphazard class of folk tunes known as patriotic song that often defy historical logic, but nevertheless have become potent cultural symbols.
By Amanda Krause
Not long ago, I saw an image floating around the Internet. It simply displayed two items — a cassette tape and a pencil — along with the following statement: “our children will never know the link between the two.” Upon a quick search to locate that image the other day, it looks like it was the topic of a reddit post back in 2011. But as viral things tend to do, it lingered, making its way into Facebook posts and into Internet “age tests” aimed at prompting either confusion or nostalgic reflection.